Priyanka Chopra on films, music and stereotypes

August 31, 2013

Priyanka_ChopraMumbai, Aug 31: With her music and film career expanding outside of Bollywood, Priyanka Chopra says she is now in a position to change common misconceptions that people may have about India.

The actress plays an eye-catching animated racing airplane in Disney’s global adventure “Planes” and her step into Hollywood coincides with her foray into pop music. Chopra, 31, spoke to Reuters on Thursday.

Here are excerpts from the interview:

Q: What drew you to take on the voice role of Ishani in Disney’s animated film 'Planes'?

A: “When Disney approached me for the movie, it was just a script and I’ve always wanted to be, well, every girl has always wanted to be a Disney princess, we all have our favorites so in my head I’m a Disney fairy, Tinkerbell, so I was really excited about the fact that Disney had come to me with this movie and when I read Ishani’s part, I loved the fact that she had such a big graft in her character, she becomes a little bad then she’s a little good, so I love that, it was really exciting to do an animation movie.”

Q: How important was it to have an Indian character in this film?

A: “This is a very global movie, you have characters from all across the world and I think for kids, it’s great to understand that there’s so many different kinds of culture and people out there. I think it’s a great message and I’m really happy that India was one of those parts which were that important to be a part of the movie.”

Q: What drew you to make the transition from Bollywood to Hollywood?

A: “For me, it’s really not a transition ... it’s an expansion of my creativity, I mean that’s all you want to do is to grow in life and for me I’m doing music, which is something I’ve never done before and if I do a movie, which I’m doing with ‘Planes’, it’s something I’ve never done before, I’m just challenging myself more than ever, so I don’t really see this as a transition.”

Q: There have been a few A-list Bollywood actors who haven’t succeeded in cracking Hollywood. What difficulties do you think they faced, and what difficulties have you faced in cracking Hollywood?

A: “There’s a couple of things. One, there is a very big stereotype with Indian actors, and you get only Indian parts. But there is a stereotype that there’s a certain accent and there’s a certain vibe and how is that cool. I felt a lot of that and I really want to be able to change that, for people to be proud of their roots.

I know I went to school here and I know how much pressure I had to change myself and be a little more normal and acceptable and I think it’s great to be who you are. I also think that’s changing with so much globalisation. You see so many people in so many jobs where ethnicities don’t matter, and I think that that’s a really great place in the world to be an actor and I’m happy about that.”

Q: Have you had much support from other Bollywood or Hollywood stars?

A: “I’ve had some amazing friends and I’ve also had a lot of detractors who’ve said ‘what are you doing,’ so it’s a battle, it’s a constant battle. It is hard, and I guess when you put yourself out there and doing things and changing things and shaking them around, you’re bound to be judged and you’re bound to be criticized and applauded, so I hope that I give people more reasons to applaud me than criticise me.”

Q: What kind of roles do you find yourself drawn to?

A: “I think parts that challenge me, in all the movies that I’ve done, I always end up doing something or the other which people turn around and said ‘how did you do that?’ And I enjoy that, I get bored really easily so I need something that keeps me engaged.”

Q: How did the Miss World pageant prep you for showbiz?

A: “It didn’t. I was 17 years old, I didn’t know anything. I just went with my gut and I wanted to take a chance, I was in my teens and my parents supported me, and I was studying to be an engineer, and movies happened, my first movie did really well, and then I won all the awards, and more movies came, and I didn’t know anything.

I’ve made so many mistakes along the way, but you just have to push yourself up again and that happens when you don’t have anybody telling you or guiding you or saying this could be a better way to do it ... when you learning on your own, you’re bound to make those mistakes. So I guess I was never at all, and I still am not (prepared).”

Q: How challenging is it to navigate your film choices while being respectful of Indian cultural traditions?

