Communal Construction of the Past: Attack on 'Padmavati'

[email protected] (Ram Puniyani)
February 18, 2017

Sanjay Leela Bhansali’s (SLB) unit filming the period film, Padmavati was attacked recently (January 2017) near Jaipur in Rajasthan.

Padmavati

The pretext was that there is a dream sequence in the film which depicts Alauddin Khilji, the Muslim King and the Rajput Princess Padmavati. The attack was organized by one Karni Sena which claims to be working for preservation of Rajput honor and which felt that the film is an insult on the community honor of Rajputs. Interestingly the film is at the shooting stage and the Karni Sena has no access to the script of the film. The rumor about the dream sequence made them launch the attack against the film unit. It was not surprising that the state sat back, no condemnation of the attack by the state leadership was there. SLB also decided to pack off and not to do the shooting in Rajasthan. He has been threatened by BJP-VHP leaders daring him to shoot the film anywhere in India. The same Karni Sena had earlier vandalized the cinema theaters showing the film Jodha Akbar, depicting another Rajput princess.

The Allauddin Khilji-Padmavati story is from the annals of fiction, while some unauthenticated sources claim that since Khilji was for real; the tale about him must also be true. As such the reality is that the popular narrative of Padmavati and her Jauhar (immolation) are based on the work of fiction by a Sufi saint, Malik Mohammad Jayasi, in sixteenth century, two centuries after reign of Khilji. The narration of Padmavat, a classic of sorts, revolves around the love story of Ratan Singh, the king of Chittor and Padmavati, the princess of imaginary Simhala Island. Ratan Singh came to know about the beauty of the princess from her parrot, Hiraman. Guided by Hiraman; Ratan Singh pursues the princess and the lovers unite. As per this fictional tale Ratan Singh is betrayed by some Raghav Pandit, is attacked by the King of Kumbhalner and dies. King of Kumbhalner has also an eye on Padmavati. Meanwhile Khilji, who has seen the beauty of princess and is smitten by that also attacks Ratan Singh’s kingdom, just to find that Padmavati along with other women have committed jauhar, mass self immolation. The Sufi mystic who has written this immortal classic presents the tale as a metaphor for human soul seeking out and futility of power.

Over a period of time the narration has just been reduced to Padmavati as a symbol of Rajput honor and Khilji as the Islamic invader; full of lust. The construction of the past by the communities has been greatly influenced by the present political scenario. This narrative revolves around the communal view of history where Kings are presented as the vehicles of their religion. The aspect of power as the central motive of kings is bypassed in this view of history. In contemporary times this is the orientation which forms the core of community memory, which has been constructed over a period of time. The aim of this narration is to present the valor of Rajput kings. As per this they defended valiantly against the Muslim rulers and protected the honor of ‘their women’. In turn women also committed immolation rather than being defiled by the Muslim kings. This narrative is totally in opposition to the reality of the long historical stretch where the Mughal-Rajput interaction was the fulcrum around which political alliances were forged and Rajput daughters married the Muslim-Mughal kings in particular.

Few years ago when the film Jodha Akbar was vandalized. This film also has the theme of Muslim King-Hindu princess. Presentation of many an incident of the past has also been heavily colored by the part of fiction as well. As such what was witnessed in the subcontinent was the attempt by Mughal kings to build an Empire, which involved battles and alliances both. Akbar and Rana Pratap had a battle but later Rana Pratap’s son Amar Singh enters into alliance with Akbar’s son Jahangir. Rajput kings also adorned high positions in Mughal administration. Mughal Rajput syncretism in particular was the important factor of medieval period at social and political level.

There are two sets of presentations about the Rajput Princesses. The powerful and more gripping one, which captures the mass imagination, is the one which glorifies the self immolation to save the community honor. The second one is that of the inter-marrying of princely families revolving around power. The prevalent patriarchal notions do see ‘giving away daughters’ as a sort of community defeat and so these narrations are being erased from memory and the notions of jauhar are being put forward as the badge of honor. Film Jodha Akbar presented the matter of fact marriage of a Rajput princess with a Mughal king as a political pact between two ruling families. Today the attempt is to wipe away such memories which are uncomfortable in prevalent constructions of community honor. So the discomfort with the presentations in Jodha Akbar was there.

