Comparing me to Salman or Shah Rukh not justified to them: Irrfan

June 30, 2013
IrrfanIrrfan, 46, a National award-winning actor, is a dreamer wanting to fly like a bird. He is shy, fun-loving, obsesses about each of his characters and rolls his own cigarette. Ahead of his upcoming release D-Day, the trapped son and liberating father, talks to TOI about his idea of stardom, how he keeps falling in love and why Tigmanshu Dhulia holds a special place in his life. Excerpts:
Why did you drop the powerful Khan surname?
As a child, I once wore my sister's earrings and my family said I was looking like Dilip Kumar and it felt so nice. When I started off, I was compared to Mithun Chakraborty as my face resembled him and I loved it. But over time, I stopped liking the comparisons as it was not appreciation, but an effort to create barriers with stars like Shah Rukh and Salman. I have my own identity and felt that comparing me to Salman or Shah Rukh was not justified to them. If you compare me to Robert De Niro, it makes sense, but with Shah Rukh, it doesn't. So I dropped Khan from my name.
How did you come into films?

I come from a feudal middle-class family from Tonk near Jaipur. My father had moved to Jaipur where he ran a tyre dealership and so I grew up there. He did not have a business sensibility and did not secure his future. Like him, I too lack business sense. I was always a dreamer and had a desire to be noticed and was obsessed with wanting to learn the craft of films. I was fascinated with films, even though we had limited access to them. There was a theatre in Tonk with a ladies section where we were allowed, once in a while, as kids. As a teenager, I dreamt of buying a projector and kept pestering my father to buy it for me till he finally did, after seven months. I could see Rajesh Khanna moving just a bit in it, but I would get really excited. I would give strange excuses to go for films. Once I went to see Bazaar and saw it three times back-to-back and was terrified to return home. So, I hurt my hand myself to divert the attention of my family, so that no one would ask me where I was. My father was neither interested in my studies nor wanted me to do a job, as he had a feudal mindset. He died just before I got my admission in National School Of Drama (NSD). While he never knew about my interest in acting, he once saw me doing a filmi play in Jaipur and I remember him smiling watching me. After his death, even though the responsibility of the family fell on me, my heart was not in business and I knew I had to go to NSD and I did. In my final year there, Mira Nair cast me for Salaam Bombay.
Who are you most attached to?
To my mother; I wanted her attention, but it was always a tussle as being the older one, she put a lot of restrictions on me. I was shy, but followed my heart. Nobody understood me in my family. I discovered my father only now. For instance, the day he died, he was lying on his stomach with his hand on his heart in the room on the first floor. When he saw me, he shook my hand and he died thereafter. It hit me only ten years back that actually that day he was having chest pain, but did not want anyone to know, so was lying down that way.
You are deeply emotional?
I am and am actually afraid of my emotions, that is why I choose my friends as I get attached easily. I have this sense of unity in my head, where I believe that two people can actually become one. A few relationships earlier have given me hurt and I don't like myself for not forgetting that. I would love myself if I could be easy with it. I see myself getting easier, but it is still there. Also, what bothers me is if someone cheats me in any way. I keep falling in love, but I don't share it with the other person. I am shy and it stays in my heart. It's complicated. My wife knows this about me and knows me, but she also knows that it is only in my head. Problems happen when it manifests into sex, but I don't get into that area. It's a feeling I can't explain. I have never expressed my love to anyone other than when I was young and did not get a positive response, so I now keep it to myself. I am a hesitant man.
What is your idea of stardom?
I have this special connection of wanting to leave an impression on people's hearts and want my films to haunt them. My idea of stardom was that whenever people see me they should see me in different looks. I am pretty happy the way I am going, but would love to be in a space where I don't need anything, be it money, popularity or recognition. Fame is a kind of disease. It's like a trap and a fascination. It's also a medicine. It frees you from your baggage.
Has becoming a father changed you?
My wife and I were friends from NSD and we have two sons. The two most enigmatic experiences in my life have been of making love and raising kids. These are magical things put by the universe into the system. There are no words to explain my feeling when my first son was born. Being a father gives you a strange kind of connection with another being. Seeing them growing everyday is itself special. It makes you more giving. There are also traps in raising your kids where you start living your life through them. But you need to be conscious of whether you are trapping them or preparing them for liberation. I was trapped as a son, but I am a liberating father. I want them to live their lives to the fullest. Having kids make you easier about going away from the planet as you understand that it is a process of transferring to them.
Which are the directors you have enjoyed working with?
Tigmanshu Dhulia and I are friends and we share a deep chemistry. Even if he says two lines to me, I see a whole new world in that. I like the way Vishal Bhardwaj writes his language and the interesting subjects he picks up. Mira Nair wears her heart on her sleeve and is a unique combination of popular Hindi cinema with Hollywood sensibilities. Ang Lee is painfully obsessed with perfection, Anurag Basu is great fun to work with and Nikhil Advani is extremely collaborative and open.
Are there actors around you who you like?
The problem with our industry is that we do not celebrate uniqueness. Why does everybody start looking the same and are not encouraged to explore their individuality? When Chitrangda came, there was a certain sensuality in her. Why was she not allowed to explore that, for her to flourish? The industry pushes you into an area that is not your strong point. I like the bravery or smartness of Vidya, the face of Parineeti and the sensuality of Katrina. My co-actor in Lunchbox, Nimrit Kaur is ultimate for me right now. She is not glamourous, but the country will be in love with her once you see her. I also like the atmosphere being created by actors like Randeep Hooda, Sushant Singh Rajput, Aditya Roy Kapur and Nawazuddin Siddiqui.

