Cannes 2017: Fashion queen Sonam Kapoor looks resplendent on the red carpet

May 22, 2017

New Delhi, May 22: She had, in an earlier interview, said that she did not prepare much for the Cannes Film Festival owing to her busy schedule, but her appearance on the red carpet of the French Riviera largely discredited her claim.

cannes

Sonam Kapoor looked more than resplendent when she made an entry at the red carpet at Cannes 2017 dressed in Elie Saab.

The official Twitter account of L'Oreal Paris India posted a series of Sonam's pictures.

Styled by her sister Rhea Kapoor, Sonam made a statement in an embellished chiffon dress.

Accessorising her couture with custom-made Kalyan jewellery, Sonam took over from Aishwarya Rai Bachchan and Deepika Padukone, both of who had earlier mesmerised the audiences and the media with their ultra-glamorous looks.

"@sonamkapoor lights up the red carpet in custom ELIE SAAB Haute Couture at the 'The Meyerowtiz Stories' screening #Cannes2017," the official Twitter handle of Elie Saab tweeted.

At the red carpet, Sonam also posed with Andie MacDowe and Araya Hargate, even as Loreal Paris India tweeted, "Squad goals! @sonamakapoor @AndieMacDowell3 #ArayaHargate #SonamAtCannes #LifeAtCannes."

A part of L'Oreal's 2017 entourage, also consisting Aishwarya and Deepika, Sonam, earlier in the day, looked gorgeous in a NorBlack NorWhite prismatic saree paired with a white blouse.

Bollywood's top fashion icon Sonam has always been the critics' favourite when it comes to donning classy looks for the red carpet.

Sonam Kapoor recently won a National Award (Special Mention) for her role in the 2016 movie 'Neerja' and is all set to begin shooting for Rhea's film 'Veerey Di Wedding' along with co-stars Kareena Kapoor Khan and Swara Bhaskar.

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News Network
April 2,2020

Mumbai, Apr 2: Ramayan, the over three-decade-old TV series based on Hindu mythology, garnered 170 million viewers in four shows over the last weekend in its new avatar, the BARC said on Thursday.

This catapulted the Ramanand Sagar production as the highest watched serial in the Hindi general entertainment space ever, the Broadcast Audience Research Council said.

The show was relaunched last Saturday amid the gloomy times of lockdown due to the COVID-19 pandemic, and a lot of thrust laid by the government machinery to popularise the series.

BARC's chief executive Sunil Lulla said the numbers notched up by the series was a bit surprising and called the move as a brilliant one by the Prasar Bharti.

He said eventually, we will also see advertisers flock the series which will be running for a few more days.

The inaugural show of the series on Saturday morning had 34 million viewers glued to their TV sets watching and enjoyed a rating of 3.4 per cent, while a telecast the same evening had 45 million viewers and a rating of 5.2 per cent.

The show bettered its performance on Sunday, with 40 million and 51 million people watching it in the morning and evening telecasts, respectively.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
January 27,2020

Los Angeles, Jan 27: Lil Nas X, Lady Gaga, Beyonce and... Michelle Obama?

Yep.

The former first lady can now add Grammy winner to her resume, after snagging the award on music's biggest night for Best Spoken Word Album, for the audiobook of her memoir Becoming.

Her win on Sunday gives the Obama household its third Grammy: former president Barack Obama has already snagged two Grammys in the same category for his books.

She faced an eccentric group of rivals that included Michael Diamond and Adam Horovitz of the Beastie Boys for Beastie Boys Book and John Waters, the director-performer known for his transgressive cult films, for Mr. Know-It-All.

 Released in late 2018, Becoming saw the former first lady slam U.S. president Donald Trump for questioning her husband's citizenship and promoting the notion that he was born abroad.

"The whole [birther] thing was crazy and mean-spirited, of course, its underlying bigotry and xenophobia hardly concealed," Obama wrote.

America's first black first lady also dug into her personal life in her book, expounding on issues including a miscarriage, using in-vitro fertilization to conceive her daughters and marriage counseling.

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