A: “I am who I am. I am desi (from India), and I am videshi (from outside India). I’ve been brought up in America, I’ve been brought up in India, and I think the amalgamation of that is what I want to be. I don’t want to be too western or too Indian, or too here or there. I want my work to reflect that. It always has in my movies and I want my music to do that too.”

Q: Are you able to balance that equally?

A: “I don’t know if you can do it equally or not, but it’s a chance you take. I just want to make something which I’m happy with and I’m proud of, and present it to the world. I’m a performer, that’s what I do.”

Q: There’s a lot of buzz surrounding your upcoming role in the Mary Kom biopic. What drew you to the project?

A: “There’s never been a female sports person and like hardly any movies are made on that, one, and second, Mary is a national icon. She’s a five-time world champion, a mother of three kids, an Olympic medalist and she has an incredible story.

I think it was the idea of the story that really drew me to it, and the challenge of the fact that I have to learn a completely new sport and play a living, breathing person. So it was hugely challenging, it’s probably the most difficult film I’ve ever done.”

Q: What’s the most surprising thing you’ve learned about Mary during your preparation?

A: “That she’s such a girl. She’s in one sense supposed to be this tough chick but she likes nail polish and chiffon and she’s just a girl. I think that’s amazing to play.”

Q: You’ve worked with so many actors, do you have any favorites?

A: “I’ve never really had idols, but because I started working so young, I’ve imbibed a lot from people I’ve worked with. So I am a mix of anyone who that has touched my journey because I had to learn everything on the job.

I’ve been very fortunate to work with some of the most amazing actors in the Indian movie industry and I think they’ve been a huge part of who I am.”

Q: Being in the public eye, you are subjected to a lot of tabloid and paparazzi attention. How do you handle that and how much do you feel you owe your fans and the public?

A: “That’s a difficult question. It hurts, and people are so judgmental so soon, and without seeing things for what they really are, they make their mind up, and I think tabloid culture helps that, encourages it.

For me, I think people forget they’re real people too and we might feel too. So that kind of hurts, I don’t think I’ve gotten used to it yet. I don’t think I ever will. Besides that, I think, I have chosen to be a public person so I do owe a certain amount of my life to people who have made me who I am.

So I keep my private life, it’s very private to me and I’m very protective of it ferociously, I think I keep just a little bit for myself and the rest of it can be for the whole world.

Q: There is a lot of pressure for female stars to portray a certain body image and appearance? How do you handle that?

A: “I’ve realised one thing from being in show business since I was so young, that you can’t please everyone. You just can’t. There’s no way everyone will always be happy with you so be who you are and let people decide whether they like you or not.”

Q: You’re delving into music now. How was it working with rappers Pitbull and will.i.am and how did your collaborations with them come about?

A: “My album is being produced by RedOne and he made this song and once we wrote this song and we had this space for a rapper, we knew we wanted one. It just sounded like a very Pitbull sound, so Red sent it to him and he loved it and laid down his lyrics and sent it back to us, and that’s it. That’s how the song happened. And he’s been so supportive and really pushing and encouraging with this song.”

Q: There seems to be a natural pairing of R&B and Hindi music, why do you think they work so well together?

A: “I think it’s the beats, the beats just lend themselves to each other. But I think Hindi music can go with anything, it’s just that kind of music.”

Q: What musical genres are you exploring in your first album?

A: “My album is like me - eclectic in my taste. I like a little bit of everything, so my album has ballad, mid tempos, pop, a little rap, EDM, it has a little bit of everything, I’ve dabbled in everything, because it’s so new to me. So it’ll be a mix of my moods I think.”

Q: Will you be collaborating with more singers?

A: “I can’t speak about who I’m working with, we do have other collaborations on the album but it’s too early to talk about it. But there are so many incredible people that my label has associated me with, it’s going to be exciting.”

Q: What’s the biggest difference between working in the film industry and the music industry?

A: “They’re two completely different mediums of creativity. So it’s handling two careers right now, it’s hard, hence my voice, my lack of sleep.”

