‘Fate of the Furious’ makes Rs 650-cr in 2 days, but less than expected

April 17, 2017

Apr, 17: The Fate of the Furious is roaring to a record-setting global debut over the weekend.

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Final numbers have yet to be released, but based on earlier estimates, the action-thriller is poised to set a new worldwide high-water mark. It is expected to pass the previous record of $529 million set by Star Wars: The Force Awakens.

If that happens, a large part of the credit will to China, where The Fate of the Furious has already racked up a massive $135 million in its first two days of release. It is worth noting that Chinese theaters only give studios about 25% of ticket sales, roughly half of what they receive in most major territories.

Domestically, there are indications that a franchise centered on muscle cars and physics-defying stunts, has crested. The Fate of the Furious took in an estimated $100.2 million (Rs 644 crore), an impressive result, but a steep drop off from Furious 7’s $147.2 million (Rs 947 crore) kick-off. Heading into the weekend, most analysts expected the film would roar past the $100 million mark, instead of inch over the line.

There are important reasons for the fall off. Furious 7 served as a memorial of sorts to Paul Walker, the franchise star whose 2013 death in a car accident shattered his co-stars and many fans. This time, there wasn’t the same emotional resonance. The Fate of the Furious continues the franchise without Walker, adding in series newcomers such as Charlize Theron and Helen Mirren.

Then there was the off-screen drama. This film had to contend with reports of off-screen tension between Vin Diesel and Dwayne Johnson that undermined one of the franchise’s key selling points -- that these films are celebrations of family and brotherhood. Both stars steered clear of each other at the picture’s New York premiere and Diesel’s attempt to brush aside the reports of a beef between the actors left something to be desired.

Reviews were also weaker. IndieWire’s David Ehrlich labelled the film the worst of the series, while the Los Angeles Times’ Justin Chang argued the franchise had jumped the shark, or in this case, the nuclear submarine. That’s not to say there weren’t some loud advocates. Variety’s Owen Glieberman, for instance, praised the picture as a “dazzling action spectacle.” Audiences agreed, handing The Fate of the Furious an A CinemaScore.

Beyond Johnson, Diesel, Mirren, and Theron, The Fate of the Furious brings back franchise veterans Kurt Russell, Ludacris, Tyrese Gibson, Jason Statham, and Michelle Rodriguez. F. Gary Gray, fresh off the success of Straight Outta Compton, slid into the director’s chair.

The film follows the crew as they grapple with Diesel’s betrayal and alliance with a mysterious hacker (Theron). Universal didn’t provide a budget, but sources peg the cost at $250 million, making it the most expensive chapter in the series. Despite the rising costs, the film remains on pace to top $1 billion worldwide, making more sequels a certainty.

Fox and DreamWorks Animation’s The Boss Baby was a distant second place, bringing in $15.5 million to push the family film’s domestic gross to $116.3 million. Disney’s Beauty and the Beast nabbed third, taking in $13.6 million to push its stateside haul to a mighty $454.7 million. Globally, the fairy tale remake has soared past the $1 billion mark.

Sony’s Smurfs: The Lost Village came in fourth with $6.5 million, pushing the animated film’s North American total to an anemic $24.7 million. With a $60 million budget, the third Smurfs film will need to resonate strongly with foreign audiences if it wants to make a profit.

New Line’s Going in Style rounded out the top five, earning $6.3 million. The comedy about a trio of aging bank robbers stars Morgan Freeman, Alan Arkin, and Michael Caine. It has grossed $23.4 million, nearly matching its $24 million production budget.

Most studios steered clear of The Fate of the Furious, but there were a few brave newcomers opening in limited release. Amazon Studios and Bleecker Street debuted The Lost City of Z in four theaters where it picked up $112,633. The film follows an adventurer (Charlie Hunnam) as he plunges deep into the Amazon in search of glory.

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News Network
June 6,2020

Indore, Jun 6: An FIR has been registered against television producer Ekta Kapoor and two others here in Madhya Pradesh on charges of spreading obscenity, hurting religious feelings, and improper use of national emblems in her web show 'Triple X season 2', police said on Saturday.

The FIR also mentions about a particular scene which allegedly portrays the Indian Army's uniform in a highly objectionable way, an officer said.

Besides Kapoor, the FIR names director of the web series Pankhudi Rodrigues and screenwriter Jessica Khurana, said Annapurna police station inspector Satish Kumar Dwivedi.

The complaint was lodged on Friday night by Valmik Sakaragaye and Neeraj Yagnik, both residents of Indore.

"Ekta Kapoor's OTT platform ALTBalaji streamed (erotic) web series 'Triple X season 2' which not only spread obscenity but also hurt religious feelings of a particular community," Dwivedi said quoting the complaint.

