Censor board member kicks up row over 'AIB roast' remark against Karan

February 4, 2015

Jaipur/Mumbai, Feb 4: Censor Board member and filmmaker Ashok Pandit today set off a controversy with his derogatory remarks against moviemaker Karan Johar over his expletive-laced comedy show which is being probed by the Maharashtra Goverment.

AIB roast

The Maharasthra government said that it will only check if "AIB roast" had secured appropriate clearances, a day after announcing an inquiry into the show that also featured actors Arjun Kapoor and Ranveer Singh for obscene language and content. The "Roast" is the first of its kind in India.

Pandit, who was recently made a member of the revamped Censor Board, dubbed the comedy show as performing a "porn show on stage" and made some uncharitable remarks against Johar, a noted Producer-Director, who was the 'roast-master' at the event. In a series of tweets, he also said he supported the inquiry by the Maharashtra government.

An unfazed Johar took to Twitter to take on Pandit saying, "Not your cup of tea...don't drink it!!!". With the micro-blogging site trending with "We Stand By AIB Knockout", Bollywood star Sonakshi Sinha also slammed Pandit.

"So nice to see twitter is filled with such angels who point out hypocrisy and never use foul language and have never laughed at dirty jokes (haw)," she tweeted.

The AIB roast event staged in Mumbai in December was attended by 4,000 people and the audience included Johar's mother, Sonakshi Sinha, Alia Bhatt and Deepika Padukone among others.

The edited version of the no-holds barred "roast" of Arjun and Ranveer was later posted on YouTube, Sonakshi also faced many roasts by the members of the group.

Pandit later defended his tweets against Johar, saying he was only reacting to the way in which the filmmaker and the other brilliant actors used such kind of language which should not be spoken at a public show.

"They can't use the language in public that is not decent in any form," he said, adding, "the entire show was abnormal".

"I have reacted because I am a Karan Johar fan, Ranveer Singh fan, Arjun Kapoor man....I have very right to do that. And if they feel about my tweet if they are hurt about my tweet, they can consider it as an extension of their roast," he said in Jaipur.

Pandit also came under attack from Congress. "Filmmaker & censor board member @ashokepandit tweets filth about @karanjohar. Is this acceptable? He should quit or be removed," tweeted Salman Soz, a spokesman of the Congress.

Maharashtra Culture Minister Vinod Tawde said the state government does not intend do any "moral policing."

"On #AIBRoast, will only enquire if the AIB had taken appropriate certificate. No moral policing.. if they are allowed by law, I can't stop them," Tawde tweeted.

Yesterday, Tawde had told reporters that "officials of the Culture Department will examine the (AIB show) videos for the content. If found vulgar, an action will be initiated."

The minister had announced the inquiry following a police probe into a complaint against the participants for allegedly using "filthy and abusive language" during the event called AIB Knockout.

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News Network
March 5,2020

New Delhi, Mar 5: Urging netizens to adopt traditional salutation styles like 'namaste' and 'salaam' to greet everyone in the wake of the coronavirus outbreak, megastar Salman Khan on Thursday shared a picture from his workout session.

Flaunting his perfectly chiselled body, the 'Sultan' actor shared a picture of himself sitting on a pull-down machine with folded hands as a mark of Indian tradition 'namaste'.

"Namashkaar ... hamari sabhyata mein namaste aur salaam hai! Jab #coronavirus Khatam ho jaye tab Haath milao aur gale lago...." he captioned the picture.

Khan recently touched the mark of 30 million followers on Instagram on Saturday and shared a short video on the platform thanking his fans for it.

In the video, he first thanked fans with folded hands and then a salute.

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News Network
April 7,2020

New Delhi, Apr 7: Actor Disha Patani on Tuesday extended her warm wishes to legendary martial artist and actor Jackie Chan on his birthday.

The 'Baaghi 2' took to Instagram to share a throwback picture of herself with the Hong Kong-based actor and reminisced the times when she got the opportunity to work with him.

"Happiest b'day taguuu this was the first time I met you, I remember being so nervous but It turned out to be the best day of my life, getting an opportunity to work with my "superhero" is the best thing that has ever happened to me," she wrote in the caption.

"You teach people to be giving, loving and hardworking, thank you for blessing the world with your unreal performances and the most unforgettable life risking action sequences. Nobody can ever be "jackie chan" love you the most @jackiechan," she added.

Disha Patani and Jackie Chan worked together in a Chinese adventure comic film 'Kung Fu Yoga'.

The film was released worldwide in 2017 and it later became the highest-grossing film of Jackie Chan in China.

Besides Disha, the film also had two other Bollywood actors - Sonu Sood and Amyra Dastur.

Jackie Chan turned 66 today. He was many laurels to his name including the prestigious Oscar Award which was handed over to him in 2016 for his extraordinary achievements in the cinema industry.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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