Bhaag Mikha has changed Farhan Akhtar's life

August 5, 2013

Bhaag_MikhaFarhan Akhtar has earlier said, "When I take up a film, I always think of the effect it will have on my children when they see the film years later." 'Bhaag Milkha Bhaag' will certainly qualify as a film that he can be proud of. As the film nears the 100-crore mark and continues to get the love from the audience and the tax-free special status given to it by several state governments, we spoke to Farhan urf Milkha about how the film has changed his life. Excerpts:

How has the success of the film Bhaag Milkha Bhaag impacted your life?

It has given me a lot of confidence to look out for things that will be challenging to do. It also makes a lot of writers and filmmakers not think of me as just an urban metro-centric guy and I am being offered different roles breaking the mould I was slotted in so far. When you make a film, you can never plan success, but can only hope for the best.

The moment you plan it, the design will destroy it. But when it surpasses what you had planned, you feel so small in comparison. It's a great reassurance to be true to your instinct. To me, the philosophy of Milkhaji is true that genuinely if you work hard, the results can be outstanding. We remember him as he worked harder than anyone else at that time. I feel really happy and grateful for the acceptance, given what has gone into the film and the love it has got in return.

Has the response to this film been different than your earlier films Zingadi Na Milegi Dobara or Dil Chahta Hai?

There is something about this movie that has resonated and touched people's hearts for me, more than ever before. I was talking to my dad the other day that never before on any film that I have made or directed or acted in, has a film appealed to a cross-section of society like this has. From the moment I leave home, from the guy who checks your ID at the airport to the lady who checks you in to the guy who gives you the coffee at the lounge to the guy who is tearing the boarding pass at the boarding gate to the man in the suit sitting next to you in the flight to the driver who picks you up at the airport, says nice things about the film. And that is because it is a human story that has touched every strata of society. I felt really good post the release of the film on Monday, when I got a phone call from Shah Rukh (known to be Farhan's close friend) who said, 'I just called to say apni picture hit ho gayee.' I was so touched.

From being a complete vagabond at 17 to putting in the effort required to play Milkha, have you surprised yourself?I remember so clearly as a kid, my biggest problem in life was I used to never follow up on anything. I would get excited about doing something, but the fad would fade off within 2-3 weeks. The guy in Lakshya had a lot of me in it. While it has not happened overnight, I have come a full circle in this film. It was really tough, but the commitment to play Milkha revealed the extent to which you had to dig deep, no matter what happens to do the role.

It's a game changer for setting standards of hard work that an actor can put into a role.

While in the industry we compete for the outside world, within the fraternity, I find it extremely inspirational when I see good work as you want to do something even better. It's amazing if my work will inspire others.

Did you get stuck with your will power during this journey?

Fortunately, I was constantly motivated by the right people. Apart from my personal training team, Yograj Singhji's presence was really positively reassuring. While he was an actor in the film, he is also a cricket coach in real life, he pushes and nurtures you. It's an amazing combination of pampering and torturing. It makes you give everything for that person.

Your first dream was to be an actor. Somewhere in this journey, you also became a writer, director and singer. What will you do next?

Currently, I am so enjoying this experience of playing these different parts and as long as I am enjoying it, I will continue to do it for sure. I am currently looking out to do a film as an actor for my company Excel Entertainment and starting my live concerts. In any case, I am not a great one to make plans for the future.

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News Network
June 29,2020

New Delhi, Jun 29: Actor Bhumi Pednekar on Monday pledged to feed over 550 impoverished families as a mark of tribute to late Bollywood actor and her 'Sonchiriya' co-star Sushant Singh Rajput.

Pednekar made the announcement through an Instagram post where she shared a picture of the departed actor and penned down a note along with it.

"I pledge to feed 550 impoverished families through the Ek Saath Foundation in the memory of my dear friend. Let us show compassion and love towards everyone that is in need, now more than ever," Pednekar wrote.

The two actors shared screen space in the Abhishek Chaubey directorial which continues to be a critically acclaimed film.

Rajput was found dead at his Mumbai's Bandra residence earlier this month. The detailed post-mortem report has also confirmed that he died by "asphyxia due to hanging."

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News Network
July 25,2020

Bhubaneswar, Jul 25: The COVID-19 pandemic has hit many people hard, and the latest victim of the pandemic is Bollywood actor Kartika Sahoo from Odisha. With the entertainment industry almost non-functional and most productions on hold, the actor is forced to sell vegetables for a living.

Sahoo, who hails from the from Garadpur block of the Kendrapada district in Odisha, said that he went to Mumbai to try his luck in Bollywood at the age of 17. For many years he worked as a bodyguard to film stars and cricketers such as Amitabh Bachchan and Sachin Tendulkar, among others.

Lady luck shone on him in 2018, and he landed noticeable roles in the action sequences of many movies, he said while speaking with news agency. He also has a fight sequence with Akshay Kumar in his upcoming film 'Sooryavanshi'.

Just before the nationwide lockdown which started on March 22, Sahoo had returned home to Odisha after shooting a fight sequence in Jaipur. Since then, with no work, the actor has been living off his savings to sustain his family. But, after four months of no work, and a medical emergency, a major part of his savings was drained.

To find work, he moved to state capital Bhubaneswar, but to no avail. In the end, Sahoo had to resort to selling vegetables in Rasulgad there.

Sahoo is still hopeful and said that he'll again try his luck in Bollywood once the situation is back to normal, till then he'll struggle, like others, for survival.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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