A.R. Rahman’s 'Infinite Love' for the world

December 25, 2012

ar-rahman

Long before Indian musician and composer A.R. Rahman became an Oscar-winning global phenomenon, the Jai Ho! writer was already legend in his home country, credited with changing the face of contemporary Indian music. In a nation obsessed with Bollywood music, his unique ability to blend Indian classical music with electronic sounds redefined an industry, and propelled him to the top, following his acclaimed debut in 1992 with the film ‘Roja’.
Then came 2008’s ‘Slumdog Millionaire’ and Rahman is officially one of the busiest composers in the world, shuttling between Los Angeles where he is lunching with Steven Spielberg one day, and Chennai in south India where his studio is based.


It’s no wonder then that it has taken the ‘Mozart from Madras [old name of Chennai]’ 15 long years to release his solo single. Following the seminal 1997 album ‘Vande Mataram’, which is still the largest-selling non-film album in India, Rahman last week released ‘Infinite Love’, a single and video, which he calls his “message of peace and hope amidst a time of dark omens of destruction”.


A project two years in the making, the song, and the upcoming album, sees Rahman back in his element. Although the first single is in English, details of the rest of the album are still held in secrecy.


The musician spoke recently about the inspiration behind the solo effort, music, world peace and living in Los Angeles.



‘Infinite Love’ was conceived about two years ago…
I worked on a scratch and then got busy and came back to it about a year ago and things sort of fell into place.
I think it’s a very relevant issue to talk about love and peace right now. There are so many things going on right now which we need to change and that was the trigger for the song.



If the world ended tomorrow…
I think it’s important to live your life every second. When you do that, you give your time to things that you get the most pleasure out of. Sometimes you can live 10 seconds and that could define your whole life. Sometimes you can live for eternity and it may not be valuable at all.



I want to inspire children…
I wanted to make ‘Infinite Love’ kid-friendly. Kids don’t have exciting content to watch these days. There are so many inappropriate things all around. I was focused on triggering some kind of inspiration for kids, to inspire them to be leaders and to remind them that we have such a great culture. There are such great pools of wisdom hidden in our country and we need to take them and give it to the world.



My son Ameen makes his acting debut in ‘Infinite Love’…
He really wanted to do it. He’s always wanted to be a musician but I’ve told him he has to work hard for it. For the video, he took acting lessons for three days before the first shot.



I like Priyanka Chopra’s voice and attitude…
She approached me when she was an upcoming actress and I didn’t really know her. And we lost touch. But I’m really glad that a major actress like her is taking this direction [moving into music]. She has fallen into the right hands and is working with the right people. I’m happy that people are branching out and expanding. I hope she grows and gets even more experimental.



Tabu and I are working on some songs…

It’s a work in progress. She has the right spirit and she loves singing. But we’re still working on it.



I am hoping for good things on qyuki.com…
The social media platform was Shekhar Kapur’s (Oscar-nominated director) brainchild. It’s a platform for creative people to express themselves with a mission to create creative leaders and to moderate the mediocre from the genius. It’s a great opportunity for people around the world and I am so happy it has caught on so beautifully.



I’m currently reading a book about screenwriting…
It’s called ‘Save the Cat!’. A really funny book. But I read half of it and slept off. Most of my reading is done on flights. It’s a long way to Los Angeles from Chennai.



I don’t have time to listen to music much…

I don’t even have an iPod. As they say, when you’re working in the kitchen, you don’t want to eat.


The last time I did something for the first time was drive in Los Angeles…
I recently received my international licence and I leased a convertible and drove all over town. It was interesting because in India, you drive in the left and in the US, they drive on the right. I haven’t driven for three years, so it was nice to take the top off and have the heater on full blast. It gets cold in LA, you know.


*Catch the full interview with A.R. Rahman on Josh Drive on Josh 97.8 with Samer and Valda tonight between 7 and 8pm. For more, go to joshfm.ae.




