‘Fate of the Furious’ makes Rs 650-cr in 2 days, but less than expected

April 17, 2017

Apr, 17: The Fate of the Furious is roaring to a record-setting global debut over the weekend.

fate

Final numbers have yet to be released, but based on earlier estimates, the action-thriller is poised to set a new worldwide high-water mark. It is expected to pass the previous record of $529 million set by Star Wars: The Force Awakens.

If that happens, a large part of the credit will to China, where The Fate of the Furious has already racked up a massive $135 million in its first two days of release. It is worth noting that Chinese theaters only give studios about 25% of ticket sales, roughly half of what they receive in most major territories.

Domestically, there are indications that a franchise centered on muscle cars and physics-defying stunts, has crested. The Fate of the Furious took in an estimated $100.2 million (Rs 644 crore), an impressive result, but a steep drop off from Furious 7’s $147.2 million (Rs 947 crore) kick-off. Heading into the weekend, most analysts expected the film would roar past the $100 million mark, instead of inch over the line.

There are important reasons for the fall off. Furious 7 served as a memorial of sorts to Paul Walker, the franchise star whose 2013 death in a car accident shattered his co-stars and many fans. This time, there wasn’t the same emotional resonance. The Fate of the Furious continues the franchise without Walker, adding in series newcomers such as Charlize Theron and Helen Mirren.

Then there was the off-screen drama. This film had to contend with reports of off-screen tension between Vin Diesel and Dwayne Johnson that undermined one of the franchise’s key selling points -- that these films are celebrations of family and brotherhood. Both stars steered clear of each other at the picture’s New York premiere and Diesel’s attempt to brush aside the reports of a beef between the actors left something to be desired.

Reviews were also weaker. IndieWire’s David Ehrlich labelled the film the worst of the series, while the Los Angeles Times’ Justin Chang argued the franchise had jumped the shark, or in this case, the nuclear submarine. That’s not to say there weren’t some loud advocates. Variety’s Owen Glieberman, for instance, praised the picture as a “dazzling action spectacle.” Audiences agreed, handing The Fate of the Furious an A CinemaScore.

Beyond Johnson, Diesel, Mirren, and Theron, The Fate of the Furious brings back franchise veterans Kurt Russell, Ludacris, Tyrese Gibson, Jason Statham, and Michelle Rodriguez. F. Gary Gray, fresh off the success of Straight Outta Compton, slid into the director’s chair.

The film follows the crew as they grapple with Diesel’s betrayal and alliance with a mysterious hacker (Theron). Universal didn’t provide a budget, but sources peg the cost at $250 million, making it the most expensive chapter in the series. Despite the rising costs, the film remains on pace to top $1 billion worldwide, making more sequels a certainty.

Fox and DreamWorks Animation’s The Boss Baby was a distant second place, bringing in $15.5 million to push the family film’s domestic gross to $116.3 million. Disney’s Beauty and the Beast nabbed third, taking in $13.6 million to push its stateside haul to a mighty $454.7 million. Globally, the fairy tale remake has soared past the $1 billion mark.

Sony’s Smurfs: The Lost Village came in fourth with $6.5 million, pushing the animated film’s North American total to an anemic $24.7 million. With a $60 million budget, the third Smurfs film will need to resonate strongly with foreign audiences if it wants to make a profit.

New Line’s Going in Style rounded out the top five, earning $6.3 million. The comedy about a trio of aging bank robbers stars Morgan Freeman, Alan Arkin, and Michael Caine. It has grossed $23.4 million, nearly matching its $24 million production budget.

Most studios steered clear of The Fate of the Furious, but there were a few brave newcomers opening in limited release. Amazon Studios and Bleecker Street debuted The Lost City of Z in four theaters where it picked up $112,633. The film follows an adventurer (Charlie Hunnam) as he plunges deep into the Amazon in search of glory.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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News Network
June 8,2020

Jun 8: The Shiv Sena has sought to take a different stand on Bollywood actor Sonu Sood’s help in ferrying migrants back home in the midst of the nationwide lockdown induced by the coronavirus pandemic. On Sunday evening, the actor met Maharashtra Chief Minister Uddhav Thackeray at his residence ‘Matoshree’. The CM’s son and Maharashtra minister Aaditya Thackeray and MLA Aslam Shaikh were also present during the meeting.

Sonu Sood’s visit to the Shiv Sena supremo’s residence came after Sanjay Raut, one of the most vocal leaders of the party, criticised the actor and sought to draw a BJP link to his help to migrants in order to show the ruling dispensation in poor light.

“Sood is an actor whose profession is to deliver dialogues scripted by someone else and make a living out of it. There are many people like Sood who would promote any political party if paid well,” Raut wrote in Shiv Sena mouthpiece Saamna.

Referring to the actor’s help to migrants, Raut wondered if the sudden generosity of “Mahatma” Sood in Mumbai was at BJP’s behest and said that he would “soon meet Prime Minister Narendra Modi and become the celebrity manager of Mumbai.”

As Raut’s remarks fuelled a controversy in political circles, Aaditya Thackeray tweeted in praise of Sood in an apparent attempt to distance the party and its leadership from the leader’s remarks.

“This evening Sonu Sood met up with Maharashtra CM Uddhav Thackeray ji along with Minister Aslam Shaikh ji and me. Better Together, Stronger Together to assist as many people through as many people. Good to have met a good soul to work for the people together.”

“The CM was glad to meet Sonu Sood and discussed the work everyone is doing for the people during covid relief. Misunderstandings don’t exist but what does is a commitment to help people,” Aaditya tweeted.

Sonu Sood too sought to downplay Raut’s remarks and expressed gratitude to all political parties for having supported him. “They (Shiv Sena) are also supporting it and it’s not about any particular party. We have to support all the people who are suffering. Every party from Kashmir to Kanya Kumari has supported me,” the actor told reporters after his meeting with the Chief Minister.

Sonu Sood has earned immense praise for providing help to stranded migrant workers during the Covid-19 lockdown. He has launched a helpline for migrants and has helped hundreds of migrants return to their native places in Bihar, Uttar Pradesh, Jharkhand and Karnataka.

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News Network
February 9,2020

New Delhi, Feb 9: Senior Bharatiya Janata Party (BJP) leader LK Advani got emotional while watching the movie "Shikara: The Untold Story Of Kashmiri Pandits". It is a Hindi-language period film produced and directed by Vidhu Vinod Chopra, based on the exodus of Kashmiri Pandits from Kashmir.

In a video clip, the political veteran is seen trying to hold back his tears at the end of the film while Mr Chopra rushes to console him. Other people around them were also seen getting emotional and congratulating the filmmaker for the movie.

"Shikara" is about how Kashmiri Pandits were forced to flee from their houses in the Kashmir Valley in early 1990, in the wake of insurgency. The filmmaker said the film showcases how Kashmiri Pandits rebuilt their lives in the aftermath of the tragic event.

Featuring Aadil Khan and Sadia, Shikara released on February 7. Vidhu Vinod Chopra, who is from Kashmir, dedicates his movie to his mother, who died in 2007.

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Abdul Gaffar Bolar
 - 
Monday, 10 Feb 2020

Does this man know the trouble and pain of humans???

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