Katrina, Salman skip Karan Johar's birthday bash

May 29, 2012

salman-khan-katrina-kaif

Having attended her kid-brother's graduation in culinary arts in Zurich, at precisely 1.30 am on Friday-Saturday morning Priyanka Chopra flew straight from the airport to the Taj Lands End, the venue for Karan Johar's extravagantly-discussed birthday extravaganza. She was one of the last guests to arrive and one of the last to leave. Having landed hours ago Priyanka displayed no sign of jetlag or fatigue.

Says a very khaas mehmaan at the Johar jamboree, "In fact Priyanka was in specially high spirits that evening. Looking radiant, animated and chattering nineteen-to-the-dozen, Priyanka looked triumphant, and why not? She had been put back on Johar's guest list after being knocked off."

Throughout the evening Priaynka was seen talking and whispering into Johar's ears but discreetly avoiding contact-eye or otherwise-with Johar's best friend Shah Rukh Khan. It was a mixed triumph for Priyanka. As she was allowed into the coveted party only after Mrs Shah Rukh Khan, Gauri, granted permission.

The imposing Mrs Khan has laid down certain ground rules for her husband vis-a-vis Ms Chopra: no films together and no hobnobbing socially beyond niceties. Incidentally Mrs Khan had laid down similar rules for her husband vis-a-vis Aishwarya Rai and Rani Mukherjee. But that's another story.

Meanwhile back at the most hotly-discussed party of the millennium, it was a formal affair with elaborate arrangements. Says one of the top actresses who attended, "It was a sit-in dinner with loads of Punjabi khana. Because that's what KJO loves.The glamorous decor was stylishly designed by Manish Malhotra. It was good to see the stars dressed in formals rather than the tee-shirts some of them wear even to formal events."

Most of Karan Johar's friends from the film industry(which means nearly everyone) turned up. Conspicuous by their absence were Salman Khan and Johar's chikni chameli Katrina Kaif, both of whom are currently shooting in Bangkok. Unlike Sanjay Dutt who left his shooting in Jodhpur for Soham Shah's Sher for an evening to be in Mumbai for his new pal KJO's 'Happy Burday' Katrina and Salman gave the event a skip for different seasons.

Salman, a source close to him informs, gave in to KJO's persuasive powers and said yes to the invitation in spite of knowing 'he' (read: SRK) would be there. But then friends advised Salman against providing titillating fodder for the shutterbugs. Also a co-star whom Salman trusts blindly reminded him what had transpired at another birthday bash in 2008 (Katrina's) where Salman and SRK nearly came to blows. That clinched the matter. No Salman at the Johar bash.

As for Katrina she was advised to fly down for Karan's sake. Those close to her said it would be good PR. But then a member of her staff made the mistake of pointing out to Katrina that flying down for the event was imperative since Priyanka Chopra too was doing the same. That did it.

Says a friend of Katrina, "Never tell Kat to do something just because someone else is doing the same. Kat loves KJO and recently did the chikni chameli song for him free of cost. It's another matter that KJO didn't gift her the promised Ferrari. Or that she is yet to sign on a full-fledged heroine's role in Dharma. Katrina would have still flown down from Bagkok. But when she heard Priyanka was flying straight in from Zurich, Kat decided not to. It would make her seem like she was vying for space in the Dharma scheme of things."

Not that Salman or Katrina were missed. There was plenty of excitement on the guest list. Vidya Balan (trying hard to convince everyone around that she hadn't heard any negative comments on her lavni item song in Ferrari Ki Sawari)and boyfriend Siddharth Roy Kapoor made their first together appearance at a filmy do.

Says a guest at KJO's bash, "The couple made no attempt to hide their feelings. Kapoor looked after Vidya like a good husband and even fed her from his plate." Incidentally Mr Kapoor is keen to tie the knot immediately. But Ms Balan's spiralling box office fortunes are proving the villain.

Other guests at the star-studded party were Tabu and Urmila Matondkar (talking animatedly maybe about spinsterhood), Hrithik Roshan, Farhan Akhtar, Shahid Kapoor, Bipasha Basu (no, the last two-named were not together), Anushka Sharma, Arjun Kapoor, Kangna Ranaut, Boman Irani, Kangna Ranaut, Yash Chopra, Ashutosh Gowariker, Rahul Bose, Ronit Roy, Uday Chopra.

Jaya Bachchan arrived solo. And, Rekha didn't show up to do another Silsila for the paparazzi outside parliament. Johar's 'Amit Uncle' Mr Bachchan and Abhishek are abroad for the former's treatment. Says an appreciative guest, "There were no glitches, no stress. No one misbehaved or got drunk.It was wonderfully organized. There was a sitdown dining area and the food was served with warmth and for a change we all actually ate at a party. KJO had asked everyone not to reach his party after dinner. And there was a separate room for desserts.It was all very stylish. We left by 1.30 am. But the party went on till 4 am."

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
May 28,2020

Agartala, May 28: Tripura Police has registered a complaint against Bangladeshi singer Mainul Ahsan Nobel, who earned fame in the music reality show 'Sa Re Ga Ma Pa' in Kolkata, for allegedly humiliating Prime Minister Narendra Modi over social media.

The complaint was filed by a resident of Belonia town in South Tripura district who is a student of Pandit Deen Dayal Petroleum University at Gandhinagar in Gujarat.

The complaint was filed on May 25, the person who is called Suman Paul said.

Nobel is not yet a popular singer in Bangladesh and has always been rejected by the audience of that country. He participated in the TV music reality show called Sa Re Ga Ma Pa in Kolkata, earned money, gained fame and returned to Bangladesh. If the person insults our prime minister it cannot be accepted. So I filed the FIR, Paul told reporters.

Belonia superintendent of police Jal Singh Meena confirmed that the complaint was registered and forwarded to Tripura Polices cyber crime cell.

The complaint was registered the same day it was filed at Belonia police station under Indian Penal code sections 500 (punishment for defamation), 504 (intentional insult), 505 (public mischief) and the IT Act.

We have registered the complaint and forwarded it to the cybercrime cell because it is not in the Indian cyberspace. We have started an investigation into the issue, the SP said.

Rajib Dutta, the officer-in-charge of Belonia police station said that as per the complaint the Bangladeshi singer had abused Modi in a Facebook post calling him a "mere chaiwala (tea seller)'.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.
Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

Comments

Add new comment

  • Coastaldigest.com reserves the right to delete or block any comments.
  • Coastaldigset.com is not responsible for its readers’ comments.
  • Comments that are abusive, incendiary or irrelevant are strictly prohibited.
  • Please use a genuine email ID and provide your name to avoid reject.