Documentary film on Assam's Islamic heritage

June 30, 2015

New Delhi, Jun 30: Key aspects of Islamic heritage in Assam, such as formation of the Muslim community, invasions and post-invasion settlements and migrations during the time of Ahom kings have been showcased in a new documentary.

Islamic heritageDirected by Abdul Majid, the film is part of a project by Indira Gandhi National Centre for Arts (IGNCA) under its 'Aqeedat ke Rang series' administered by the Indian Institute of Technology - Guwahati.

The script written by Abu Nasar Saied Ahmed is part of his research entitled "Islamic Heritage in India's North East: Assam and Manipur."

The film looks at the life-cycle events of Sufi saints, Islamic institutions, creative heritage, folk songs and creative traditions in Assam.

Made in English, the film is a shorter version of five episodes, each about 22 minutes duration of a larger documentary which has been arranged in a thematic order.

In addition to the five episodes, a separate documentary has been made on Islamic Heritage in Manipur to cover the Manipuri Meitei Muslims, known as Pangals.

Scriptwriter Ahmed says, "There was a seminar in 2006 by IGNCA under the auspices of Aqidat Ke Rang series where I presented a paper on Azan Faqir, a 17th century Sufi saint, composer of devotional songs, zikirs, in Assamese and also stated that the Assam has a rich Islamic heritage which needed to be explored.

"The academic work was entrusted to me and a few weeks later I got a proposal to make a documentary on the subject," he says.

Ahmed roped in well known director Majid and started the twin tasks of academic project and documentary in November 2010 which was completed in October 2012.

The documentary focuses on Muslims in Assam which through interface and interaction of the community with the local non-Muslims facilitated by inter-marriage, harmonious understanding among communities, and peaceful convergence of Islamic culture added to the folk tradition of Assam.

In addition the liberal Vaishnava tradition in conjunction with the Sufi tradition offered unique opportunities to the Muslims to identify and integrate themselves into local lifestyles and build a harmonious customary and liberal Islamic heritage.

"The film depicts the rich and diverse customary Islamic heritage, which has been shaped by the interface and interaction of the Muslims with the folk tradition of Assam, where two broad streams flowed the Assamese in the Brahmaputra Valley and the Bengali in the Barak Valley.

"This a pioneering work and tells clearly about the liberal and tolerant Islam, a tradition which deserves attention, promotion and protection," says Ahmed.

The filmmaker says he now plans to make a documentary on the songs of Muslims in the Brahmaputra and the Barak Valley. "I have a plan to make a documentary film on the folk and devotional songs of the Muslims in the Brahmaputra and Barak Valley, if I get a modest grant from a funding organisation," he says.

In addition, Ahmed has also completed the screenplay of a film "Bagh Hazarika," who fought against the Mughal invasion in 1671. "I have already completed the screenplay of movie, 'Bagh Hazarika', whose actual name was Ismail Siddiqi, who fought against Mughal invasion in 1671 led by the General Ramsingh.

Bagh Hazarika was one of the trusted assistant of Lachit Barphukan, the legendary Ahom General, who defeated Ram Singh, one of the Generals of Emperor Aurangzeb, in the famous battle of Saraighat. Abdul Majid is set to direct a full-length Assamese film on the subject.

The project is likely to start in January 2016. The voiceover of the documentary has been rendered by Kapil Bora, a noted Assamese film personality while the editing has been done by Kaju, a well-known film editor, assisted by Jumi, extracting the most striking glimpses of the heritage of the Muslim community in Assam in the Barak and the Brahmaputra Valleys from a video footage of 24 hour duration.

Bibhu Ranjan Choudhury, a noted music personality, associated with the IPTA, has chanted the Azan for the documentary.

The documentary film was screened recently at the IGNCA here, IIT Guwahati, Gauhati University and in Guwahati city and have recieved accolades from film critics, experts, historians and Islamic scholars.

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News Network
February 19,2020

New Delhi, Feb 19: Deepika Padukone on Wednesday shared her much-awaited first look from the upcoming sports-drama '83' as Romi Dev, wife of cricket stalwart Kapil Dev. The actor also penned a message expressing gratitude for the iconic role.

The 'Chhapaak' actor shared the still on Twitter along with a caption that reads, "To play a small part in a film that captures one of the most iconic moments in sporting history has been an absolute honour!83 for me is an ode to every woman who puts her husband's dream before her own..."

In the absorbing first look, Deepika is seen sharing a smile along with Ranveer Singh, she is also seen sporting short hair. The star is seen wearing a high-neck top, while Ranveer is wearing team India's official blazer.

Previously, Ranveer shared the teaser of the flick in an event, which gave a glance of the lead characters of the flick featuring Tahir Raj Bhasin as Sunil Gavaskar, Jiiva as K Srikkanth, Saqib Saleem as Mohinder Amarnath, Jatin Sarna as Yashpal Sharma, Chirag Patil as Sandeep Patil, Dinker Sharma as Kirti Azad and Nishant Dahiya as Roger Binny, Harrdy Sandhu as Madan Lal, Sahil Khattar as Syed Kirmani, Ammy Virk as Balwinder Singh Sandhu and Addinath M Kothare as Dilip Vengsarkar, Dhairya Karwa as Ravi Shashtri and R Badree as Sunil Valson along with Pankaj Tripathi as PR Man Singh.

'83' is being co-produced by Madhu Mantena, Sajid Nadiadwala, and Reliance Entertainment. Helmed by Kabir Khan, the movie is slated for release on April 10.

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News Network
February 10,2020

Chennai, Feb 10: The Income Tax Department on Monday summoned Tamil actor Vijay over charges of tax evasion and his alleged links with financier Anbu Chezhiyan.

The development comes after the IT Department on Friday carried out a raid at the actor's residence in Panaiyur area in Chennai.

IT sleuths held searches in connection with the success of a recent film which was a Box Office hit, collecting around Rs 300 crore.

As per sources, the IT Department on Thursday recovered Rs 65 crores from the residence of Vijay's alleged financer in Chennai during raids which were carried out in the connection with the tax evasion case linked to AGS Cinemas.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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