Directors trust me because I am a curious actor: Sushant

September 30, 2016

New Delhi, Sep 30: From Dibakar Banerjee, Rajkumar Hirani to now Neeraj Pandey, Sushant Singh Rajput's filmography boasts of directors every actor yearns to work with and he feels his commitment for his job is what attracts these filmmakers towards him.

sushant-singh-rajputAfter a successful TV career, Sushant made his big screen debut with Abhishek Kapoor's "Kai Po Che!" and his performance in the film bagged him a YRF project in the form of "Shuddh Desi Romance".

His next two films were Hirani's "PK" and Banerjee's "Detective Byomkesh Bakshy!", which is now set for a sequel with Sushant gearing up to reprise his role.

When asked how did he manage to earn the trust of such acclaimed filmmakers, Sushant told PTI, "All these filmmakers are great not because they know their job well, it's because they are curious to know how to go about it...

"Such people would want an actor who is curious, wants to learn and get involved in his job to a maddening level that he forgets everything else. And I am all that."

The 30-year-old actor is now awaiting the release of Pandey's "MS Dhoni: The Untold Story", a biopic on Indian cricketer Mahendra Singh Dhoni.

The trailer of the film, which released today, got a thumbs-up from the fans, with many praising the way Sushant seemed to have emulated Dhoni's mannerisms-- on and off the field.

Sushant, however, is not nervous but says he is only interested to know the audience's reaction.

"Whatever reaction I get, I will get used to it in a day. So, I am not worried about that. Of course, I will feel nice if what I felt while making the film resonates with the audience. But as an actor my job is done. There's no nervousness. I am just interested in knowing the reaction."

The movie is no doubt the biggest film of his short career so far and naturally it is being speculated how its success can elevate Sushant's position in the industry.The actor does not look at it this way and prefers to treat the movie like any other project.

"We start with an assumption that all we want as actors is recognition. I don't work for recognition. The first fame happened, I felt good, I wouldn't lie. But with time I realised the bigger thing that I am in for and that's my love for the craft.

"I know I can't do anything else in my life but act. So, everything else does not matter. In fact, I am already thinking about my next."

Sushant insists even a film's commercial success does not matter to him beyond the point of proving himself as a bankable actor.

"There are different ways to look at hits and flops. I will continue to act even if I deliver flops. My love and commitment towards my work won't change with box-office successes and failures.

"But they are relevant when it is about getting film with great directors. Then, I have to show the box-office records in order to bag more work..."

Sushant's forthcoming projects include romantic drama "Raabta", a yet-untitled action film opposite Jacqueline Fernandez and a biopic on paralympic gold paralympic medalist Murlikant Petkar.

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Agencies
January 4,2020

Mumbai, Jan 4: After the Indian Institute of Technology (IIT) Kanpur constituted a panel to decide whether legendary poet Faiz Ahmed Faiz's poem 'Hum Dekhenge' is offensive to Hindu sentiments, filmmaker Shoojit Sircar had a cryptic take on the burning controversy.

"Best time for the rich & small businesses to make money as most of the population are engaged with a revolutionary poet named Faiz," Sircar said in a tweet.

The poem, penned down by the iconic poet in 1979, came into limelight again recently during the protests against CAA and NRC in IIT Kanpur.

Earlier on Thursday, senior lyricist Javed Akhtar rejected the claims about the poem being 'anti-Hindu'.

IIT Kanpur on Thursday had set up a committee to look into the issue.

The move came after a complaint that the students who took out a peaceful march in the campus on December 17 against the Citizenship Amendment Act and in solidarity with Jamia Millia Islamia students, sung it as a mark of protest, which hurt the sentiments of other communities.

The CAA grants citizenship to Hindus, Sikhs, Jains, Parsis, Buddhists and Christians who faced religious persecution in Pakistan, Afghanistan, and Bangladesh and came to India on or before December 31, 2014.

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Agencies
March 27,2020

Information and Broadcasting Minister Prakash Javadekar on Friday announced that Doordarshan will retelecast iconic show 'Ramayana' from Saturday on public demand.

"Happy to announce that on public demand, we are starting retelecast of 'Ramayana' from tomorrow in DD National. One episode in morning 9 a.m. to 10 a.m., another in the evening 9 p.m. to 10 p.m.," Javdekar tweeted.

Happy to announce that on public demand, we are starting retelecast of 'Ramayana' from tomorrow, Saturday March 28 in DD National, One episode in morning 9 am to 10 am, another in the evening 9 pm to 10 pm.@narendramodi
@PIBIndia@DDNational

— Prakash Javadekar (@PrakashJavdekar) March 27, 2020
'Ramayana' is an Indian historical-drama epic television series, which aired during 1987-1988, created, written, and directed by Ramanand Sagar.

The show was a television adaptation of the ancient Indian Hindu epic of the same name, and is primarily based on Valmiki's Ramayan and Tulsidas' Ramcharitmanas.

DD National also said that on public demand, amid the 21-day lockdown, it will broadcast Ramanand Sagar's Ramayan from Saturday.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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