Q: What’s your biggest hurdle that you’ve had to overcome?

A: “I think people know me as an actor, it’s very difficult for them to accept the fact that I can sing. I get a lot of critique for that, ‘why are you trying to sing, why are you singing?’ So I think that is a challenge for me, I wish people could just see it as trying my hand at something new, everybody tries that.

People start to cook, people start to play a sport, so I started to sing. And if you don’t like the song, that’s fine, but thank you to all of those who have had so much support for ‘Exotic.’”

Q: You’re currently the featured artist for Thursday night’s NFL TV show. How does that feel?

A: “It was bizarre when it happened last year and now that’s happened again, I’m excited, I’m happy that there’s certain acceptance for this song for two seasons, so it’s cool I think. I hope I can keep doing things which are milestones like this.”

Q: You sing in both Hindi and English on “Exotic.” Will you be doing the same on the rest of the songs on your album?

A: “This song has Hindi and English, I’m not sure about the others, but there will definitely be influences from where I come from, but this is an English album, not a fusion album.”

Q: You’re a United Nations ambassador for children’s rights. What drew you to the organisation and the cause?

A: “When I was really young, my parents were both doctors and we used to go on this, we used to take the ambulance from the hospital and drive into the villages and my parents would go and a pharmacist would go and check kids and have patients come up to them.

And it was my job to count the medicines and give it to people and make little envelopes out of it, so when I became Miss World, I realised that because of who I was, I could, OK, maybe I wouldn’t be able to change the world or do anything drastic, but people would at least listen to me.

And maybe they wouldn’t do anything about it but they’d hear me. So when I started working with UNICEF, education for me is a really big deal especially for girl child and girl rights in India, so I took that on about eight years ago, and in the last couple of years, I’ve officially become ambassador, and I have a foundation too, the Priyanka Chopra Foundation for health and education where we treat people and raise money and stuff like that, it’s just something I’ve been brought up with.”

Q: As an artist and ambassador, what are the biggest misconceptions you’ve encountered about India, and what would you like to change?

A: “So many things. Really, so many things. We don’t travel on elephants, there aren’t any snake charmers on the side of the road, everybody doesn’t talk like Apu from ‘The Simpsons,’ I’d like people to see us for who we are.

The world is such an open place, we tolerate every religion and every culture, and I think it should be OK to be who you are. It was really hard for me when I went to school in America, and I don’t want that to happen to any more kids or people who come from my part of the world. So if I can do something to change that perception, I’d be happy.”

Q: Where would you like to see yourself in your career and personal life in the next few years?

A: “I never thought I’d be singing, so I feel like my life has its own plan and I just go wherever comes my way. I don’t plan my life. Man proposes, God disposes.”

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Agencies
June 16,2020

Mumbai, Jun 16: Director Abhinav Singh Kashyap appealed to the government to launch a detailed investigation into the demise of actor Sushant Singh Rajput and shared a hard hitting Facebook post about his own experience of bullying in the Bollywood industry.

The 'Dabangg' director wrote, "My experience is no different. I have experienced exploitation and bullying first hand."

He further said, "Arbaaz Khan on Dabangg and ever since. So here is my story 10 years after Dabangg. The reason I moved out of making Dabangg 2 ten years ago is that Arbaaz Khan in collusion with Sohail Khan and family was trying to take control of my career by bullying me. because Arbaaz Khan sabotaged my second project with Shree Ashtavinayak Films that I was signed up with by personally calling their head Mr. Raj Mehta and threatening him with dire consequences if they made a film with me. I had to return the signing money to Shree Ashtavinayak films and moved to Viacom Pictures. They did the same thing. Only this time the sabotager was Sohail Khan and he intimidated the then Viacom CEO Vikram Malhotra. My project was sabotaged and I was made to return my signing fee of Rupees 7 Crores plus interest of Ninety odd lacs. Its only then that Reliance Entertainment came to my rescue and we forged an enduring partnership for my film Besharam."

