‘Dark is Beautiful’ campaign takes on unfair India

October 28, 2013

Nandita_DasMumbai, Oct 28: Looking to find a husband? Then you need to have lighter skin. That’s the all-pervasive message in India, and it’s something that one actress is fighting to overturn.

The new poster girl of the “Dark is Beautiful” campaign, Nandita Das, has called out India’s obsession with fair skin — a prejudice she says has driven some young women to the brink of suicide.

“Magazines, TV, cinema — everywhere being fair is synonymous with being beautiful,” Das told AFP.

Described as having “dusky” skin as opposed to a fair complexion, the 43-year-old is well used to Indian preoccupations with color, and not just in the film industry, where she has refused requests to lighten her skin for roles.

“How can you be so confident despite being so dark?” is a question regularly asked of Das, who has preferred to star in unconventional, issue-based films but says she would struggle to get ahead in mainstream Bollywood movies.

In May, Das became the face of the Dark is Beautiful campaign, launched in 2009 by activist group Women of Worth to celebrate “beauty beyond color.”

Her backing has helped to generate increasing debate in the media, but the response has underlined just how ingrained the preference is for fairer skin, which has long been associated with higher social classes and castes.

“I started getting tons of e-mails from young women pouring their heart out about how they were discriminated against. Some wanted to commit suicide because they couldn’t be fair,” she said.

Das found her own photograph had been lightened by a newspaper even for a feature on the campaign. When looking for a nanny, she was told one candidate was “good, but quite dark.”

Amid such pressures to be pale, India’s whitening cream market swelled from $397 million in 2008 to $638 million over four years, according to market researchers at Euromonitor International.

Skin-lightening products accounted for 84 percent of the country’s facial moisturiser market last year, their report shows.

The bias facing darker-skinned women was raised again in September when an Indian-origin woman, Nina Davuluri, won the “Miss America” contest in the United States.

“Had she been in India, far from entering a beauty contest, it is more likely that Ms Davuluri would have grown up hearing mostly disparaging remarks about the color of her skin,” said an editorial in The Hindu newspaper.

“She would have been — going by the storyline of most ‘fairness’ cream advertisements — a person with low self-esteem and few friends.”

Last year, a commercial for an “intimate wash” to whiten vaginas emerged, showing a young Indian woman who uses the product to successfully regain her friend’s attention.

The advert was widely panned, but a glance through matrimonial websites and newspaper columns suggests that fair skin, at least on a woman’s face, remains key to attaining an Indian husband.

Aspiring grooms often state in their adverts their preference for a fair bride, while nearly all women’s profiles describe their complexion as fair or so-called “wheatish.”

Ekta Ghosh, a fashion designer in Mumbai who specializes in wedding wear, said the message that only fair is beautiful had been passed down to Indian girls for generations.

“Parents, relatives, they all keep saying you should do something to lighten your skin tone,” she said.

India’s mass market whitening pioneer was “Fair & Lovely,” launched in 1975 by Hindustan Unilever and now selling in a range of other countries where pale skin is desirable, across Africa and the Middle East as well as Asia.

Indian consumer group Emami later came up with “Fair and Teen” for girls and “Fair and Handsome” for men.

Promoted by Bollywood superstar Shah Rukh Khan, the latest advert shows him tossing a tube of the cream from the red carpet to a young male fan.

Dark is Beautiful has launched a petition against the “irresponsible” video and its message that “fair skin is a prerequisite for success.”

So far more than 15,000 people have signed up in protest, but Khan has not responded.

“You’re telling people they’re just not good enough,” said Das, who describes whitening cream adverts in general as “so regressive and derogatory.” Fairness cream producers suggest they help to boost users’ confidence, although both Emami and Hindustan Unilever declined to comment for this article. Not everyone, however, is convinced such creams are even effective.

Receptionist Prachi Chawan, 28, said she had been using Fair & Lovely products for three years “out of habit,” but has yet to see noticeable results.

“There have been no side effects but no change either,” she said.

Das believes whitening cream developers did not create Indians’ color bias and insecurities, but have “cashed in” on it, creating a “vicious circle.”

While men’s fairness products are gaining ground, the actress says women and girls still face far more pressure over their skin tone, which she puts down to a general lack of respect and inequality.

“Until we let women have the same space as men and treat them as human beings, all this will carry on.”

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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Agencies
March 3,2020

Chennai, Mar 3: Makkal Needhi Maiyam president and actor Kamal Hassan on Tuesday appeared before Chennai Police on Tuesday in connection the deaths last month of three people on the set of the movie, 'Indian 2'.

Hassan appeared before Chennai Police Commissioner in Egmore to record his statement.

Three people died while around 10 suffered injuries when a crane collapsed while shooting of the film was underway in Chennai at EVP Studios on February 19.

Madhu, personal assistant to director Shankar, Krishna, assistant director, and a staffer Chandran, lost their lives in the incident.

In an open letter, "Indian 2" Director S Shankar announced Rs 1 crore as financial assistance to the kin of the deceased.

'Indian 2' stars Kamal Haasan, Kajal Agarwal, Rakul Preet, Siddharth, Priya Bhavani Shankar, Delhi Ganesh and Nedumudi Venu in prominent roles.

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