'Avengers: Endgame' breaks all-time box office record

Agencies
July 22, 2019

Los Angeles, Jul 22: Superhero blockbuster Avengers: Endgame has officially become the biggest movie of all time, Disney confirmed Sunday, ending the 10-year reign of James Cameron's Avatar atop the global box office.

The epic finale to Disney-owned Marvel's 22-movie 'Infinity Saga' story-arc took in an estimated $1.5 million at home and abroad in its 13th weekend to bring its total since its April 26 release to $2.7902 billion.

Avatar, released in 2009, made $2.7897 billion, including its original theatrical run and various re-releases.

Marvel Studios and its parent company pre-empted the announcement on Saturday, revealing that Endgame was just $500,000 behind as of Friday, and would "close this gap by tomorrow."

The coronation of Endgame was timed to coincide with the appearance of Marvel president Kevin Feige at San Diego Comic-Con, the world's biggest pop culture fan convention.

"You have to shout out to James Cameron, who held that title for a long time," Feige said.

"If you adjust for inflation he still holds the title, and he'll probably get the title again as soon as he puts out another movie. But for right now... Avengers: Endgame is the biggest film of all time."

Both films are now owned by Disney following its takeover of 21st Century Fox.

Endgame drew a sky-high 94 per cent rating on the Rotten Tomatoes website and features a star-studded cast including Robert Downey Jr., Chris Evans, Mark Ruffalo, Chris Hemsworth, Scarlett Johansson, Bradley Cooper and Josh Brolin.

The fourth chapter in the team-up adventures of Iron Man, Hulk, Thor and company cost around $500 million to make, including marketing costs.

It set a new standard for Hollywood blockbusters in its opening weekend with stunning hauls of $357 million in North America and $1.2 billion worldwide.

Packed with spectacular fight scenes, special effects, gags and tear-jerking moments, it almost doubled the previous world record opening weekend take held by its predecessor, Avengers: Infinity War.

Among the many other superlatives thrown in Marvel's direction, Endgame was the widest release in North American history, showing on 4,662 screens in the US and Canada.

Disney co-chairman Alan Horn thanked "fans around the world who lifted Avengers: Endgame to these historic heights."

"Of course, even with the passage of a decade, the impact of James Cameron's Avatar remains as powerful as ever, and the astonishing achievements of both of these films are ongoing proof of the power of movies," he added.

Back on Earth, the roar of The Lion King rattled the cinematic world as the new Disney film scored a huge debut in North American theatres with an estimated $185 million for the three-day weekend, industry watcher Exhibitor Relations reported.

The Lion King, director Jon Favreau's update of the classic 1994 animated film, notched the biggest domestic launch ever for a PG-rated film, and an all-time record for a July release, the Hollywood Reporter said. Worldwide, the movie has passed the half-billion-dollar mark.

The film employs hyper-realistic computer-generated images and has a voice cast including Donald Glover as Simba and Beyonce as Nala, as well as Seth Rogen, Chiwetel Ejiofor and James Earl Jones.

Well back in second place was Sony's Spider-Man: Far From Home at $21 million. The latest instalment in the blockbuster franchise picks up where Avengers: Endgame left off, with Tom Holland as Peter Parker/Spider-Man atop a cast including Samuel L. Jackson, Zendaya, Jake Gyllenhaal -- and Favreau.

In third was Toy Story 4, taking in $14.6 million in its fifth week out while the fourth spot went to Paramount's Crawl, at $6 million.

The disaster thriller tells the story of a father and daughter (Barry Pepper and Kaya Scodelario) battling hungry gators after a hurricane hits their Florida town.

And in fifth was Universal's Yesterday, at $5.1 million. The sweet comedy is based on the entertaining if fantastic premise of a struggling musician (Himesh Patel) suddenly becoming one of the only people on Earth who remembers the Beatles.

Rounding out the weekend's top 10 were:

Stuber ($4 million)

Aladdin ($3.8 million)

Annabelle Comes Home ($2.7 million)

Midsommar ($1.6 million)

The Secret Life of Pets 2 ($1.5 million)

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News Network
July 23,2020

Mumbai, Jul 22: Actor Sara Ali Khan on Wednesday treated her fans to an extremely adorable family picture from a Holi celebration during her childhood days.

"Mother, Daughter- Iggy Potter. Riot of colours with Water Slaughter. Mommy so young I almost forgot her. Gulaal we threw, off-guard we caught her. But it was healthy fun with no totter. After all she's mother dearest- the OG Fautor," the 'Simmba' star poetically captioned the adorable Holi throwback picture on Instagram.

In the picture, Sara was seen coloured in Gulaal along with her mother Amrita Singh and brother Ibrahim Ali Khan. Sara looked loveable in the childhood picture as she wore an endearing smile with her neatly tied hair in a ponytail. Mom Amrita was seen smiling along with the kids, while she held little Ibrahim as he smiled and posed for the camera.

The post on the photo-sharing platform garnered more than 6 lakh likes within an hour of being posted.

Meanwhile, on the film front, Sara Ali Khan is awaiting the release of her latest comedy-drama 'Coolie No.1' with Varun Dhawan.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
January 9,2020

New Delhi, Jan 9: A Delhi court Thursday directed the makers of the Deepika Padukone starer feature film 'Chhapaak' to give credit to acid attack survivor Laxmi Agarwal’s lawyer in the movie.

Additional Civil Judge Pankaj Sharma said it was necessary that advocate Aparna Bhat's contribution is acknowledged.

"This Court is of the considered view that facts are indicative that the plea of the plaintiff for interim injunction is well-founded and it is necessary that her contribution be acknowledged by providing on the slide on the actual footage and the images, the line 'Aparna Bhat continues to fight the cases of sexual and physical violence against women' during the screening of the film.

"The said line on screen maybe with a rider that the same is with the court order," the judge said.

Advocate Bhat filed the application saying that despite representing Agarwal in courts for several years and helping in the movie-making, she was not given credit in the movie.

She said the filmmakers took her help in the entire process of writing and shooting the movie, but did not give the credit.

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