Cinema is a truly shared wealth: Tina Ambani, patron, Mumbai Academy of Moving Image

October 18, 2012
Tina-Ambani

When a group of film industry stalwarts headed by late Hrishikesh Mukherjee founded the Mumbai Academy of Moving Image (MAMI) as a not-for-profit trust, they envisioned an annual International Film Festival as a tribute to good cinema. Chaired by Shyam Benegal, it has grown over the years to include the best of world cinema. The latest avatar of the Mumbai Film Festival (MFF), beginning Thursday, promises a stellar lineup of over 200 movies. MAMI patron Tina Ambani speaks to Nandini Raghavendra on what to look forward to at the festival:

It's the 14th edition of MAMI. How has this journey been?

Mumbai is the cradle of Indian cinema - this city has nurtured my own aspirations as a young actor and these strong roots, these unshakeable bonds have nourished my passion for cinema over the years. The festival is an event that has always been dear to my heart.

Which films are you looking forward to watching this year?

It really is a lavish spread this year and every cineaste is spoilt for choice. Personally, I am looking forward to watching the Cannes Golden Palm winner Amour by Michael Haneke, a moving story about ageing and love; the much-awaited Silver Linings Playbook starring Robert De Niro and our very own Anupam Kher, which is the opening film. The screenings of Luchini Viscontti's The Leopard also promise to be fascinating as well as restored films Kalpana by Uday Shankar and Once Upon a Time in America by Sergio Leone.

In fact, the two celebrations - of Italian cinema and the 100 years of Indian cinema - bridge a centenary of filmmaking in both countries. Where else can you see 102-year-old Manoel de Oliviera and Alain Resnais, 90 years young, on the same platform as Kauwboy, the award-winning children's film?

Two restored classics from renowned Italian directors Maciste (1915) and Inferno (1911) are being showcased. How critical is it to restore and preserve world cinema classics?

Cinema is a universal language that is a truly shared wealth. Preserving its heritage is an imperative. At Reliance Mediaworks, too, we undertake major restoration projects of films from across the world. And this year, the festival will feature India's first key panel on restoration and preservation of films with leading speakers from 20th Century Fox, Cineteca Bologna, World Cinema Foundation, Film Foundation and the Motion Pictures Academy Archives.

Do you think we have ignored our language directors at the cost of mainstream Bollywood cinema?

I'd like to emphasise that we are a 'discovery' film festival; with India Gold 2012, the new competition section for Indian films, the platform is the same for both debut directors and renowned filmmakers. In New Faces in Indian Cinema, we feature the 1st and 2nd films of Indian directors; and in Film India Worldwide, we show films that have emerged from the diaspora. This is also, perhaps, the first time that two Indian films have been included in international competition for outstanding content. We offer a level playing field for all cinema never mind where it comes from, what language it is in, or who has made it. That is the bottom line.



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News Network
February 3,2020

Feb 3: Actor-cum-activist Swara Bhaskar on Sunday targetted the Central government over granting Padma Shri to Pakistan-origin singer Adnan Sami who became an Indian citizen in 2016.

Addressing "Save the Constitution, Save the Country" rally here in Madhya Pradesh, Bhaskar said that passing the new citizenship amendment act tantamount to "betrayal" of the Constitution.

Sami, born in London to a Pakistani Air force veteran, applied for Indian citizenship in 2015 and became a citizen of the country in January 2016.

He was one of the 118 people chosen for the Padma Shri awards by the Centre last month.

"The legal process to grant citizenship to refugees and arrest infiltrators already exists in India. You (the government) have granted Indian citizenship to Adnan Sami and now selected him for Padma Shri through that process. (If this is the case) What is the need and justification for the Citizenship Amendment Act?" Bhaskar asked.

"On the one hand you abuse us (anti-CAA protesters), cane-charge us, slap us, hurl teargas shells at us and on the other hand you award Padma Shri to a Pakistani," she said

Bhaskar said the government labels some people as the members of "tukde-tukde gang" and anti-nationals" as per its convenience.

"Supporters of the CAA and the NRC keep harping about the so-called infiltrators having entered our country. If that is the case then why are we unable to see these intruders?" she asked.

"The problem is that they have intruded into the minds of the government and the ruling party," she said.

Bhaskar said the government seems to have "fallen in love with Pakistan".

"It sees Pakistan everywhere. My devout grandmother doesn't chant Hanuman Chalisa as often as this government keeps chanting the Pakistan mantra," she said.

Without naming the RSS, the actor said, "Sitting in Nagpur, these people are spreading politics of hatred".

Bhaskar said Pakistan chose to become a religious nation after the Partition in 1947 unlike India which opted to become a "secular republic where one's religion has nothing to do with citizenship".

"(Pakistan founder Mohammad Ali) Jinnah died a long ago, but his admirers want to divide the country again in the name of a religion," Bhaskar said.

She criticised BJP national general secretary Kailash Vijayvargiya for his controversial remarks about the 'presence' of Bangladeshi infiltrators in Indore, after some labourers were found eating poha and not rotis.

"If poha is Bangladeshi cuisine, then Kailash Vijayvariya, who grew up eating poha (in Indore), should be required to show his Indian citizenship papers," she demanded.

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News Network
June 29,2020

New Delhi, Jun 29: Actor Bhumi Pednekar on Monday pledged to feed over 550 impoverished families as a mark of tribute to late Bollywood actor and her 'Sonchiriya' co-star Sushant Singh Rajput.

Pednekar made the announcement through an Instagram post where she shared a picture of the departed actor and penned down a note along with it.

"I pledge to feed 550 impoverished families through the Ek Saath Foundation in the memory of my dear friend. Let us show compassion and love towards everyone that is in need, now more than ever," Pednekar wrote.

The two actors shared screen space in the Abhishek Chaubey directorial which continues to be a critically acclaimed film.

Rajput was found dead at his Mumbai's Bandra residence earlier this month. The detailed post-mortem report has also confirmed that he died by "asphyxia due to hanging."

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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