India's pick for Oscars, The Good Road has a bumpy start

September 22, 2013

Indias_pick_for_OscarsMumbai/Ahmedabad, Sep 22: Gujarati film The Good Road was picked on Saturday as India's entry for the Best Foreign Language Film category at the Academy Awards next year.

Set in the harsh terrain of Kutch, the film, a road movie by debutant feature film director Gyan Correa, revolves around a truck driver and a couple whose child is on the run. Although the film was adjudged the Best Feature Film (Gujarati) at the 60th National Awards, it has had a limited viewing.

While the chairman of the selection committee, filmmaker Gautam Ghose, said the Film Federation of India unanimously picked The Good Road, the Oscar choice immediately sparked off a controversy.

The first voices of protest were raised by the director and producer of The Lunchbox. The Ritesh Batra-directed film has been received well in the festival circuit and had been talked of as India's best shot at the Oscars.

Anurag Kashyap, who co-produced The Lunchbox, tweeted: "First time and I really mean it, I was excited because first time we knew we had a chance... I don't know who the federation is but it goes to show, why we completely lack the understanding to make films that can travel across borders." Batra also accused the FFI of "lacking vision".

Director-producer Karan Johar, who turned presenter for The Lunchbox, tweeted: "The Lunchbox had every factor working in its favour, we may have lost our golden chance."

According to sources, the film's international distributor, Sony Pictures, was so confident that they had plans of similar lobbying campaigns as Amour, the French film that won the Oscar last year.

Defending the choice, Ghose said: "The film, produced by National Film Development Corporation (NFDC) and Amitabha Singh, edged past others because it had a new experience to offer. It is about unknown people and tells a story from the remote Kutch."

This is not the first time the FFI has been accused of failing to send the right films to the Oscars. "I have suggested that the FFI write to the Academy that India, being a gigantic industry with a wide variety of films, be allowed to send at least five films," said Ghose.

The Good Road director Correa said the film, shot near Bhuj, was prompted by his own travel experiences. The Mumbai-based director had so far made only ad films. While the central role was played by a real-life truck driver, Oscar-winner Resul Pookutty was the sound designer.

Gujarat Chief Minister Narendra Modi welcomed the selection.

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June 16,2020

Mumbai, Jun 16: Filmmaker Dibakar Banerjee remembers Sushant Singh Rajput as a dance loving 'chhokra' from an engineering college who, having made it in Bollywood, was “enthused, sincere and totally focused” on his craft.

Banerjeee said the actor always had “a book or two” with him and took pride in the fact that he had an “inner intellectual life away from the shallower aspects of showbiz”.

Rajput was found dead in his Bandra apartment on Sunday at the age of 34, leaving his friends, colleagues and collaborators in a state of shock.

The Patna-born actor and the director worked together in 2015 film "Detective Byomkesh Bakshy!" when Rajput was a relative newcomer in the industry. Banerjee says it was Rajput's vulnerability and willingness to do different that made him stand out for the role.

In an interview with news agency, the filmmaker looks back at Rajput's sincerity, his love for science and astronomy and how an outsider has to work harder than a "mediocre, unmotivated and entitled establishment elite" to succeed in Bollywood.

Excerpts:

You worked with Sushant when he was less than two-year-old in the film industry. What struck you the most in him to cast as Detective Byomkesh Bakshy?

Banerjee: His vulnerability and intensity and the ambition to do different things than the usual Bollywood stuff.

What were your memories of Sushant- the actor and the person?

Banerjee: As an actor he would tense himself up for the scene and then completely plunge in take after take. He would put a lot of value on preparation. He would be up the previous night of the shoot, reading the scene and making notes and land up on the sets all raring to go.

He would be on, ready and give his hundred per cent throughout the shoot of Byomkesh - no matter how hard or long the day. The unit did not really have to worry about him - considering he was the star. That's what I remember - a total pro, enthused, sincere and totally focused.

As a person, he seemed to me a happy dance loving 'chhokra' from an engineering college who had made it in showbiz and now was serious about acting. He was deeply nostalgic about his carefree student days in Delhi. We used to laugh a lot - I remember that quite clearly.

Sushant's friends say that he spoke more about books and his love for astronomy than films and their fate, which is rare for an actor in the industry. Do you also remember him that way?

Banerjee: Totally true. He was a science and astronomy nut. Always had a book or two with him - and was proud of the fact that he had an inner intellectual life away from the shallower aspects of showbiz. I recognized it as a reflex, protective action to prevent the Bollywood swamp sucking him in totally. And also an identity he wanted to protect and project.

Sushant's death has brought to the fore the struggles of outsiders and the alienation they often face from the nepotistic culture of the industry. Did you feel that Sushant was also fighting this battle despite being a successful actor?

Banerjee: We all fight it, day in and out - whether successful or failing. But the trick is to define that success and failure ourselves and not let the narrative constantly forced by the establishment to get to you. Those who know this weather the storm and ultimately survive and thrive.

The biggest unfairness in all this is that it takes double the talent, energy and hard work for an outsider to convince the audience and the industry that he or she is as safe a box office bet as a mediocre, unmotivated and entitled establishment elite.

The media colludes in this by wallowing in family, coterie and celebrity worship. This leads to deep anger and frustration. Those who can let this slide survive. Those who can't - those who hurt a little more or are vulnerable and impressionable - they are at risk.

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News Network
June 19,2020

Mumbai, Jun 19: Actor Sushant Singh Rajput’s memories will continue to be celebrated as Instagram has memorialised his account, adding “remembering” to his bio.

Rajput, 34, known for films like "Kai Po Che!", "MS Dhoni: The Untold Story", "Chhichhore", was found dead in his Bandra apartment on Sunday, sending shockwaves in the film industry and elsewhere.

Days after his untimely demise, Instagram added “remembering” to his account bio and memorialised it as a place to remember the actor’s life.

According to the photo-video sharing website, no one can log into a memorialised account. The posts the deceased person shared, including photos and videos, stay on their page and are visible to the users they were shared with.

Also, once the account is memorialised, no one will be able to make changes to any of the existing posts or information.

The actor’s last post on the social media platform was a tribute to his late mother on June 3.

Rajput’s death is being investigated by the Mumbai Police and so far statements of over 13 people, including actor’s family members and close friends, including actor Rhea Chakraborty and casting director Mukesh Chhabra, have been recorded.

The police have also sent a letter to Yash Raj Films seeking details of the contracts it had signed with him.

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News Network
June 30,2020

California, Jun 30: Online video-sharing platform YouTube on Monday banned several prominent channels, including those belonging to Stefan Molyneux and Richard Spencer.

The company banned six channels for repeatedly violating YouTube's policies.

According to The Verge, other channels banned include American Renaissance (with its associated channel AmRen Podcasts) and the channel for Spencer's National Policy Institute.

YouTube began taking stern measures on supremacist channels in June 2019.

"We have strict policies prohibiting hate speech on YouTube, and terminate any channel that repeatedly or egregiously violates those policies," the Verge quoted a YouTube spokesperson as saying.

"After updating our guidelines to better address supremacist content, we saw a 5x spike in video removals and have terminated over 25,000 channels for violating our hate speech policies," the spokesperson added.

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