The 'Yuva' director added, "But to behold... Mr Salman Khan and family sabotaged the release of the film and got their PROs to run a sustained negative smear campaign against me and my film Besharam before release. This scared the distributors from buying my film. Reliance Entertainment and I were capable and courageous enough to release the film ourselves but the battle had just begun. My enemies, which there were many ran a sustained negative Trolling and badmouthing campaign against the film till the Box Office of my film collapsed. But to their horror, Besharam had still netted 58 crores before it went out of theatres."

"So they fought on... They sabotaged the Satellite release of the film that was pre-sold to Mr Jayanti Lal Gada who was the main agregator for Zee Telefilms those days. With Reliance's goodwill, they were able to re-negotiate the satellite rights sale with Gada for a much lesser price," he further said.

Talking about his projects and how they were affected, Kashyap added, "Over the next few years, all my projects and creative endeavours have been sabotaged and I have been repeatedly threatened with life and rape threats given to/for the female members of my family. The sustained gaslighting and bullying destroyed my mental health and that of my family and led to my divorce and breaking up of my family in 2017. They erred and sent some of these threats as texts, sent to me as sms from several numbers. Armed with evidence, I went to the police in 2017 to file an FIR which they refused to register but registered a non-cognizable complaint. When the threats continued, I forced the police to trace the numbers but they couldn't be traced back to Sohail Khan (the suspected sender). My complaint remains open to date and I still have all the evidence."

The director further wrote, "My enemies are sharp, cunning and always attack me from the back and stay Hidden. But the best part is after 10 Arbaaz Khan and Sohail Khan years, I know who my enemies are. Let it be known that they are Salim Khan, Salman Khan, Arbaaz Khan and Sohail Khan for. There are many other small fry's but Salman Khan family is the head of this venomous serpent. They use a clever mix of their ill-gotten money, political clout and connections with the underworld to intimidate anyone and everyone. Unfortunately truth is on my side and I am not going to give up like Sushant Singh Rajput. I refuse to cow down and will fight on till I see the end of either them or me. Enough tolerance. It's time to fight back."

The 'Dabangg' director wrote, "The suicide of Sushant Singh Rajput brings to the forefront a much bigger problem of what many of us have been dealing with. Exactly what might compel a person to commit suicide?? I fear his death is just the tip of the iceberg just like the #metoo movement was for a much bigger malaise in Bollywood."

Kashyap also made allegations that talent management agencies ruin the career and life of an actor, "The death of Sushant Singh Rajput brings under scanner the role YRF talent Management Agency might have played in pushing him towards his suicide but that is for the authorities to investigate. These people don't make careers. They ruin your career and life. Having suffered personally for a decade, I can confidently say every Talent Manager and all Talent Management Agencies of Bollywood are a potential death Trap for Artists. They are all basically white collared Dalaals and everyone is involved. They all have an unspoken code of conduct they adhere to. Their one simple mantra is, 'Hamaam me sab nange aur jo nange nahin hain, unko nanga karo kyonki agar ek bhi pakda gaya to sab pakde jayenge'. Following is mostly their modus Operandi'."

The director shared how the agencies find talented people and get them to sign a contract, "First the talent scout (Casting Directors, etc.) working on a cut/commission spots a needy wild talent from out of Mumbai with little connections or property. The talent is then lured with free invites to Bollywood parties and random Restaurant launches on the pretext of introducing them to celebrities. The Blinding glamour of celebs and lure of easy money is unleashed on the unsuspecting. Mind you they are all ignored and treated very badly at these parties so they feel demoralized and their self-confidence breaks."

