Cinema is a truly shared wealth: Tina Ambani, patron, Mumbai Academy of Moving Image

October 18, 2012
Tina-Ambani

When a group of film industry stalwarts headed by late Hrishikesh Mukherjee founded the Mumbai Academy of Moving Image (MAMI) as a not-for-profit trust, they envisioned an annual International Film Festival as a tribute to good cinema. Chaired by Shyam Benegal, it has grown over the years to include the best of world cinema. The latest avatar of the Mumbai Film Festival (MFF), beginning Thursday, promises a stellar lineup of over 200 movies. MAMI patron Tina Ambani speaks to Nandini Raghavendra on what to look forward to at the festival:

It's the 14th edition of MAMI. How has this journey been?

Mumbai is the cradle of Indian cinema - this city has nurtured my own aspirations as a young actor and these strong roots, these unshakeable bonds have nourished my passion for cinema over the years. The festival is an event that has always been dear to my heart.

Which films are you looking forward to watching this year?

It really is a lavish spread this year and every cineaste is spoilt for choice. Personally, I am looking forward to watching the Cannes Golden Palm winner Amour by Michael Haneke, a moving story about ageing and love; the much-awaited Silver Linings Playbook starring Robert De Niro and our very own Anupam Kher, which is the opening film. The screenings of Luchini Viscontti's The Leopard also promise to be fascinating as well as restored films Kalpana by Uday Shankar and Once Upon a Time in America by Sergio Leone.

In fact, the two celebrations - of Italian cinema and the 100 years of Indian cinema - bridge a centenary of filmmaking in both countries. Where else can you see 102-year-old Manoel de Oliviera and Alain Resnais, 90 years young, on the same platform as Kauwboy, the award-winning children's film?

Two restored classics from renowned Italian directors Maciste (1915) and Inferno (1911) are being showcased. How critical is it to restore and preserve world cinema classics?

Cinema is a universal language that is a truly shared wealth. Preserving its heritage is an imperative. At Reliance Mediaworks, too, we undertake major restoration projects of films from across the world. And this year, the festival will feature India's first key panel on restoration and preservation of films with leading speakers from 20th Century Fox, Cineteca Bologna, World Cinema Foundation, Film Foundation and the Motion Pictures Academy Archives.

Do you think we have ignored our language directors at the cost of mainstream Bollywood cinema?

I'd like to emphasise that we are a 'discovery' film festival; with India Gold 2012, the new competition section for Indian films, the platform is the same for both debut directors and renowned filmmakers. In New Faces in Indian Cinema, we feature the 1st and 2nd films of Indian directors; and in Film India Worldwide, we show films that have emerged from the diaspora. This is also, perhaps, the first time that two Indian films have been included in international competition for outstanding content. We offer a level playing field for all cinema never mind where it comes from, what language it is in, or who has made it. That is the bottom line.



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News Network
June 9,2020

Bengaluru, Jun 9: There’s no denying the fact that Sudeep is one of the most popular and sought-after names in Kannada cinema. The versatile actor has won the love of fans due to his ‘pan-India’ look and impressive selection of roles. A self-made star, he paid his dues before making it big in Sandalwood. The Bachchan actor had, some time ago, told Film Companion that his initial years in the industry were anything but easy.

 The mass hero revealed that his first two movies never saw the light of the day as they were abandoned midway. Following the setback, he finally made his Kannada debut with V Umakanth’s Thayavva and began a new chapter in life. Sadly, the film sank without a trace and was removed from theatres within three days of its release.

“My first two films did not see the light of the day while the third one did not see people,” he added.

Sudeep ultimately tasted success with the 2001 release Huchcha and the rest is history. Over the years, ‘Deepanna’ has starred in several commercially successful movies and proved that he is a certified ‘A-lister’. The star has also made an impact in non-Kannada movies like Rann and Eega, expanding his fanbase big time.

Coming to the present, Sudeep was last seen in the Bollywood biggie Dabangg 3 that did decent business at the box office. The actioner saw him share screen space with Salman Khan, giving fans a reason to rejoice. The cast included Arbaaz Khan and Sonakshi Sinha.

