Zip your mouth, says Sridevi to plastic surgery rumour-mongers

[email protected] (Afsana Ahmed, HT)
September 3, 2012
sridevi2
For all women who’re 40 and above, Sridevi has a message: Look after yourself and do what makes you desirable. Work out, eat right, be focused and be happy. You should also be in love. That makes you radiant. About to return to the big screen after a 15-year focus on home and family, Bollywood’s original queen bee should be out there promoting her comeback movie, R Balki’s English Vinglish. But she leaves the hype to the producers, preferring, instead, to talk only to people she trusts, just as she did in the ’80s.

Dressed in simple black slacks and a white top, sans make-up, Sridevi chats about her film, life and how she manages to look so young.


All set for your comeback?

I am so glad to be here at a time when cinema is going through an exciting phase. It’s not just stars pulling in the crowds. The script has also become a star! Look at Kahaani and The Dirty Picture (2011). I would love to do more films after English Vinglish, if people accept it.


You’ve always had offers for a comeback film. Why did you choose to work with Balki?

I love his previous work, Cheeni Kum (2007) and Paa (2009). Also, the subject of English Vinglish is universally appealing. After watching this film, men will never take their wives for granted (laughs).


You look stunning and younger than ever! What’s your secret?

Actually, I’ve looked like this for quite some time. It seems new because I’ve recently started making frequent public appearances. Your state of mind reflects on your face and I am in the happiest phase of my life today. I lead a systematic life. I am health conscious, I do power yoga, play tennis four days a week, control my diet and resist junk food, fried stuff and sweets, even though I have a sweet tooth. And most importantly, I don’t sweat the small stuff (laughs). All these bring a change in the appearance.

Some people say you must have had plastic surgery to look like this.

No, I haven’t. I want to tell these people that instead of whining and criticising, why don’t you move out of your comfort zone, zip your mouth and slog it out? Then let’s talk! There will be a visible change not just in your appearance, but also in your attitude. But if you’re a lazy bum, hooked to TV, and cannot give up your food because you know you can undergo cosmetic surgery, you’re damned! It doesn’t work like that. Anything that is plastic melts in no time. You have to understand that there’s a regime for everything and you benefit by associating yourself with it. To look and feel good, you have to slog it out.

Have you inspired your husband Boney Kapoor to keep fit?

Forget going to the gym, he hasn’t even given up fatty food! Recently, I instructed the cook not to make rice, but I was shocked to see him eating rice at dinner. When I asked the cook, he said, ‘Ma’am, you told me not to make rice, but this is gobi rice.’ Now what can I say? I am taking it as a challenge to get him off oily food. Having said this, Boneyji is the most handsome guy in the world for me.


Today’s female actors are very bold. Even Madhuri Dixit, who’s making a comeback (with Gulab Gang), said she wouldn’t mind being bold. Are you open to it too?

Nobody has offered me a bold role as yet, but I don’t mind experimenting as long as I am comfortable. I am looking for versatility.

Since you’ve lost so much weight, would you wear a bikini?

No! I don’t even wear one when swimming!


What do you like about cinema today?

Technology is unbelievably advanced. We never had these luxuries. We used to have an assistant director taking notes for shots, which today, are corrected by the monitors. We never had make-up vans. Today, they’ve got stylists on every film.


One thing you dislike about cinema today?

The fierce promotions for which actors are personally required. I don’t like my life to be controlled like that. In my time, we just gave a few magazine interviews, and I prefer it that way. When my film is over, I like to spend time with my family.


You started as a child artiste. Looking back, do you think you missed out on a normal childhood?

I have no regrets. As for missing a normal childhood, I didn’t spend mine in the studios wearing make-up. I was brought up in a traditional atmosphere with lots of cousins and friends. The only thing I missed out on was studying. That cannot be altered, so I look at whatever I have achieved and feel happy.


We’ve heard you are grooming Jhanavi to become an actor.

If I could, I would get Jhanavi married at the earliest. I am a normal mother, pestering the kids to eat healthy, sleep on time, study etc. This generation doesn’t need guidance or grooming when it comes to fashion, fitness and health. But yes, Jhanavi is my gym, swimming and tennis partner. And if I have hammered anything into her head, it’s to be religious.


Does she want to be an actor?