He added, "Once the confidence is broken, the scouts offer them a multi-year exclusivity contracts and pressure them to sign-up for it by promising to protect them from predators or offering a pittance. Mind you, breaking these legal contracts means heavy penalties for these budding talents but the scout makes sure through bullying and coercion that there is very little option for the talent but to sign up. Once the talent is signed up with the Talent management agency, they give up their right to exercise free choice and their discretion in any matter concerning career and they are made to work as bonded labor with very little money. Even if they are brave and manage to escape the clutches of their Talent Management agency somehow, they are systematically boycotted and their name smeared till they jump ship to another Agency in the hope of a better tomorrow."

Talking further about the struggle of an actor, Kashyap said, "But that tomorrow never comes. Their new agency turns out to be the same. Over a period of few years, mostly the prime of any actor, the talent is repeatedly broken till they either commit suicide or they succumb to Prostitution and escort services (Yes male escorts also) to feed the ego and sexual appetite of the rich and powerful, not just in Bollywood but also in Corporate world and politics."

He concluded by writing, "So this is not a threat, it's an open challenge. Sushant Singh Rajput has moved on and I hope he is happier wherever he is but I will make sure that no more innocent will kill himself over lack of work with dignity in Bollywood. I hope suffering actors and creative artists will share my post on various social media platforms as will the media and people who patronize the entertainment industry."

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News Network
February 24,2020

New Delhi, Feb 24: Indian Idol 11 winner is Bhatinda's Sunny Hindustani. Sunny, who mostly sang Nusrat Fateh Ali Khan's songs on the show, won the coveted trophy. The Bhatinda boy took home the Indian Idol 11 trophy along with the prize money of Rs 25 lakh, a car and a singing contract with T-Series.

Sunny's entry on the show was much-talked-about. His soul-soothing voice had mesmerised the judges on the audition day itself as he sang Afreen Afreen. He got a standing ovation and former Indian Idol 11 judge Anu Malik even said that he felt as if Nusrat Fateh Ali Khan himself was performing on the Indian Idol stage. His audition video had gone viral after Anand Mahindra shared it on social media.

On the finale night, Sunny sang a medley of songs, which included Mere Rashke Qamar and Halka Halka Suroor. Ayushmann got emotional seeing Sunny's journey on screen. He said, "Hum na actor bade self-obsessed hote hain. Humein lagta hai hamari struggle sabse achchi hai, sabse badi hai. Inke saamne toh kuch hai he nahi. Jahaan se aye hai, jitna hunar inke paas hai...mujhe lagta hai inki maa sabse ameer hain."

The first and second runner-up of the show Rohit Raut and Ankona Mukherjee got Rs 5 lakh each, while Ridham Kalyan and Adriz Ghosh who were fourth and fifth on the show, took Rs 3 lakh home. Every finalist also received Rs 1 lakh cheque from Lotus Herbals and gift hampers from the sponsors.

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News Network
February 6,2020

Los Angeles, Feb 6: U.S. silver screen legend Kirk Douglas, the son of Jewish Russian immigrants who rose through the ranks to become one of Hollywood's biggest stars, has died, his family said Wednesday. He was 103.

One of the last survivors of the golden age of cinema and the father of Oscar-winning actor and film-maker Michael Douglas, the Spartacus actor was renowned for the macho tough guy roles he took on in around 90 movies over a six-decade career.

"It is with tremendous sadness that my brothers and I announce that Kirk Douglas left us today at the age of 103," Michael Douglas said in a statement posted to Facebook.

"To the world he was a legend, an actor from the golden age of movies who lived well into his golden years, a humanitarian whose commitment to justice and the causes he believed in set a standard for all of us to aspire to."

Douglas was Oscar-nominated for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Academy Award came in 1995 -- an honorary lifetime achievement statuette "for 50 years as a creative and moral force in the motion picture community."

Douglas is survived by second wife Anne Buydens, 100, and three sons. A fourth child, Eric, died of a drug overdose in his 40s, in 2004.

"(To) me and my brothers Joel and Peter he was simply Dad, to Catherine (Zeta-Jones), a wonderful father-in-law, to his grandchildren and great grandchild their loving grandfather, and to his wife Anne, a wonderful husband," said Michael.

