'Bang Bang' outshines 'Operation 021' in Pakistan

October 9, 2014

Karachi, Oct 9: Bollywood's latest blockbuster 'Bang Bang' has outgunned the much hyped Pakistani film 'Operation 021' during the Eid holidays with exhibitors being forced to take down the local offering from single screen cinemas after adverse reactions from the audience.

Bang Bang'Operation 021', which stars Pakistani superstar Shaan, was expected to emulate the business done by 'Waar' last year at Eid. 'Waar' earned over Rs 200 crores at the Pakistani box office last year.

At the famous Capri and Bambino single screen cinemas, the owners took the film off screen after just one or two shows on Eid as the crowd resorted to throwing objects at the screen, booing and demanding refund of their tickets.

They then decided to salvage the situation by scheduling in extras shows of the Hrithik Roshan and Katrina Kaif starrer and another Pakistani release, comedy 'Na Maloom Afraad' to replace 'Operation 021'.

"It was a bad situation on Eid day as we had kept extra shows of 'Operation 021' but after the crowd rejected the movie we had no option but to pull it off screen," Adeel Siddiqui the owner of Bambino cinema said.

"We always do bonus business on Eid holidays when all shows are housefull. Unfortunately, this time things didn't go as planned. Maybe the film was just too slow paced for the average cinema goer," he said.

Manager Saleem at Capri cinema had a similar story to tell. "The crowds just didn't want to watch the movie and were demanding refunds for their tickets."

An employee at one of the four main cineplexes in Karachi said 'Operation 021' was screened there because of advance bookings for the four-day Eid holiday period.

But in two of the cineplexes of Karachi, the exhibitors brought in extra shows of 'Bang Bang', 'Na Maloom Afraad' and 'Khoobsurat' later on.

'Bang Bang' had till the first day of Eid collected Rs 35 million in ticket sales across Karachi and exhibitor- distributor, Nadeem Manviwalla said the film collected around Rs 8 million on Eid while 'Operation 021' and 'Na Maloom Afraad' each earned Rs 5.5 million primarily due to advance bookings.

Even 'Khoobsurat', starring Pakistani actor Fawad Khan, which has been running in cinemas since last month, managed to generate another Rs 1.2 million on Eid day.

Pakistan has become an attractive market for Bollywood film distributors since a ban was lifted on screening of Indian films in Pakistan during the tenure of former President, Pervez Musharraf, in 2008.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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Agencies
July 19,2020

Mumbai, Jul 19: Mumbai Police have registered an FIR against two Instagram account holders for allegedly threatening actor Rhea Chakraborty, an official said on Sunday.

The location of the two accused is yet to be traced, the official said, adding that the investigation in the case is at primary stage.

Chakraborty on Thursday requested the cyber crime cell to look into the rape and murder threats she has been receiving ever since the death of close friend, actor Sushant Singh Rajput.

Rajput, 34, was found dead in his apartment in suburban Bandra here on June 14, leaving people in the film industry and audiences shocked.

Chakraborty, in particular, was subjected to online hate with users blaming her for Rajput's suicide.

"We registered the First Information Report (FIR) on Saturday under Indian Penal Code Sections 507 (criminal intimidation by an anonymous communication), 509 (intending to insult modesty of any woman) and relevant provisions of the Information Technology Act," Santacruz police station's senior inspector Shriram Koregaonkar said.

"No arrest has been made so far. We are conducting an investigation in the case," he added.

On Thursday, sharing a screenshot of a hate message she received on Instagram, Chakraborty said while she had ignored many abusive texts sent to her in the past month, the harassment was now unbearable.

The 28-year-old actor eventually disabled the comments section of her Instagram page.

Chakraborty, known for films such as "Mere Dad Ki Maruti" and "Jalebi", had tagged the cyber cell and requested the authorities to look into the threats.

On June 18, she was called to the Bandra police station to record her statement in connection with Rajput's death.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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