He will be turning his attention to the Kannada biggie Kotigobba 3, the third instalment of the Kotigobba series. The film, directed by Shiva Karthik, is one of the biggest movies of the year. It features Shraddha Das, Madonna Sabastian and Aftab Shivdasani in key roles.  He  will also be seen in the Anup Bhandari-directed Phantom.

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Agencies
July 3,2020

Mumbai, Jul 3: Renowned Bollywood choreographer Saroj Khan died early on Friday morning due to cardiac arrest. She was 71.

The three-time National Award winner, who had choreographed some of the most memorable songs in Hindi cinema, was not keeping well for some time.

She was admitted to Guru Nanak Hospital in Bandra last Saturday after she complained of breathing issues. The mandatory COVID-19 test done at the hospital showed a negative result.

“She passed away due to cardiac arrest at around 2.30 a.m. at the hospital,” Khan’s nephew Manish Jagwani said.

In a career spanning over four decades, Khan is credited with choreographing more than 2,000 songs, including Dola Re Dola from Sanjay Leela Bhansali’s Devdas, Ek Do Teen from Madhuri Dixit-starrer Tezaab and Ye Ishq Haaye from Jab We Met in 2007.

She last choreographed for Tabaah Hogaye, featuring Madhuri from filmmaker Karan Johar’s production Kalank in 2019.

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Agencies
February 10,2020

Hollywood star Joaquin Phoenix finally ended his dry run at the Oscars as he picked up the best actor trophy for his performance in and as "Joker" at the 92nd Academy Awards.

The 45-year-old actor had earlier bagged a BAFTA, a Golden Globe and a Screen Actors Guild Award for his turn as a failed, unhinged stand-up comedian who descends into chaos.

In a lengthy and rambling speech, Phoenix touched upon racism, climate change and gender inequality. He also remembered his brother River Phoenix, who died of a drug overdose at the age of 23 in 1993.

"When he was 17, my brother wrote this lyric. He said, 'run to the rescue with love and peace will follow'," Phoenix said. At the Academy Awards and the entire Hollywood award season, Phoenix had emerged as an undisputed frontrunner even though he was up against the likes of Leonardo DiCaprio ("Once Upon a Time in Hollywood"), Adam Driver ("Marriage Story"), "Antonio Banderas ("Pain & Glory") and Jonathan Pryce ("The Two Popes").

An Oscar had eluded Phoenix for the most part of his career, despite his successful collaborations with Ridley Scott ("Gladiator"), James Mangold ("Walk The Line") and Paul Thomas Anderson ("The Master"), all of which had earned him nominations.

But as Arthur Fleck aka The Joker, Phoenix finally managed to break that jinx and became the second actor to win an Oscar for playing the DC comic book villain after the posthumous best supporting actor win to Heath Ledger in 2008.

As Joker, Phoenix took a deep dive into character, capturing its essence as well as maniacal spirit in both body and soul.

He lost 52 pounds to get into the physicality of Fleck and turned to a pathological disorder to get his distinct laughter right.

Phillips wrote the part keeping Phoenix in mind though the actor took some convincing to play the role.

Phoenix started the film's festival circuit tour on a positive note at Cannes last year that followed by stops at Venice and Toronto.

The film had also courted controversies, owing to its theme of gun violence in the movie as well as Phoenix's temperamental press tour that saw him walking out of an interview midway.

But critics and the fans loved the actor's riveting turn in the movie and his pointed speeches.

At the Golden Globes, he called out the industry for its insensitivity towards climate change and pulled up his peers for using private jets for travel, while at the SAGs, he joked how he would always lose a role to DiCaprio and asked Christian Bale to deliver a bad performance for once in his career.

In his acceptance speech at the BAFTAs, Phoenix acknowledged the lack of diversity in the nominations, calling himself a part of the problem. Phoenix's career most praised performances include "Signs ", "We Own the Night", "Two Lovers", "The Immigrant", "Her", "You Were Never Really Here" and "Inherent Vice".

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