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News Network
July 6,2020

Jul 6: Tony Award-nominated actor Nick Cordero, who specialized in playing tough guys on Broadway in such shows as Waitress, A Bronx Tale and Bullets Over Broadway, has died in Los Angeles after suffering severe medical complications after contracting the coronavirus. He was 41.

Cordero died Sunday at Cedars-Sinai hospital after more than 90 days in the hospital, according to his wife Amanda Kloots. “God has another angel in heaven now,” she posted on Instagram. “Nick was such a bright light. He was everyone’s friend, loved to listen, help and especially talk. He was an incredible actor and musician. He loved his family and loved being a father and husband.”

Nick Cordero entered the emergency room on March 30 and had a succession of health setbacks, including mini-strokes, blood clots, septis infections, a tracheostomy and a temporary pacemaker implanted. He had been on a ventilator and unconscious and had his right leg amputated. A double lung transplant was being explored.

Kloots, sent him daily videos of her and their 1-year-old son Elvis, so he could see them if he woke up, and urged friends and fans to join a daily sing-a-long. A GoFundMe page to pay for medical expenses has raised over $600,000.

“I tell him, I say, ‘You’re gonna walk out of this hospital, honey. I believe it. I know you can,’” she told “CBS This Morning” over the summer. ”‘We’re gonna dance again. You’re gonna hold your son again.’ My line is, ‘Don’t get lost. Get focused.’”

The lanky Cordero originated the menacing role of husband Earl opposite his estranged wife, played by Jessie Mueller, in Waitress as well as the role of Sonny in Chazz Palminteri’s A Bronx Tale. It was at Bullets Over Broadway where Cordero met his wife. The two married in 2017.

Cast members from “Waitress” — Jessie Mueller, Keala Settle, Kimik Glenn and songwriter Sara Bareilles — helped raise money for Cordero by covering his song “Live Your Life.” Sylvester Stallone sent a video with best wishes.

Kloots had said that it was difficult to tell whether Cordero understood what happened to him, but said he could respond to commands by looking up and down when he was alert.

Her husband played a mob soldier with a flare for the dramatic in Broadway’s Woody Allen 1994 film adaptation of Bullets Over Broadway, for which he received a Tony nomination for best-featured actor in a musical. He moved to Los Angeles to star in Rock of Ages.