Sometimes she wants to be a writer, sometimes a designer. Anyway, Jhanavi needs to complete her studies before finding her vocation. And I’ll have no problem with whatever she chooses.


Your wedding to Boney was unconventional. Is there anything you’ve learnt or had to unlearn along the way?

Life has always sprung surprises on me. Luckily, I’ve never had to unlearn anything with Boneyji. In return, I selflessly give my 100 per cent as his wife. And he feels I am the best.



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News Network
July 18,2020

Mumbai, Jul 18: Actor Aishwarya Rai Bachchan and daughter Aaradhya Bachchan on Friday were shifted to a city hospital, almost a week after they were tested positive for COVID-19. Aishwarya, 46 and eight-year-old Aaradhya were diagnosed with coronavirus on Sunday, a day after the actor’s father-in-law, megastar Amitabh Bachchan, and husband Abhishek Bachchan tested positive for the COVID-19.

The mother-daughter duo was self-quarantining at home till now.

“Both Aishwarya and Aaradhya were admitted to Nanavati hospital today. They are fine,” hospital source said.

Aishwarya needed medical attention, another insider said.

Amitabh, 77, and Abhishek, 44, both are already in the isolation ward of Nanavati hospital.

Since his diagnosis, Amitabh has been regularly updating his admires about his health on social media.

“In happy times, in times of illness, you our near and dear, our well wishers, our fans have ever given us unstinting love , affection care and prayer .. we express our bountiful gracious gratitude to you all .. in these circumstances hospital protocol, restrictive,” the screen icon tweeted on Friday evening.

According to Brihanmumbai Municipal Corporation (BMC), coronavirus cases in Mumbai rose to 98,979 with 1,228 new patients being reported on Friday.

Death toll due to the pandemic rose to 5,582 with 62 new fatalities being recorded.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
June 9,2020

New Delhi, Jun 9: Multiplex operator PVR on Monday said it has cut salary across various levels, laid off employees and deferred increments during the lockdown to mitigate adverse impact of COVID-19 on the business.

The company said at present it is not generating any revenue from exhibition business and related activities as cinemas across the country are shut following the directions from the regulatory authorities.

According to the company, closure of screens during the lockdown will have a significant negative impact on profitability and liquidity.

PVR has taken measures to reduce its personnel cost, including salary cuts across various levels in the organisation during the lockdown along with "reduction in headcount by way of layoffs/retrenchment" to mitigate the adverse impact of COVID-19 on the business.

Moreover, the board of the company, in its meeting held on Monday has also approved plan to raise Rs 300 crore through rights issue.

"Since Cinema Exhibition is the only business segment, company is currently not generating any revenue from admissions, food and beverage sales or other revenue and cash flow from operations," said PVR in an update.

Beginning from March 11, PVR started closing its screens in accordance with the order passed by various regulatory authorities and within a few days most of our cinemas across the country were shut down, it added.

The company will continue to incur committed cash outflows, including employee salary pay-outs, other overheads as well as payments for older working capital.

"This has and will have a significant negative impact on profitability and liquidity during lockdown and even thereafter till business comes to normalcy," it added.

Further, once the cinemas are re-opened, we may not be able to run our cinemas at normal capacity utilisation levels on account of social distancing measures that cinemas may be required to follow as well as health concerns that the patrons may have, the multiplex operator said.

"On account of this, our revenue and cash flow generation may be impeded even once we are allowed to restart operations," it added.

The company has also deferred decision on on increments to reduce its cost, it added.

PVR has also written to developers for waiving rental and CAM (Common Area Maintenance) charges for the lockdown period.

It is in discussion with developers for reducing rentals post re-opening and has invoked force majeure clause in its agreements with them.

Besides, the company has raised additional borrowings from existing bankers to shore up liquidity.

"As of March 31, 2020 the company had cash and bank balance of Rs 316 crore. As on June 7, 2020 cash and bank balance is Rs 227 crore (including undrawn bank lines)," it added.

Over reopening of theatres, PVR said that the government has come out with a phase-wise schedule.

In these guidelines cinema halls have been kept in the third phase of re-opening, where dates will be decided based on assessment of the situation.

"We are in continuous engagement with all regulatory authorities and hope to receive the necessary permissions for restarting opening in the near future," it added.

Currently PVR operates 845 screens in 176 properties in 71 cities.

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