With Padmavati, the matters are being taken one step further. The vigilantes of ‘community honor’ have attacked merely on the basis of a rumor. One does not know what the film director has in mind, but the dream sequence of a Muslim man with a Hindu girl is creating the discomfort in the minds of the likes of Karni Sena. Surely such attitudes have gone up during last three decades and seem to be growing unchecked over a period of time. The artistic freedom is being controlled by those belonging to right wing nationalism and their wings are becoming stronger and going unchecked as the Hindutva politics is getting legitimacy and strength. Film makers have felt the wrath of these groups with increasing intensity. The political system which should be committed to the values of freedom of expression is mostly a bystander, underlining the fact that this ideology of Hindutva has no place for diverse presentation of the past, neither for the creative freedom of the artists. The state is failing the ‘democracy test’ time and over again.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
Wafa Sultana
April 4,2020

Over the last couple of days when the world was occupied with unifying efforts to fight the deadly Covid19 pandemic, sections of Indian media provided viewers a familiar scapegoat – the Indian Muslims – who are often stereotyped as a community being constantly at loggerheads with the citizenry and the State. Biased media channels were quick to resort to blaming the entire Muslim community for the spread of the disease in the country, thanks to an ill-timed Tablighi Jamaat gathering at its international headquarters in Delhi’s Nizamuddin. Unsurprisingly, the opprobrium was also marked by a sudden spike in WhatsApp forwards of videos with people wearing skullcaps licking spoons and performing Sufi breathing rituals, suggesting some sort of wild conspiracy on the part of the community to spread the virus.  Some media channels were quick to formulate, hypothesize and provide loose definitions of a newly discovered form of Jihad i.e. ‘Corona Jihad ’ thereby vilifying the Islamic faith and its followers.

While the investigation on the culpability of the organizers of the Nizamuddin event is still ongoing, there is enough information to suggest that the meeting was held before any lockdown was in force, and the problem began when there was no way of getting people out once the curfew was announced. Be that as it may, there is little doubt that organizing a meet of such a scale when there is a global pandemic smacks of gross misjudgment, and definitely the organizers should be held accountable if laws or public orders were defied. Attendees who attempt to defy quarantine measures must be dealt with strictly. However, what is alarming is that the focus and narrative have now shifted from the unfortunate event at Nizamuddin to the Tablighi Jamaat itself.

For those not familiar with the Tablighi Jamaat, the organization was founded in 1926 in Mewat by scholar Maulana Mohammad Ilyas. The Jamaat’s main objective was to get Muslim youth to learn and practice pristine Islam shorn of external influences. This is achieved through individuals dedicating time for moral and spiritual upliftment secluded from the rest of the world for a brief period of time. There is no formal membership process. More senior and experienced participants typically travel from one mosque to other delivering talks on religious topics, inviting local youth to attend and then volunteer for a spiritual retreat for a fixed number of days to a mosque in a nearby town or village to present the message to their co-religionists. Contrary to ongoing Islamophobic rhetoric, the movement does not actively proselytize. The focus is rather on getting Muslims to learn the teachings and practices of Islam.  This grassroots India-based movement has now grown to almost all countries with substantial Muslim populations. Its annual meets, or ‘ijtemas’ are among the largest Islamic congregations in the world after the annual Haj. One of the reasons for its popularity and wide network in the subcontinent and wordwide is the fact that it has eschewed the need for scholarly intervention, focusing on peer learning of fundamental beliefs and practice rather than high-falutin ideological debates. The Tablighi Jamaat also distinguishes itself from other Islamic movements through its strictly apolitical nature, with a focus on individual self-improvement rather than political mobilization. Hardships and difficulty in the world are expected to be face through ‘sabr’ (patience) and ‘dua’ (supplication),  than through quest for political power or influence. In terms of ideology, it is very much based on mainstream Sunni Islamic principles derived from the Deobandi school.

So, why is all this background important in the current context? While biased media entities have expectedly brought out their Islamophobic paraphernalia out for full display, more neutral commentators have tried to paint the Tablighi Jamaat as a fringe group and have tried to distance it from 'mainstream Muslims'. While the intent is no doubt innocent, this is a trap we must not fall into. This narrative, unfortunately, is also gaining ground due to apathy some Muslims have for the group, accusing it of being “disconnected from the realities of the world”. Unlike other Muslim organizations and movements, the Tablighi Jamat, by virtue of its political indifference, does not boast of high-profile advocates and savvy spokespersons who can defend it in mainstream or social media.  The use of adjectives such as 'outdated' and 'orthodox' by liberal columnists to describe the Jamaat feeds into the malignant attempt to change the narrative from the control of the spread of the pandemic due to the Nizamuddin gathering to 'raison d'etre' of the organization itself.

A large mainstream religious group like the Tablighi Jamaat with nearly a hundred-year history, normally considered to be peaceful, apolitical and minding its own business is now suddenly being villainized owing to unfortunate circumstances. Biased media reactions filled with disgust and hate seem to feed the Indian public conscience with a danngerous misconception - to be a nominal Muslim is okay but being a practicing one is not.  For those committed to the truth and fighting the spread of Islamophobia, the temptation to throw the entire Tablighi Jamaat under the bus must be resisted.

The writer is a lawyer and research scholar at Qatar University. Her research interests include Islamic law and politics.

