Don't think India's musical heritage is dying: A R Rahman

Agencies
August 3, 2018

Mumbai, Aug 3: Music maestro A R Rahman says India's musical heritage may lack exposure but it is not dying as its roots are deep in tradition and people have a spiritual connection with it. 

The double Oscar-winner has travelled across India to find rare instruments and hidden musical traditions in his maiden non-fiction series, "Harmony with A R Rahman", being launched on Amazon Prime on August 15. 

The quest underscored what Rahman always thought was true about India -- every street has a musical legacy. Rahman will interpret these traditions in a modern context on the show.

"I don't think India's rich musical heritage is dying, only the exposure is dying. People love traditions and it is beyond anybody's money or power. It (music) is the lifestyle of so many people.

"I was talking about this place in Kerala, Kalamandalam, where they have this guru-shishya thing and they have a place in Chennai which has a fees of Rs 370 per year and they teach folk music, classical music and dance. In Rajasthan, every kid sings amazingly well and also in Punjab," Rahman told PTI in an interview. 

The composer, who is credited with revolutionising Indian cinema music in his 25-year illustrious career, says traditional music may lack exposure but exists in a big way. 

"We can't generalise that everybody is watching this... They have the options to watch so many things. They have the option to watch the purest thing or filth. 

"What we see exposed is this big splash of Hindi movies and Tamil movies. It does not mean that all this (traditional music) does not exist. It is taken by families who create this legacy. It is their soul. It is not dictated by money. It is a redeeming factor in their lives." 

Rahman may be anchoring the show but jokes that people should not have high expectations about his skills as a host. 

"I'm not like a traditional anchor. Don't have high expectations. I am not like 'Lovely! look at this place, look at the food'. I am not that charming. In my own ways, I had these beautiful interactions." 

In fact, Rahman, one of India's most renowned musicians, says he fears the burden of expectation "always, everyday".

The series captures Rahman's interactions with artistes with an impromptu jam session towards the end of every episode. The last episode shows Rahman put together a composition with all artistes.

On the internet, it is all about the number of views one has managed to garner, but Rahman says it is "gross" to judge something like that.

"(Though) It does influence what you are doing. We wanted this series to be intriguing, interesting and not boring as these are instruments that are off the radar and we are bringing them to the fore. There is purity, honesty, there is a legacy that we intend to bring," he said. 

"They have a pre-set legacy and we just had to take it and make it shine. It is like storytelling, like a movie, you go and see their lives, each fascinating in their own way. And there was no one telling 'Ah, this song did not work.' So, you have that artistic freedom," he added.

The five-episode series is created by Kavithalayaa.

"Harmony with A.R. Rahman" features maestros such as Ustad Mohi Baha'un-din Dagar from Maharashtra, who comes from an eight generation-long lineage of musicians and plays the Rudra Veena in Dhrupad style, Kalamandalam Sajith Vijayan from Kerala who devoted a majority of his life to the Mizhavu, Lourembam Bedabati Devi of Manipur, a renowned artiste and guru of traditional Manipuri folk song, and Mickma Tshering Lepcha from Sikkim who is known to be a master of the Panthong Palith.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
July 18,2020

Mumbai, Jul 18: Filmmaker and Yash Raj Films (YRF) chairman Aditya Chopra on Saturday recorded his statement with the Mumbai Police in connection with actor Sushant Singh Rajput death case, an official said.

Police have sought information about a contract signed between Rajput and YRF from Chopra who visited Versova police station this morning and left after four hours, the official said.

The "Chhichore" actor, 34, was found hanging at his apartment in Mumbai on June 14. No suicide note was found from the spot by the police.

The police are investigating allegations that professional rivalry, besides clinical depression, drove the actor to suicide.

Police are also trying to understand the reason behind Rajput ending his contract with YRF, the official said.

Earlier, the police had recorded statement of YRF's casting director Shanoo Sharma.

The police had recorded statements of 34 persons, including Rajput's family members and close friends like actors Rhea Chakraborty and Sanjana Sanghi, in connection with the case.

Maharashtra Home Minister Anil Deshmukh on Friday dismissed the need for a CBI probe into the death case of Rajput, saying the Mumbai police are capable of handling the matter.

On Thursday, Rhea Chakraborty demanded a CBI inquiry to understand what "pressures" prompted Rajput to take the extreme step of suicide.

Rajput starred in films such as Shuddh Desi Romance', Raabta, Kedarnath and Sonchiriya. But his most prominent role came as cricketer Mahendra Singh Dhoni in the biopic, MS Dhoni: The Untold Story.

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News Network
February 21,2020

Kolhapur, Feb 21: Voicing against Citizenship (Amendment) Act (CAA), renowned lyrics and thinker Javed Akhtar has said that the act was an assault to secularism and integrity of India and with the ongoing protests, the nation had reached a threshold for an another struggle.

Speaking here on Thursday night at an event organised on the 5th death anniversary of CPI senior leader and progressive leader Com Govind Pansare, Mr Akhtar said the newly amended citizenship act was a plot to split the country.

Mr Javed said that communalism has a deep root in India and it spread after the formation of Hindu Mahasabha and Muslim League in British India. "Muslim league got Pakistan but Hindu Mahasabha is still unsatisfied," he alleged and added that BJP was now 'working as a branch of RSS' and trying to 'split the country' through NRC.

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