'Hate Story' will give erotic films new definition: director

April 19, 2012

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New Delhi, April 19: Quite perturbed with the way erotic films are being handled these days, director Vivek Agnihotri says through his upcoming thriller "Hate Story" he wants to change the way sexuality is portrayed in India.


The Paoli Dam starrer is creating a lot of buzz for its steamy scenes and Agnihotri feels that the movie should not be mistaken for a typical masala film.

"Erotica are very fine art. In this country, nobody treats it as a genre. We make it as a masala film by incorporating semi nude models dancing behind the actor. In this way it becomes titillation.

"I took it as a challenge when Vikram Bhatt (producer) asked me to direct it. Though it's a very difficult genre primarily, I tried to introduce this in the mainstream with due dignity and originality. We decided to call it as an erotic thriller only because we don't want to mislead our audience," Agnihotri told PTI.

The filmmaker, who started his career four years ago with multi-starrer thriller "Chocolate" and has made only three movies so far, said he is not in the rat race to make films every year.

"I am not that kind of a director who makes two films per year. I was busy in making a film called "Buddha in a traffic jam" and it consumed two and half years. The film stars Arunoday Singh and Mahie Gill in the lead roles. As soon as I finished it, Vikram called me for 'Hate Story'," he said.

Releasing on April 20, the film revolves around the life of a female reporter Kaavya (Paoli) and her transformation from a simple middle class journalist to a sex worker.

With the use of internet and exposure to Western culture, Indian audience have become mature enough to handle such content but the filmmaker thinks certain sections of the society still shy away from it.

"Erotica is in our DNA. It is present everywhere, be it in our mythology, literature or sculpture. But, I still feel the urban middle class is not ready for this," he said.

To make the script tight, Agnihotri went through Indian and foreign literature. While reading them, he found there is a common thread in all of the literary works -- the storytellers are female.

"We narrated the story in the language of today's generation. I read a lot of erotic literature. I didn't watch any such movies though. I also read about how various directors have approached the subject in their films.

"There is a very thin line between aesthetic and soft porn. It's all about how you narrate the story. Hate Story is about power of women and I feel her bare back poster with a gun justifies it," Agnihotri said.


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News Network
April 10,2020

New Delhi, Apr 10: Actor Akshay Kumar has pledged to contribute Rs 3 crore to Brihanmumbai Municipal Corporation (BMC) to assist the making of personal protection equipment, masks and rapid testing kits to help the battle against COVID-19.

Film critic and movie trade analyst Taran Adarsh announced on the same on Twitter on Friday and wrote, "After donating Rs25 crores to the PM CARES fund, Akshay Kumar contributes Rs3 crores to BMC to assist in the making of PPE, masks and rapid testing kits."

The 'Good Newwz' actor has been informing people about the necessary precautions to be taken to stay safe amid the coronavirus outbreak through his social media handles. On Thursday, Akshay acknowledged the contribution of all essential workers during the lockdown period, and encouraged people to use the hashtag 'Dil Se Thank You' to express their gratitude to the people "who work to ensure our safety."

Earlier, the 'Mission Mangal' actor joined hands with actors including, Kartik Aaryan, Tiger Shroff, Taapsee Pannu, Kiara Advani and launched a hope anthem - 'Muskurayega India,' and made an attempt to pump up Indians with positivity amid the testing times of coronavirus.
The Ministry of Health and Family Welfare on Friday informed that India's total number of COVID-19 positive cases now stands at 6,412.

Out of the total cases, 5,709 are active patients and 504 of them have been cured/discharged and migrated. With 30 new deaths reported in the last 12 hours, the death toll reached 199, according to the ministry.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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News Network
June 24,2020

Mumbai, Jun 24: Veteran choreographer Saroj Khan has been admitted to a hospital here after she complained of breathing problems.

According to a source close to her family, the 71-year old choreographer was rushed to Guru Nanak Hospital in Bandra on Saturday.

Following her hospitalisation, a mandatory Covid-19 test was done, which turned out to be negative.

"She is fine now and recovering. She had breathing issues and was taken to hospital for that. Her Covid test was done which turned out negative. She doesn't have any symptoms. She is likely to be discharged in a day or two," the source told PTI.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs.

The three-time National Award winner has choreographed for some of the most memorable tracks, including "Dola Re Dola" from Sanjay Leela Bhansali's "Devdas", "Ek Do Teen" from Madhuri Dixit-starrer "Tezaab" and "Ye Ishq Haaye" from "Jab We Met" in 2007.

She last choreographed for "Tabaah Hogaye", featuring Madhuri from filmmaker Karan Johar's production "Kalank" in 2019.

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