On the small screen, Nick Cordero appeared in several episodes of Blue Bloods and Law & Order: Special Victims Unit, and he had a role in the film Going in Style.

Actor and guitarist for Bruce Springsteen, Stevie Van Zandt offered Cordero his first TV acting gig in the final episode of Lilyhammer. After he was hospitalized, Van Zandt teamed up with Constantine Maroulis and Vincent Pastore to make a video performing “Live Your Life.”

Cordero was last onstage in a Kennedy Center presentation of Littler Shop of Horrors. His off-Broadway credits include The Toxic Avenger and Brooklynite.

The coronavirus has sickened other Broadway veterans, including the actors Danny Burstein, Tony Shalhoub, Brian Stokes Mitchell, Gavin Creel, Aaron Tveit and Laura Bell Bundy as well as composer David Bryan. It has also claimed the life of Tony-winning playwright Terrence McNally.

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News Network
April 29,2020

Mumbai, Apr 29: Irrfan Khan, one of India's finest and most versatile actors, lost his battle with a rare form of cancer and died in a Mumbai hospital on Wednesday, a statement from his family said. He was 54

Irrfan, who was diagnosed with neuroendocrine tumour in 2018, is survived by his wife Sutapa and his sons Babil and Ayaan.

It is the second tragedy for the family in less than a week. The ?Maqbool? actor lost his mother, 95-year-old Saeeda Begum, in Jaipur just four days ago and could not attend the funeral because of the nationwide lockdown.

Irrfan, that rare actor who straddled multiple worlds, making his mark in both international and Indian cinema in roles intense and light-hearted, was admitted to the intensive care unit of the Kokilaben Dhirubhai Ambani Hospital with a colon infection

?It's saddening that this day, we have to bring forward the news of him passing away. Irrfan was a strong soul, someone who fought till the very end and always inspired everyone who came close to him. After having been struck by lightning in 2018 with the news of a rare cancer, he took life soon after as it came and he fought the many battles that came with it,? the statement from his family said

?Surrounded by his love, his family for whom he most cared about, he left for heavenly abode, leaving behind truly a legacy of his own. We all pray and hope that he is at peace. And to resonate and part with his words he had said, 'As if I was tasting life for the first time, the magical side of it',? it added.

The news of his death was first confirmed by his "Piku" director Shoojit Sircar who sent his condolences to the family and doffed his hat to the actor's fighting spirit

"My dear friend Irfaan. You fought and fought and fought. I will always be proud of you.. we shall meet again.. condolences to Sutapa and Babil.. you too fought, Sutapa you gave everything possible in this fight. Peace and Om shanti. Irfaan Khan salute," the director said on Twitter.

Irrfan's death came the morning after news that he had been admitted to the ICU with a colon infection.

The self-effacing National Award winner, who acted in films as diverse as ?Life of Pi?, ?The Namesake? and ?Haasil?, had stayed away from the public eye after his diagnosis in 2018 when he went to the UK for treatment.

He returned home in 2019 and shot for "Angrezi Medium", the sequel to his 2017 hit "Hindi Medium". However, his health condition prevented him from promoting the movie, which hit the theatres in March just before the lockdown that began on March 25.

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News Network
February 6,2020

Los Angeles, Feb 6: U.S. silver screen legend Kirk Douglas, the son of Jewish Russian immigrants who rose through the ranks to become one of Hollywood's biggest stars, has died, his family said Wednesday. He was 103.

One of the last survivors of the golden age of cinema and the father of Oscar-winning actor and film-maker Michael Douglas, the Spartacus actor was renowned for the macho tough guy roles he took on in around 90 movies over a six-decade career.

"It is with tremendous sadness that my brothers and I announce that Kirk Douglas left us today at the age of 103," Michael Douglas said in a statement posted to Facebook.

"To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to."

Douglas was Oscar-nominated for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Academy Award came in 1995 -- an honorary lifetime achievement statuette "for 50 years as a creative and moral force in the motion picture community."

