Comparing me to Salman or Shah Rukh not justified to them: Irrfan

June 30, 2013
IrrfanIrrfan, 46, a National award-winning actor, is a dreamer wanting to fly like a bird. He is shy, fun-loving, obsesses about each of his characters and rolls his own cigarette. Ahead of his upcoming release D-Day, the trapped son and liberating father, talks to TOI about his idea of stardom, how he keeps falling in love and why Tigmanshu Dhulia holds a special place in his life. Excerpts:
Why did you drop the powerful Khan surname?
As a child, I once wore my sister's earrings and my family said I was looking like Dilip Kumar and it felt so nice. When I started off, I was compared to Mithun Chakraborty as my face resembled him and I loved it. But over time, I stopped liking the comparisons as it was not appreciation, but an effort to create barriers with stars like Shah Rukh and Salman. I have my own identity and felt that comparing me to Salman or Shah Rukh was not justified to them. If you compare me to Robert De Niro, it makes sense, but with Shah Rukh, it doesn't. So I dropped Khan from my name.
How did you come into films?

I come from a feudal middle-class family from Tonk near Jaipur. My father had moved to Jaipur where he ran a tyre dealership and so I grew up there. He did not have a business sensibility and did not secure his future. Like him, I too lack business sense. I was always a dreamer and had a desire to be noticed and was obsessed with wanting to learn the craft of films. I was fascinated with films, even though we had limited access to them. There was a theatre in Tonk with a ladies section where we were allowed, once in a while, as kids. As a teenager, I dreamt of buying a projector and kept pestering my father to buy it for me till he finally did, after seven months. I could see Rajesh Khanna moving just a bit in it, but I would get really excited. I would give strange excuses to go for films. Once I went to see Bazaar and saw it three times back-to-back and was terrified to return home. So, I hurt my hand myself to divert the attention of my family, so that no one would ask me where I was. My father was neither interested in my studies nor wanted me to do a job, as he had a feudal mindset. He died just before I got my admission in National School Of Drama (NSD). While he never knew about my interest in acting, he once saw me doing a filmi play in Jaipur and I remember him smiling watching me. After his death, even though the responsibility of the family fell on me, my heart was not in business and I knew I had to go to NSD and I did. In my final year there, Mira Nair cast me for Salaam Bombay.
Who are you most attached to?
To my mother; I wanted her attention, but it was always a tussle as being the older one, she put a lot of restrictions on me. I was shy, but followed my heart. Nobody understood me in my family. I discovered my father only now. For instance, the day he died, he was lying on his stomach with his hand on his heart in the room on the first floor. When he saw me, he shook my hand and he died thereafter. It hit me only ten years back that actually that day he was having chest pain, but did not want anyone to know, so was lying down that way.
You are deeply emotional?
I am and am actually afraid of my emotions, that is why I choose my friends as I get attached easily. I have this sense of unity in my head, where I believe that two people can actually become one. A few relationships earlier have given me hurt and I don't like myself for not forgetting that. I would love myself if I could be easy with it. I see myself getting easier, but it is still there. Also, what bothers me is if someone cheats me in any way. I keep falling in love, but I don't share it with the other person. I am shy and it stays in my heart. It's complicated. My wife knows this about me and knows me, but she also knows that it is only in my head. Problems happen when it manifests into sex, but I don't get into that area. It's a feeling I can't explain. I have never expressed my love to anyone other than when I was young and did not get a positive response, so I now keep it to myself. I am a hesitant man.
What is your idea of stardom?
I have this special connection of wanting to leave an impression on people's hearts and want my films to haunt them. My idea of stardom was that whenever people see me they should see me in different looks. I am pretty happy the way I am going, but would love to be in a space where I don't need anything, be it money, popularity or recognition. Fame is a kind of disease. It's like a trap and a fascination. It's also a medicine. It frees you from your baggage.
Has becoming a father changed you?
My wife and I were friends from NSD and we have two sons. The two most enigmatic experiences in my life have been of making love and raising kids. These are magical things put by the universe into the system. There are no words to explain my feeling when my first son was born. Being a father gives you a strange kind of connection with another being. Seeing them growing everyday is itself special. It makes you more giving. There are also traps in raising your kids where you start living your life through them. But you need to be conscious of whether you are trapping them or preparing them for liberation. I was trapped as a son, but I am a liberating father. I want them to live their lives to the fullest. Having kids make you easier about going away from the planet as you understand that it is a process of transferring to them.
Which are the directors you have enjoyed working with?
Tigmanshu Dhulia and I are friends and we share a deep chemistry. Even if he says two lines to me, I see a whole new world in that. I like the way Vishal Bhardwaj writes his language and the interesting subjects he picks up. Mira Nair wears her heart on her sleeve and is a unique combination of popular Hindi cinema with Hollywood sensibilities. Ang Lee is painfully obsessed with perfection, Anurag Basu is great fun to work with and Nikhil Advani is extremely collaborative and open.
Are there actors around you who you like?
The problem with our industry is that we do not celebrate uniqueness. Why does everybody start looking the same and are not encouraged to explore their individuality? When Chitrangda came, there was a certain sensuality in her. Why was she not allowed to explore that, for her to flourish? The industry pushes you into an area that is not your strong point. I like the bravery or smartness of Vidya, the face of Parineeti and the sensuality of Katrina. My co-actor in Lunchbox, Nimrit Kaur is ultimate for me right now. She is not glamourous, but the country will be in love with her once you see her. I also like the atmosphere being created by actors like Randeep Hooda, Sushant Singh Rajput, Aditya Roy Kapur and Nawazuddin Siddiqui.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
March 11,2020