Comments

zahoorahmed
 - 
Saturday, 4 Apr 2020

great article! provides a great perspective on tableeg jamat

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
Ram Puniyani
February 4,2020

As democracy is seeping in slowly all over the world, there is an organization which is monitoring the degree of democracy in the individual countries, The Economist Intelligence Unit. As such in each country there are diverse factors which on one hand work to deepen it, while others weaken it. Overall there is a march from theoretical democracy to substantive one. The substantive democracy will herald not just the formal equality, freedom and community feeling in the country but will be founded on the substantive quality of these values. In India while the introduction of modern education, transport, communication laid the backdrop of beginning of the process, the direction towards deepening of the process begins with Mahatma Gandhi when he led the non-cooperation movement in 1920, in which average people participated. The movement of freedom for India went on to become the ‘greatest ever mass movement’ in the World.

The approval and standards for democracy were enshrined in Indian Constitution, which begins ‘We the people of India’, and was adopted on 26th January 1950. With this Constitution and the policies adopted by Nehru the process of democratization started seeping further, the dreaded Emergency in 1975, which was lifted later restored democratic freedoms in some degree. This process of democratisation is facing an opposition since the decade of 1990s after the launch of Ram Temple agitation, and has seen the further erosion with BJP led Government coming to power in 2014. The state has been proactively attacking civil liberties, pluralism and participative political culture with democracy becoming flawed in a serious way. And this is what got reflected in the slipping of India by ten places, to 51st, in 2019. On the index of democracy India slipped down from the score of 7.23 to 6.90. The impact of sectarian BJP politics is writ on the state of the nation, country.

Ironically this lowering of score has come at a time when the popular protests, the deepening of democracy has been given a boost and is picking up with the Shaheen Bagh protests. The protest which began in Shaheen Bagh, Delhi in the backdrop of this Government getting the Citizenship amendment Bill getting converted into an act and mercilessly attacking the students of Jamia Milia Islamia, Aligarh Muslim University along with high handed approach in Jamia Nagar and neighbouring areas.  From 15th December 2019, the laudable protest is on.

It is interesting to note that the lead in this protest has been taken by the Muslim women, from the Burqa-Hijab clad to ‘not looking Muslim’ women and was joined by students and youth from all the communities, and later by the people from all the communities. Interestingly this time around this Muslim women initiated protest has contrast from all the protests which earlier had begun by Muslims. The protests opposing Shah Bano Judgment, the protests opposing entry of women in Haji Ali, the protests opposing the Government move to abolish triple Talaq. So far the maulanas from top were initiating the protests, with beard and skull cap dominating the marches and protests. The protests were by and large for protecting Sharia, Islam and were restricted to Muslim community participating.

This time around while Narendra Modi pronounced that ‘protesters can be identified by their clothes’, those who can be identified by their external appearance are greatly outnumbered by all those identified or not identified by their appearance.

The protests are not to save Islam or any other religion but to protect Indian Constitution. The slogans are structured around ‘Defence of democracy and Indian Constitution’. The theme slogans are not Allahu Akbar’ or Nara-E-Tadbeer’ but around preamble of Indian Constitution. The lead songs have come to be Faiz Ahmad Faiz’s ‘Hum Dekhenge’, a protest against Zia Ul Haq’s attempts to crush democracy in the name of religion. Another leading protest song is from Varun Grover, ‘Tanashah Aayenge…Hum Kagaz nahin Dikhayenge’, a call to civil disobedience against the CAA-NRC exercise and characterising the dictatorial nature of the current ruling regime.

While BJP was telling us that primary problem of Muslim women is Triple talaq, the Muslim women led movements has articulated that primary problem is the very threat to Muslim community. All other communities, cutting across religious lines, those below poverty line, those landless and shelter less people also see that if the citizenship of Muslims can be threatened because of lack of some papers, they will be not far behind in the victimization process being unleashed by this Government.

While CAA-NRC has acted as the precipitating factor, the policies of Modi regime, starting from failure to fulfil the tall promises of bringing back black money, the cruel impact of demonetisation, the rising process of commodities, the rising unemployment, the divisive policies of the ruling dispensation are the base on which these protest movements are standing. The spread of the protest movement, spontaneous but having similar message is remarkable. Shaheen Bagh is no more just a physical space; it’s a symbol of resistance against the divisive policies, against the policies which are increasing the sufferings of poor workers, the farmers and the average sections of society.

What is clear is that as identity issues, emotive issues like Ram Temple, Cow Beef, Love Jihad and Ghar Wapasi aimed to divide the society, Shaheen Bagh is uniting the society like never before. The democratisation process which faced erosion is getting a boost through people coming together around the Preamble of Indian Constitution, singing of Jan Gan Man, waving of tricolour and upholding the national icons like Gandhi, Bhagat Singh, Ambedkar and Maulana Azad. One can feel the sentiments which built India; one can see the courage of people to protect what India’s freedom movement and Indian Constitution gave them.

Surely the communal forces are spreading canards and falsehood against the protests. As such these protests which is a solid foundation of our democracy. The spontaneity of the movement is a strength which needs to be channelized to uphold Indian Constitution and democratic ethos of our beloved country.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.