Bengalis welcome Prasoon Joshi as CBFC chief

Agencies
August 14, 2017

Kolkata, Aug 14: Prominent film makers of Bengal today welcomed the appointment of eminent lyricist and screenwriter Prasoon Joshi as Censor Board chief and hoped it would bring the much needed change in its functioning.

Internationally acclaimed director Buddhadev Dasgupta told PTI, "former chief Pahlaj Nihalani had virtually turned the Censor Board into his own office. He had forgotten that the primary role of Censor Board is not to edit frames but show responsibility to the art of cinema."

Coming down heavily on Nihalini, the 'Bagh Bahadur' maker said, "From day one he started creating problems and forced film makers and other sections to follow his political thoughts. It is good that he was ousted."

Dasgupta, whose recent release 'Tope' has got laurels in different film festivals, said "Joshi will certainly make a positive difference with his progressive views and Censor will not court controversies like the way it did in recent times."

Director Goutam Ghosh, whose last film 'Sankhachil' had been acclaimed in the country and internationally, said, "As a film maker my first and foremost wish will be the implementation of the report of the Shyam Benegal committee in which I was one of the members."

"We had worked so hard for days to draft the recommendations for the committee. We had suggested certain amendments to the present Act but there was no follow-up action," the 'Paar' director said.

The Shyam Benegal committee was set up on January 1, 2016 to lay down rules and regulations for film certification giving sufficient and adequate space for artistic and creative expression. It submitted its report on April 29, 2016 but there has been very little progress on it so far.

Ghosh also hoped the change of guard would ensure documentaries like the one on Amartya Sen, made by young film maker Suman Ghosh, would not face the same problem anymore.

The Centre replaced Nihalini, who had hogged headlines for his controversial decisions, with Joshi in a surprise announcement on Aug 11.

Director Suman Ghosh, whose 'The Argumentative Indian' on Amartya Sen had faced Censor hurdle with Nihalini asserting the documentary can't be passed with beeping of six words/phrases, said, "I hope under Joshi's tenure the work of me or other film makers will be definitely judged cinematically and meet better fate at the CBFC."

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
February 25,2020

New Delhi, Feb 25: The Delhi High Court on Tuesday gave time to Directorate General of Civil Aviation (DGCA) to seek instructions on travel ban imposed on comedian Kunal Kamra.

Kamra approached the court against IndiGo which suspended him from flying with the airlines for a period of six months. Other airlines had also followed the suit in pursuance to this.

Justice Naveen Chawla said that the regulatory body should not have certified actions of airlines other than IndiGo to ban Kamra without conducting inquiry. The matter will now be heard on February 27.

Last month, IndiGo had barred the stand-up comedian for six months from using its services for allegedly portraying "unacceptable behaviour" onboard its flight.

The airline claimed that Kamra, while travelling on a Mumbai-Lucknow IndiGo flight, provoked a TV news anchor by asking questions over his news presentation style.

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News Network
April 30,2020

Mumbai, Apr 29: Veteran actor Rishi Kapoor is not keeping well and has been admitted to a city hospital here, his elder brother Randhir Kapoor said.

The 67-year-old actor was taken to H N Reliance hospital by his family on Wednesday morning.

"He is in the hospital. He is suffering from cancer and he has some breathing problem, so he has been admitted to the hospital. He is stable now," Randhir told PTI.

The actor returned to India last September after undergoing treatment for cancer in the US for almost a year.

In February, Kapoor was hospitalised twice due to his health issues.

He was first admitted to a hospital in Delhi where he was attending a family function. At the time, Kapoor had said that he was suffering from an "infection".

After his return to Mumbai, he was again admitted to a hospital with viral fever. He was discharged soon after.

Kapoor, who has been quite active on social media, hasn't posted anything on his Twitter account since April 2.

The actor recently announced his next project, a remake of Hollywood film "The Intern", also featuring Deepika Padukone.

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