Douglas is survived by second wife Anne Buydens, 100, and three sons. A fourth child, Eric, died of a drug overdose in his 40s, in 2004.

"(To) me and my brothers Joel and Peter he was simply Dad, to Catherine (Zeta-Jones), a wonderful father-in-law, to his grandchildren and great grandchild their loving grandfather, and to his wife Anne, a wonderful husband," said Michael.

"Kirk's life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet."

Kirk Douglas rose to the heights of Hollywood from an impoverished childhood as the son of Jewish Russian immigrants.

He was one of the last survivors of the golden age of cinema, often portraying the macho and not-always-likeable tough guy in around 90 movies over a six-decade career.

With charming dimples and a cleft chin, Douglas was a renowned ladies' man but also admitted to being angry into adulthood because of his difficult New York childhood.

"I still have anger in me," he said in a New York Times article in 1988 after the release of his first autobiography.

"I think I'm loath to let it go because I think that anger was the fuel I used in accomplishing what I wanted to do; you see it in my films, you see it in imitations people do of me."

Screen legend

The role that perhaps immortalized him as a star was that of a rebellious Roman Empire slave turned gladiator in the 1960 epic Spartacus.

Douglas also produced the film, which took four Oscars. He won praise for listing in the credits the real name of Hollywood screenwriter Dalton Trumbo, who was blacklisted for his Communist sympathies and wrote under a pen name.

There were Oscar nominations for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and of tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Oscar came in 1995 as an honorary lifetime achievement award "for 50 years as a creative and moral force in the motion picture community."

Other major acting roles were as a French private in a botched suicidal mission in World War I in Paths of Glory (1957) and American Western legend Doc Holliday in Gunfight at the O.K. Corral (1957).

"Often cast as a villain, amoral climber or self-obsessed grabber, Kirk Douglas took care to color his hard edges with suggestions of pain, wit and sympathy," says American Film Institute, which ranks him as 17th on its list of the greatest male screen legends.

In the 1970s he stood behind the camera, directing Scalawag (1973) and Posse (1975).

He also took up writing, penning his first autobiography The Ragman's Son in 1988 and following with around 10 other titles.

In the autobiography, Douglas writes: "I always worked in the theory that when you play a weak character, find a moment when he's strong. And if you're playing a strong character, find a moment when he's weak."

Tough childhood

Douglas was born in New York on December 9, 1916 to illiterate Jewish Russian immigrants, an only boy with six sisters.

He started out as Issur Danielovitch, later Izzy Demsky. It was tough, he recounted later, with the family poor, anti-Semitism rife and his distant alcoholic father forced to earn a living as a ragman.

"In a sense, I've always felt on the outside, looking in," he said in the New York Times article.

"It's my background, damn it. My father was an illiterate Russian immigrant, a ragman, the lowest rung on the economic scale."

His dream of a way out was through acting and he started in high school, eventually entering the American Academy of Dramatic Arts and changing his name along the way.

To survive he took jobs as a waiter, labourer and porter. In 1941 he hit Broadway but his budding career was interrupted by service in the Navy. After the war, he headed for Hollywood.

His romantic conquests were many, although he once said he had never counted, and included starls such as Rita Hayworth, Marlene Dietrich, Joan Crawford and Ava Gardner.

Douglas' four sons followed him into cinema.

Oscar-winning actor and producer Michael and Joel were from a marriage to actress Diana Webster, whom he divorced in 1951.

Three years later he married Belgian-American Anne Buydens, having Peter and then Eric, who died in 2004 from an accidental overdose.

Douglas has also brushed death: he survived a helicopter crash in 1991 and a massive stroke in 1996 that nearly robbed him of speech.

Around the time of his 100th birthday in 2016, he attributed his remarkable longevity to his second marriage.

"I was lucky enough to find my soulmate 63 years ago, and I believe our wonderful marriage and our nightly 'golden hour' chats have helped me survive all things," he said in celebrity magazine Closer Weekly.

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