Did not meet Lalit Modi in London: Shah Rukh Khan

June 30, 2015

Mumbai, Jun 29: Bollywood superstar Shah Rukh Khan, co-owner of Indian Premier League team Kolkata Knight Riders, today said he did not meet former IPL commissioner Lalit Modi in London.

shahrukhkhanThe 49-year-old actor was asked whether he met Modi, embroiled in a row after it came to light that External Affairs Minister Sushma Swaraj had facilitated travel documents for him in London and that Rajasthan Chief Minister Vasundhara Raje had reportedly favoured Modi's immigration plea in a London court.

Modi has also been active on his Twitter page, alleging he had private meetings with Priyanka Vadra and husband Robert Vadra.

When asked during an interview to NDTV if he met the tainted former IPL boss during his stay in London, Khan said if he had met Modi, it would be out by now.

"No, I didn't even have a vacation in London... I was shooting in Bulgaria... I finished in the evening, took the morning... (sic) After because it was the last night... we were awake till about 6 in the morning... chatting and talking... and just about we entered the plane at about 2 o clock landed in the evening and next day I had my daughter's and son's admission.

"So, I hardly had time there... No I did not meet Lalit Modi... If I had, he would have told everyone," Shah Rukh said.

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News Network
July 17,2020

Mumbai, Jul 17: After helping scores of stranded migrant labourers return to their native places amidst the coronavirus pandemic, actor Sonu Sood has now extended a helping hand towards the coronavirus warriors as he donated 25,000 face shields to Maharashtra Police personnel.

Maharashtra Home Minister Anil Deshmukh on Thursday took to Twitter to thank the Bollywood actor for his "generous contribution" to help the Police personnel who have been working tirelessly amid the testing times.

"I thank Sonu Sood Ji for your generous contribution of giving 25,000 #FaceShields for our police personnel," tweeted Deshmukh.
Responding to the Home Minister, Sood said, "Truly honoured by your kind words Sir! My police brothers and sisters are our real heroes and this is the least that I can do for the commendable work which they have been doing. Jai Hind."

The 46-year-old actor who is known for his roles in films like 'Singh is Kinng,' 'Simmba', and 'Happy New Year' has been hailed all over the media for arranging hassle-free passage of migrant labourers to their respective homes.

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Agencies
June 22,2020

Mumbai, Jun 22: After he recently took a dig at a Bollywood actor, without taking name, alleging power play and alleging that the music industry is run like the mafia, Sonu Nigam has now come down on T-Series chairman and MD, Bhushan Kumar.

Sonu has shared a new Instagram video on Monday morning, which he captioned: "Laaton ke mafia baaton se nahi maante (you cannot reason with the uncouth mafia with words)."

In the video, the singer says in Hindi: "Bhushan Kumar, ab toh tera naam lena hi padega mujhe. Aur ab tu tu ke layak hai. Tune galat admi se panga le liya (Bhushan Kumar, now I have to mention your name. And now, you deserve being addressed without respect. You have messed with the wrong person)."

Sonu Nigam is one of the finest singer of Indian film industry.
I can't believe bollywood Mafia's are targeting him 😣

T series Bhushan Kumar has support of Ajay devgn and Salman khan. And they are trying to end career of Sonu Nigam. 😣

I Support Sonu Nigam.#SonuNigam pic.twitter.com/MWwfrshcJZ

— Sic Mindus मसलु (@SarcasticFire) June 22, 2020
"Tu bhul gaya woh time jab tu mere ghar pe aake… ‘bhai bhai meri album kar do. Bhai 'Deewana' kar do. Bhai, Smita Thackeray se milwa do, Bal Thackeray se milwa do. Abu Salem se bacha lo. Abu Salem galiyaan de raha hai'... yaad hai na? Yaad hai ki nahi yeh sab cheezein? Main tujhe keh raha hoon mere muh mat lagna ab tu bas. (Do you remember the time when you used to come to my home requesting me… ‘brother record an album for me. Brother, record Deewana for me. Brother, introduce me to Smita Thackeray and Bal Thackeray. Save me from Abu Salem. Abu Salem is abusing me'… do you remember? Don't mess with me, I am warning you)."

"Marina Cover yaad hai na? Woh kyon boli, woh kyon back out kiya yeh mujhe nahi pata. Media ko pata hai mafia kis tarah function karta hai. Uska video mere paas padha hai. Ab agar tune mere se panga liya, toh woh video main apni YouTube channel mein dal dunga. Samjha? Mere mooh mat lagna (Do you remember Marina Cover? I don't know no why they spoke and why they backed out, but media knows how the mafia functions. I still have that video with me. Now if you mess with me, I will upload that video on my YouTube channel. So don't mess with me)."

In a recent video posted on Instagram, Sonu Nigam had appealed to music companies (without taking names) to be a little kind towards newcomer artistes, saying otherwise more people will commit suicide. He had mentioned in his previous video that currently two companies rule the music industry. He had also claimed falling prey to power play by a Bollywood actor.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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