"Kirk's life was well lived, and he leaves a legacy in film that will endure for generations to come, and a history as a renowned philanthropist who worked to aid the public and bring peace to the planet."

Kirk Douglas rose to the heights of Hollywood from an impoverished childhood as the son of Jewish Russian immigrants.

He was one of the last survivors of the golden age of cinema, often portraying the macho and not-always-likeable tough guy in around 90 movies over a six-decade career.

With charming dimples and a cleft chin, Douglas was a renowned ladies' man but also admitted to being angry into adulthood because of his difficult New York childhood.

"I still have anger in me," he said in a New York Times article in 1988 after the release of his first autobiography.

"I think I'm loath to let it go because I think that anger was the fuel I used in accomplishing what I wanted to do; you see it in my films, you see it in imitations people do of me."

Screen legend

The role that perhaps immortalized him as a star was that of a rebellious Roman Empire slave turned gladiator in the 1960 epic Spartacus.

Douglas also produced the film, which took four Oscars. He won praise for listing in the credits the real name of Hollywood screenwriter Dalton Trumbo, who was blacklisted for his Communist sympathies and wrote under a pen name.

There were Oscar nominations for his roles as a double-crossing and womanizing boxer in Champion (1949), a ruthless movie producer in The Bad and the Beautiful (1952) and of tortured artist Vincent Van Gogh in Lust for Life (1956).

But his only Oscar came in 1995 as an honorary lifetime achievement award "for 50 years as a creative and moral force in the motion picture community."

Other major acting roles were as a French private in a botched suicidal mission in World War I in Paths of Glory (1957) and American Western legend Doc Holliday in Gunfight at the O.K. Corral (1957).

"Often cast as a villain, amoral climber or self-obsessed grabber, Kirk Douglas took care to color his hard edges with suggestions of pain, wit and sympathy," says American Film Institute, which ranks him as 17th on its list of the greatest male screen legends.

In the 1970s he stood behind the camera, directing Scalawag (1973) and Posse (1975).

He also took up writing, penning his first autobiography The Ragman's Son in 1988 and following with around 10 other titles.

In the autobiography, Douglas writes: "I always worked in the theory that when you play a weak character, find a moment when he's strong. And if you're playing a strong character, find a moment when he's weak."

Tough childhood

Douglas was born in New York on December 9, 1916 to illiterate Jewish Russian immigrants, an only boy with six sisters.

He started out as Issur Danielovitch, later Izzy Demsky. It was tough, he recounted later, with the family poor, anti-Semitism rife and his distant alcoholic father forced to earn a living as a ragman.

"In a sense, I've always felt on the outside, looking in," he said in the New York Times article.

"It's my background, damn it. My father was an illiterate Russian immigrant, a ragman, the lowest rung on the economic scale."

His dream of a way out was through acting and he started in high school, eventually entering the American Academy of Dramatic Arts and changing his name along the way.

To survive he took jobs as a waiter, labourer and porter. In 1941 he hit Broadway but his budding career was interrupted by service in the Navy. After the war, he headed for Hollywood.

His romantic conquests were many, although he once said he had never counted, and included starls such as Rita Hayworth, Marlene Dietrich, Joan Crawford and Ava Gardner.

Douglas' four sons followed him into cinema.

Oscar-winning actor and producer Michael and Joel were from a marriage to actress Diana Webster, whom he divorced in 1951.

Three years later he married Belgian-American Anne Buydens, having Peter and then Eric, who died in 2004 from an accidental overdose.

Douglas has also brushed death: he survived a helicopter crash in 1991 and a massive stroke in 1996 that nearly robbed him of speech.

Around the time of his 100th birthday in 2016, he attributed his remarkable longevity to his second marriage.

"I was lucky enough to find my soulmate 63 years ago, and I believe our wonderful marriage and our nightly 'golden hour' chats have helped me survive all things," he said in celebrity magazine Closer Weekly.

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