'Crazy Rich Asians' tops at America box office

Agencies
August 21, 2018

Los Angeles, Aug 21: Highly anticipated romcom "Crazy Rich Asians" - the first Hollywood film with a mainly Asian cast in a generation -- dazzled the North American box office in its debut weekend, claiming the top spot, industry estimates showed on Sunday.

The Warner Bros adaptation of Kevin Kwan's best-selling novel of the same name raked in $34 million since hitting theatres on Wednesday, box office tracker Exhibitor Relations said. Of the total, the film took in $25.2 million at the weekend.

Starring veteran actress Michelle Yeoh, British-Malaysian former BBC host Henry Golding and American sitcom star Constance Wu, the film tells the story of an American economics professor who meets her super-wealthy boyfriend's family in Singapore -- and all the drama that ensues.

It is the first Tinseltown film with a predominantly Asian cast since The Joy Luck Club in 1993.

Shark thriller The Meg tumbled to second place in its second week, taking in $21.2 million. It stars action movie regular Jason Statham as a rescue diver who tries to save scientists in a submarine from an attack by a huge, prehistoric shark.

Mile 22 -- a new spy thriller-action flick starring Mark Wahlberg -- opened in third place at $13.6 million.

Another debut film, prehistoric adventure tale Alpha, shared fourth place at $10.5 million with summer blockbuster Mission: Impossible - Fallout. The latest instalment in the M:I franchise has now taken in $180.7 million overall.

Rounding out the weekend's top 10 were:

"Christopher Robin" ($8.9 million)

"BlacKkKlansman" ($7 million)

"Slender Man" ($5 million)

"Hotel Transylvania 3: Summer Vacation" ($3.7 million)

"Mamma Mia! Here We Go Again" ($3.4 million)

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Agencies
August 1,2020

Mumbai, Aug 1: Maharashtra Chief Minister Uddhav Thackeray has said that Sushant Singh Rajput case should not be politicised or used to create friction between Maharashtra and Bihar.

Amid the ongoing criticism faced by the Mumbai Police following an investigation into Rajput's death case, the Chief Minister stressed that Mumbai Police is not "inefficient" while appealing those who have any evidence in regard to the case to step forward.

"Mumbai Police is not inefficient. If anyone has any evidence they can bring it to us and we will interrogate and punish the guilty. Please do not use this case (Sushant Singh Rajput death case) as an excuse to create friction between Maharashtra and Bihar," Thackeray said on Friday.

"Bringing politics in the case is the most deplorable thing to do," he added.

Maharashtra government has filed a caveat before the Supreme Court in the Rajput's death case.

Earlier, Bihar government and Rajput's family have filed caveats in the top court seeking to challenge actor Rhea Chakraborty's petition that sought transfer of the FIR registered in Patna to Mumbai in the actor's death case.

"After Bihar government and Rajput's family filed a caveat in the Supreme Court, Maharashtra government has filed a caveat before the SC today to ensure that no order is passed in Rhea Chakraborty's petition case without hearing its (Maharashtra) side," said Sachin Patil, standing counsel for Maharashtra Government.

A caveat is a legal process, in which the party which had filed it before the concerned court, shall have to be heard definitely before the concerned court passes any order in future.

Bihar Police has sought the assistance of Mumbai police to probe the Sushant Singh Rajput case, Mumbai police Crime Branch officials told ANI. However, the Police are still considering their request.

Bihar Police team reached after an FIR was filed by late actor's father KK Singh against Chakraborty in Bihar under several sections including abetment of suicide.

Rajput was found dead in his Mumbai residence on June 14.

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News Network
January 2,2020

Jan 2: A young filmmaker was allegedly assaulted by an acquaintance during an argument over CAA-NRC in neighbouring Salt Lake City, police said on Wednesday.

The police have arrested the accused following a complaint by the filmmaker.

According to a senior police officer, the argument over the contentious Citizenship Amendment Act (CAA) and the proposed National Register of Citizens (NRC) began following a social media post by the filmmaker.

The accused allegedly went to the house of the filmmaker on Monday night and picked up an argument, which led to a scuffle.

"During the scuffle, the accused attacked the filmmaker with a knife," the senior police officer said, adding that the accused has been booked under relevant sections of the Indian Penal Code.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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