Washington, Mar 11: Pop star Selena Gomez made some revelations about her personal life in a recent interview.

While explaining the lyrics of her song "Rare" on the 'Genius' YouTube channel, the 27-year-old said that there are times when she feels that she will ever be able to find a suitable partner for herself, reported Fox News.

"Some days when I wake up and I am annoyed and I am like, 'I am going to be alone forever.' But after that 15 minutes go away, I say to myself, 'I know that there is someone for everybody," the singer told in the seven-and-a-half minute long video.

However, she remains optimistic as she is still young and "this isn't the end all be all".

Elaborating upon the chorus of her song, Gomez opened up and said, "self-esteem and confidence is a constant struggle".

"It's getting better with time and age, but it will always be something that I'm working on," she added while explaining the lyrics further.

"So what I think is so important about this chorus is that it's acknowledging, 'Hey, I don't have it all. I'm not saying I'm perfect, but I do know that I'm special,' and I think that is a humble approach of saying, 'Why don't you see that I am different?'" the singer added as reported by Fox News.

Touching upon her experiences from past relationships, she commented: "In certain relationships, I've heard and I've experienced and whatnot, I think men and women do it -- especially teenagers and young people in love -- is there's this satisfaction out of hurting someone because you know that they care. Purposefully putting someone down because they want to keep them at a level. I've had someone actually say that to me before".

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News Network
April 2,2020

New Delhi, Apr 2: After donating to UNICEF to combat COVID-19, actor Kareena Kapoor Khan on Thursday announced that she will also contribute to PM-CARES Fund and Maharashtra's CM Relief Fund along with her husband Saif Ali Khan and son Taimur Ali Khan.

Kareena made the announcement through an Instagram post and also urged others to do their bit by doing whatever is possible.

"We extend our support to the PM CARES Fund and the Chief Minister's Relief Fund (Maharashtra)," read an official statement post by Kareena on Instagram.

"In times like these, every helping hand and every rupee raised matters. Do Help wherever possible," the statement further read.

However, the amount of donation hasn't been revealed in the post.

The star couple has joined a list of celebrities including Akshay Kumar, Varun Dhawan, Alia Bhatt, Vicky Kaushal and others who too have extended support to PM CARES Fund to fight against coronavirus.

Earlier on March 31, the 'Jab We Met' actor had announced their contribution to UNICEF, GIVE INDIA and the International Association of Human Values (IAHV).

There are 1764 active coronavirus cases in the country, while 150 people have been cured and 50 have died, as per the Union Health Ministry. 

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