Bruce Lee's daughter 'disheartened' with father's portrayal in 'Once Upon a Time in Hollywood'

Agencies
July 31, 2019

Washington D.C., Jul 31: Quentin Tarantino's 'Once Upon a Time in Hollywood', which is being praised by the critics for its writing and depiction of the late '60s, may have been a box office hit, but one person isn't too thrilled about the film and recently called out the director for his work.

Shannon Lee, the daughter of martial arts legend and actor Bruce Lee, has slammed Tarantino for portraying her father as a "caricature" in 'Once Upon a Time in Hollywood', reported E! News.

In a new interview with The Wrap, as cited by E! News, Shannon, said it was "disheartening" to see how her father is portrayed in the 1969 era film.

In the film, Brad Pitt's character, Cliff Booth, trades insults with Bruce Lee, played by actor Mike Moh, before they eventually agree to a best out-of-three rounds fight.

However, when Shannon attended a screening of the movie she said that she thought it was "disheartening" to see her father seemingly belittled.

"I understand they want to make the Brad Pitt character this super bad-ass who could beat up Bruce Lee. But they didn't need to treat him in the way that white Hollywood did when he was alive," she added.

According to her, they made Lee "come across as an arrogant asshole who was full of hot air."

However, she said it's quite contrary to how he has been portrayed in the film.

"He was someone who had to fight triple as hard as any of those people did to accomplish what was naturally given to so many others," she explained.

Shannon added that as "uncomfortable" as it was to "sit in the theatre and listen to people laugh at my father" she understands what message the film was trying to convey. After all, Tarantino was trying to portray "a period of time that clearly had a lot of racism and exclusion."

However, regardless of Tarantino's intentions, Shannon is upset by how her father is portrayed in the film and its complete disregard for Lee's accomplishments and life.
 
She said, "All of that was flushed down the toilet in this portrayal, and made my father into this arrogant punching bag."

When it comes to Moh specifically, Shannon said that she didn't take issue with the 35-year-old actor, noting that he did a good job with some of her late dad's mannerisms and his voice.

"But I think he was directed to be a caricature," Shannon, who continues her father's legacy through a website, her podcast, and the Bruce Lee Foundation, added.

'Once Upon a Time in Hollywood' is set in the backdrop of 1969 Los Angeles, the film features Leonardo DiCaprio and Brad Pitt as fading TV star Rick Dalton and his stunt double Cliff Booth, respectively. The film follows them as they make their way through a changing film industry, and fight to reclaim their fame. 

Apart from DiCaprio, Pitt, and Moh, the film also stars Margot Robbie, late actor Luke Perry, Al Pacino, Dakota Fanning, Timothy Olyphant, Emile Hirsch, Damian Lewis, Michael Madsen, Lena Dunham, and Kurt Russell. It is produced by Shannon McIntosh and David Heyman.

Perry, who will be last seen on the silver screen as Scott Lancer, a fictitious character in 'Once Upon A Time In Hollywood', passed away at the age of 52 on March 4 after suffering a massive stroke.

The film is slated to hit the theatres in India on August 15, this year.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
February 25,2020

New Delhi, Feb 25: The Delhi High Court on Tuesday gave time to Directorate General of Civil Aviation (DGCA) to seek instructions on travel ban imposed on comedian Kunal Kamra.

Kamra approached the court against IndiGo which suspended him from flying with the airlines for a period of six months. Other airlines had also followed the suit in pursuance to this.

Justice Naveen Chawla said that the regulatory body should not have certified actions of airlines other than IndiGo to ban Kamra without conducting inquiry. The matter will now be heard on February 27.

Last month, IndiGo had barred the stand-up comedian for six months from using its services for allegedly portraying "unacceptable behaviour" onboard its flight.

The airline claimed that Kamra, while travelling on a Mumbai-Lucknow IndiGo flight, provoked a TV news anchor by asking questions over his news presentation style.

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News Network
July 4,2020

London, Jul 4: Hollywood star Chris Hemsworth says he is really excited about the biopic on WWE legend Hulk Hogan, which is currently in development.

"The Thor" actor revealed that he will bulk up his physique for the much-anticipated film to be directed by “Joker” helmer Todd Phillips.

“This movie is going to be a really fun project. As you can imagine, the preparation for the role will be insanely physical. I will have to put on more size than I ever have before, even more than I put on for Thor.

''And then there is the accent as well as the physicality and the attitude. I will also have to do a deep dive into the rabbit hole of the wrestling world, which I'm really looking forward to doing,” Hemsworth told British magazine Total Film.

The project was announced last year, with “8 Mile” scribe Scott Silver and John Pollono attached to pen the script.

It is expected to look into Hogan's rise from the Florida wrestling circuit to becoming the face of the World Wrestling Federation in the 1980s where he squared off with villain Andre the Giant.

The 36-year-old actor, however, said that the team is still “quite a way away” from starting production on the film.

“'I haven't even seen a script yet. The project is deep in development. Todd Phillips and I met to chat about it maybe a year or two ago. We talked about the idea for the film, which I think was going to be a TV series at one point.

''There were a few different ideas about what portion of his life it was going to be set in, so we spitballed about what it could be and what I thought it might be. Thankfully, they ran with a few of those ideas and the script is in the process of being written - but Hulk Hogan is still quite a way away.''

The biopic will be produced by Michael Sugar through his Sugar23's first-look Netflix deal along with Joint Efforts' Phillips and Bradley Cooper, Eric Bischoff, and Hemsworth.

Hogan will also serve as executive producer along with Sugar23's Ashley Zalta. Steve Desmond and Michael Sherman will serve as co-producers.

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