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News Network
January 10,2020

Thiruvananthapuram, Jan 10: Eminent Carnatic vocalist and playback singer K J Yesudas, who has enthralled music aficionados across the world with his profound and mellifluous voice for the last six decades, turned 80 on Friday.

People from various walks of life, including Prime Minister Narendra Modi, Kerala Chief Minister Pinarayi Vijayan and luminaries of music and film world besides socio-cultural personalities, wished the legendary singer, popularly called as 'gana gandharvan' (the celestial singer) by his fans, on his birthday.

Regional newspapers came out with special pages and television channels with exclusive programmes as a tribute to the singer, who has recorded over 80,000 songs in various genres in almost all languages of India including about 25,000 film songs, Carnatic bhajans and devotional songs.

Besides Indian languages like Malayalam, Tamil, Telugu, Hindi, Kannada, Bengali, Odia, his voice gave life to songs in Arabic, English, Latin, and Russian during a career spanning over six decades.

Yesudas, whom the country had honoured with Padma Vibhushan in 2017, is the recipient of eight national awards, 25 Kerala state awards, five state awards of Tamil Nadu and four of Andhra Pradesh.

"On the special occasion of his 80th birthday, greetings to the versatile K J Yesudas Ji. His melodious music and soulful renditions have made him popular across all age groups. He has made valuable contributions to Indian culture. Wishing him a long and healthy life," Modi tweeted.

The Left veteran also shared a photo of the veteran singer along with the tweet.

Meanwhile, Yesudas this morning visited the Mookambika Temple at Kollur in Udupi district of Karnataka along with his family, a practice he has been following for the last four decades.

Draped in the traditional Kerala style kasavu mundu and shawl, 'dasettan', as he is known among his hardcore fans cutting across ages, Yesudas offered prayers along with his wife Prabha and sons and performed special poojas at the Goddess Saraswathi temple.

Hundreds of music buffs gathered at the shrine to wish the octogenarian singer.

Considered as one of the best playback singers in the country, Yesudas had begun his music career in the tinsel town with the Malayalam song "Jathi bhedam matha dwesham" in the year 1961 and sang in Tamil, Telugu and Kannada films among other languages.

Yesudas's foray into Bollywood saw him recording various memorable hits, including "Jab Deep Jale Aana" and "Gori Tera Gaon Bada Pyara".

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Agencies
July 25,2020

Mumbai, Jul 25: Movie theatres have been shuttered for months due to the coronavirus pandemic in the country, but the Information and Broadcasting Ministry has now recommended that the Union Home Ministry allow cinema halls to reopen in August. 

I&B Secretary Amit Khare indicated this at a close-door industry interaction with the CII Media Committee on Friday. He said Home Secretary Ajay Bhalla at the Home Ministry would take the final call.

Khare said that he has recommended that cinema halls may be allowed to reopen all over India as early as August 1, or at the latest, around August 31.

The formula suggested is that alternate seats in the first row and then the next row be kept vacant, and proceeding in this fashion throughout.

Khare said that his ministry's recommendation takes into consideration the two metre social distancing norm, but tweaks it gently to two yards instead. The Home Ministry, however, still has to revert on the recommendation.

Cinema owners, present in the interaction, however, pushed back and said this formula is unwise and merely running films at 25% auditorium capacity is worse than keeping the cinemas shut.

The attendees at the meet included media CEOs like N.P. Singh of Sony, Sam Balsara (Madison), Megha Tata, (Discovery), Gaurav Gandhi (Amazon Prime), Manish Maheshwari (Twitter), S. Sivakumar (Bennett Coleman and Co Ltd), and K Madhavan, Star & Disney, and also Chairman, CII Media Committee.

The OTT platforms present, including Gandhi of Amazon Prime, did not push back. Some Bollywood producers, notably those of Amitabh Bachchan's Gulabo Sitabo, have posted their movies on OTT, rather than live out the lockdown uncertainty.

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News Network
June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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