Big B, Kangana receive National Awards

May 4, 2016

New Delhi, May 4: Bollywood actor Amitabh Bachchan was on Tuesday accompanied by his family members to the 63rd National Film Awards ceremony here, where the megastar received the best actor honour for his role of a hypochondriac father in Piku.

Actor Kangana Ranaut too turned up with her father, mother, sister and brother to receive the best actress award for Tanu Weds Manu Returns.

Kangana

Veteran film actor and director Manoj Kumar was given the 47th Dadasaheb Phalke Award. Known for featuring in films with patriotic themes, Manoj Kumar presented a Sai Baba idol to President Pranab Mukherjee.

The 78-year-old looked frail in a wheelchair, but was in high spirits as he waved to the cheering crowd when he got on to the stage. The President honoured the cine icon, whose career began in 1957.

A five-member jury — Lata Mangeshkar, Asha Bhosle, Salim Khan, Nitin Mukesh and Anup Jalota — unanimously recommended Manoj Kumar for the prestigious award this year.

The Dadasaheb Phalke Award is given by the government of India for outstanding contribution to the growth and development of Indian cinema. The award consists of a Swarn Kamal (Golden Lotus), a cash prize of Rs.10 lakh and a shawl.

Bachchan’s moment

It was Big B’s fourth National award. His son Abhishek Bachchan, daughter-in-law Aishwarya Rai Bachchan, wife Jaya Bachchan and daughter Shweta Nanda turned up at the ceremony to cheer for the actor. His previous National awards were for his performances in Agneepath, Black and Paa. One of the most sought-after stars in Bollywood, the actor will next be seen in Te3n and Shoojit Sircar’s Pink.

Kangana’s father ‘proud’

Kangana’s father Amardeep Ranaut said it was a proud moment to see his daughter receive her third National Award from the President. “I am very happy. I am a proud father and it is a matter of great pride,” Mr. Ranaut said.

The 29-year-old actor stood out in a pink off-shoulder gown from Beirut-based Lebanese designer Georges Chakra. Kangana teamed her gown with a classic bob, which is similar to the look she will be seen sporting in her upcoming film Rangoon.

Unlike the traditional attire opted by Indian celebrities for such events, Kangana usually goes for international couture. She had opted for a dusty pink gown by India-born designer Bibhu Mohapatra at the 2014 National Awards where she was honoured for her role in Queen. Her first National award was in the best supporting actress category for Fashion. Underlining unity: Pranab

Lauding film-makers for making movies that truly reflect Indian character, President Mukherjee said India had never allowed divergence to create disunity as its people always found unity.

“We did never believe in exclusion, always in inclusion. We did never allow divergence to create disunity. We celebrated divergence because it always finds an underlining unity,” he said.

He expressed his gratefulness to Indian cinema and its doyens from past to present who are also contributing to make “Indian films truly reflective of Indian character of unity amidst diversity.”

Mr. Mukherjee also noted that the Indian film industry, though it has had its ups and downs, has made progress technologically and was also doing well financially.

The President said he had learnt that the domestic revenues of the film industry have risen to Rs. 138 billion in 2015, up from Rs. 126 billion the year before. Even the overseas revenues have grown from Rs. 8.6 billion in 2014 to Rs. 9.6 billion in 2015.

“I am very happy that this time there are a lot of newcomers, who have won awards and what makes it more special is that there are legends, living legends, like Mr. Amitabh Bachchan, who have been honoured too,” the President said.

Mr. Mukherjee said he sometimes marvelled at the varieties of Indian films, adding that managing India in itself was a challenge as it is country with 1.2 billion people who everyday speak 122 languages, 1,800 dialects, follow seven religions and belong to three major ethnic groups. It is a huge diversity living as one administrative system, under one Constitution and one national flag, he said.

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Agencies
June 17,2020

Mumbai, Jun 17: A lawyer on Wednesday moved a criminal complaint against 8 persons, including Bollywood superstar Salman Khan and producer-director Karan Johar, in a local court regarding the death of Bollywood actor Sushant Singh Rajput.

The court had fixed July 3 as the next date of hearing.

In his complaint filed in the court of Chief Judicial Magistrate, advocate Sudhir Kumar Ojha alleged that these eight persons forced Sushant to commit suicide under a conspiracy which, he pleaded, amounted to murder.

Others named in the complaint are Aditya Chopra, Sajid Nadiadwala, Sanjay Leela Bhansali, Bhushan Kumar, Ekta Kapoor, and director Dinesh.

The complainant claimed that these persons did not let Sushant's movies get released under a conspiracy and the late actor was not even invited to film functions because of these people.

Ojha said that Sushant Singh Rajput's death had not only hurt the people of Bihar but the entire country.

He said the complaint had been filed under Sections 306, 109, 504 and 506 and Bollywood actor Kangana Ranawat had been listed as a witness in the case.

Sushant Singh Rajput had allegedly committed suicide at his Bandra flat in Mumbai on Sunday.

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News Network
July 5,2020

Nalgonda,  Jul 5: Bollywood filmmaker Ram Gopal Varma has been booked in connection with his upcoming film 'Murder' which is based on Pranay Kumar's murder in Nalgonda district.

Ram Gopal Varma was booked following Nalgonda court's directive on a petition filed by father of a man who was killed in an alleged honour killing incident in Miryalaguda in 2018.

"We have booked filmmaker Ram Gopal Varma following a court order for his upcoming movie 'Murder', which is based on sensational caste-based Pranay Kumar's murder that occurred in Miryalguda, Nalgonda District in September 2018, " Police said.

On June 21, the filmmaker has released the poster of 'Murder', based on a true story.
Police said, "Pranay's father Balaswamy has filed a petition in Nalgonda Court stating that the film will affect the on-going trial of Pranay's murder case and the film should be stalled."

"We've registered a case under relevant section of SC/ST (Prevention of Atrocities) Amendment Act and taken up investigation."

"The court has ordered Nalgonda police to register a case against the film director Ram Gopal Varma and the producer," added the police.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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