Censor Board cuts Prakash Jha’s dig at the Prime Minister

[email protected] (Subhash K Jha)
October 1, 2012

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Trust Prakash Jha's cinema to constantly raise provocative political issues and instigate the censor board into ordering substantial cuts. We've come to know from very reliable sources that Prakash's Chakravyuh has been ordered six cuts, most of them verbal.

The film has been passed with a 'UA' certificate,which means underage viewers can watch the film accompanied by an adult.

Informs our source from the Censor Board of Film Certification (CBFC), "There were direct references to politicians, political scandals and a specially pointed reference to 'Sardari' (meaning leadership as well as a reference to the Sikh community whose individuals are known as Sardars) which we thought was a direct hit at the Prime Minister. Those had to go."

One sentence that has been removed from the film refers to the Mahatama. Says our source, "A character says, 'Majboori ka naam Mahatma Gandhi'. Now this may be a commonly used phrase of despair in everyday life. But we can't have Mahatma Gandhi equated with majboori (helplessness) on a medium as powerful as cinema. So we asked the phrase to be removed."

Elsewhere a character is accused of getting his job through 'quota' (reservation) and hence inept at his work. That has been cut. Also cut by the censors is a reference to the allegedly underhand activities of a fictional 'Mahanta' group of industries based in London.

Says our source at the CBFC, "From the pointers and references including the London location it was clear that the 'Mahanta' group referred to the Vedanta group of industries. We had to ask for that to be cut. That apart we asked a couple of abuses to be deleted. Then there was a scene of visual violence where a man's ear is chopped off and displayed on screen. We've asked the ear to be blurred on screen."

But it's the 'Mehngaai' song in Chakravyuh that has raised the censorboard's hackle the most. While the disclaimer for the number has gotten it past the censorboard, it was the deletion of one line making a barbed and unmistakable reference to a 'Sardar' that actually got the song past censors.

Says our censorial source, "The song sneered, 'Bahut dekhi teri sardari.' That, we felt was a direct hint at the Prime Minister. It had to go. Our guidelines clearly state dialogue or scene cannot caste aspersions on individuals, least of all the person holding the highest political post."

Referring to Prakash Jha's defence about using the 'Tata, Birla' names as metaphors in the song the source from the CBFC says, "Metaphors are a wonderful tool for expression . But they can't be used on a public platform in a negative way. Years ago Manoj Kumar's Roti Kapada Aur Makaan had a beautiful 'Mehngaai' song. It didn't have to name any politician or cast aspersions on any individual to prove how inflation has hit the common man."

J.P. Singh, the CBFC's Regional Officer Mumbai, confirmed the above cuts.



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Agencies
April 25,2020

Thiruvananthapuram, Apr 25: Malayalam actor Ravi Vallathol, well-known for his acting in television serials and movies, passed away on Saturday at a hospital here, family sources said.

Vallathol, son of drama legend T N Gopinathan Nair and Soudamini, was the nephew of the famous Malayalam poet Vallathol Narayana Menon.

The veteran actor had appeared in around 50 Malayalam movies and more than 50 television serials starting from1986 with the serial 'Vaitharani' on Doordarshan.

Kerala Chief Minister Pinarayi VIjayan expressed condolences on the passing away of the actor.

"He had an extraordinary ability to immortalise the characters with a wide range of emotions," Vijayan said, adding that, his demise was a loss to both theatre, film and TV serial industry.

Opposition Congress leader Ramesh Chennithala also condoled the demise of the Vallathol.

Chennithala remembered Vallathol as a brilliant writer and social activist. Vallathol made his film debut in 'Swathi Thirunal' directed by the late Lenin Rajendran in 1987.

He had also played versatile characters in hit movies movies including Godfather, Mathilukal, Sargam, Vidheyan, Kottayam Kunjachan, Naalu Penningal, Idukki Gold among others.

He has penned more than 25 short stories among which two were adapted into television series.

He is survived by his wife Geethalakshmi.

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Agencies
July 28,2020

Mumbai, Jul 28: Delhi Bharatiya Janata Party (BJP) MP Manoj Tiwari has urged Maharashtra Chief Minister Uddhav Thackeray to look into the case of actor Sushant Singh Rajput's death and direct the state police to register an FIR in this connection.

Wishing Thackeray on Monday on his birthday, Tiwari, who has acted in Bhojpuri films, pointed out that over 40 days have passed since the death of Rajput, but an FIR is yet to be registered.

"Many happy returns of the Day @CMOMaharashtra Shri Uddhav Ji, on this day I request with folded hands to give justice to Sushant who died 43 days ago, but no FIR has been registered so far. I hope you will help. Please do justice to millions of SSR fans," he tweeted.

Bollywood actor Rajput was found dead at his Mumbai residence on June 14, which the police said was a case of suicide. His death had triggered an outcry from several quarters alleging that the late actor, who hailed from Bihar, was a victim of nepotism in the film industry.

The lawmaker from Northeast Delhi's Lok Sabha seat, who visited the deceased actor's family in Patna last month had then said: "Sushant's father and sister requested me to take up the issue and get him justice. It was really a sentimental moment for me".

Previously, Tiwari had demanded a CBI investigation into the matter

According to the police, statements of 40 people including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra and actor Rhea Chakraborty have been recorded in the investigation so far.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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