Baahubali 2 deemed too violent for audiences below 16 years of age, by Singapore censors

May 16, 2017

May 16: As SS Rajamouli's war epic Baahubali 2: The Conclusion rages on at the global box office, it received only a NC16 certification in Singapore, implying that children below 16 years of age will not be permitted to watch the film.

Baahubali

media reports that the reason behind the same was that the film certification board of Singapore found the war scenes extremely violent, deeming it unfit for children's consumption. The Central Board of Film Certification (CBFC) chief Pahlaj Nihalani has spelled out the reason behind the certification of the film in Singapore.

Pinkvilla quotes him as saying, "We granted Baahubali 2: The Conclusion a ‘U/A’ with virtually no cuts. In Singapore, they found Baahubali too violent. The war scenes, specially of soldiers being beheaded, were taken to be excessively gruesome by their censor board. Our mythology and religious scriptures have a lot of violent images of rakshasas being beheaded, etc. So, our children grow up hearing these tales of violence. They are not scared by mythological mayhem."

He also used this example to show how 'liberal' censorship in India is. The same report quotes him as saying, "In many countries of Asia and Europe, more Bollywood films get ‘A’ certificate than we do in India. Also, in India censorship is about pacifying sentiments rather than doing the right things. If we cut one shot of a beheading we are branded anti-religious. If we shorten the duration of a kiss we are prudes. And if we delete a shot of boy masturbating another boy (in Moonlight) we are branded homophobic."

Another recent example of this strict certification in Singapore was that of Bill Condom's musical romantic fantasy film Beauty and the Beast earlier this year. It was given adult certification because of the presence of a homosexual character who merely had a supporting role in the film.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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Agencies
August 7,2020

Mumbai, Aug 7: Bhojpuri actress Anupama Pathak has died allegedly by suicide in Dahisar East, her Mumbai residence on August 2.

The police have recovered a suicide note.

Initially, an accidental death case was registered which was later converted into FIR under section 306 (abetment of suicide) of IPC against a person and a company, the police said.

Further investigation by Mumbai's Kashimira Police is underway.

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