A scene in the web show portrayed the Indian Army's uniform in a highly objectionable manner and also disrespected the national emblems, he said.

Kapoor and others have been booked under sections 294 (obscene acts and songs) and 298 (Uttering, words, etc., with deliberate intent to wound the religious feelings of any person) of the Indian Penal Code, Information Technology (IT) Act, and the State Emblem of India (Prohibition of Improper Use) Act, 2005, Dwivedi said.

Mumbai-based Ekta Kapoor is the founder of ALTBalaji, which is owned by her production house, Balaji Telefilms.

Further investigation is underway, the police officer said.

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Agencies
June 26,2020

Los Angeles, Jun 26: Warner Bros has moved its Christopher Nolan-directed espionage thriller Tenet from July 31 to August 12.

It's the second delay for the highly-anticipated movie, which was originally scheduled to release on July 17 but was postponed to July 31 due to coronavirus pandemic.

Warner Bros. is committed to bringing Tenet' to audiences in theaters, on the big screen, when exhibitors are ready and public health officials say it's time. In this moment what we need to be is flexible, and we are not treating this as a traditional movie release.

We are choosing to open the movie mid-week to allow audiences to discover the film in their own time, and we plan to play longer, over an extended play period far beyond the norm, to develop a very different yet successful release strategy, a Warner Bros spokesperson said in a statement to Deadline.

The studio has also delayed the US re-release of Nolan's sci-fi blockbuster Inception, in honour of the film's 10th anniversary, to July 31.

Tenet features John David Washington, Robert Pattinson, Elizabeth Debicki, Kenneth Branagh, Aaron Taylor-Johnson, Michael Caine, Clemence Poesy, Dimple Kapadia and Himesh Patel.

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June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput's death has reignited the discussions around the struggle of survival in Bollywood, with many insiders highlighting "cruel and unforgiving" nature of the industry, particularly tough on outsiders.

Rajput was found hanging in his Bandra apartment on Sunday.

According to a police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

An engineering student, Rajput left his course at the Delhi Technological University in the early 2000s and rose from a background dancer to a TV star with soap opera Pavitra Rishta, which gave the "outsider" his breakout show in 2009.

In 2013, he made his Bollywood debut with Kai Po Che! and went on to star in films such as Shuddh Desi Romance, Raabta, Kedarnath, Sonchiriya and Chhichhore.

But his most prominent role came as cricketer Mahendra Singh Dhoni's in the 2007 biopic, MS Dhoni: The Untold Story.

In a telling tweet, veteran actor Dharmendra wrote despite not knowing Rajput personally, his death served as a reminder that the industry could be "cruel".

"Pyaare Sushant, naa film dekhi na kabhi mila tum se... par tere achaanak chale jaane se bada sadma laga. This beautiful beloved 'show business" is very cruel. I can imagine your unbearable pain. I share the pain of your loving family and friends," Dharmendra wrote.

Actor Meera Chopra penned a powerful, poignant note about the loneliness one feels working in an industry, which is "cold and ruthless".

"We all knew well that Sushant was going through depression since long, but what did we do? Where was his close circle, the directors and producers he's worked with, his close friends? Why nobody came out and helped, gave him the kind of love, the work that he wanted - because nobody cares," she wrote on Twitter.

The Section 375 actor, who has been vocal about feeling suffocated by the constant judgement from the industry colleagues, said nobody in Bollywood cares about what one's going through and artistes are just a flop away from being alienated.

Chopra said the industry has "failed" Rajput and Bollywood will now never be the same.

"True, Bollywood is a small family, but a kind of family which is never there when you need them. He had to take his life for that family to realise the kind of pain and need he was in. An outsider will always feel like an outsider here.

"I just want to say to my industry that help people when they need it, and you know when they need it. There is no point tweeting when they are no more. Don't pretend to be sad when you guys didn't do anything when he was sad. Stop being such a hypocritical society," she added.

Gulshan Devaiah said, as an actor, one could understand why Rajput would've taken the step to end his life.

"As actors, somewhere deep down inside, we think we know why he did it and that’s why it so disturbing even if you didn’t know him at all. It’s a hard game to play and he played it very well but the game won in the end," Devaiah wrote.

Quoting Chopra's tweet, the Mard Ko Dard Nahi Hota star dismissed the idea of Bollywood being a family.

"If one thinks it’s a family, there is the problem. Bollywood is an imaginary name for a place of work, that’s it. I am really not trying to put anybody down here and sorry if it seems," he wrote.

On Sunday, actor-producer Nikhil Dwivedi posted a strongly-worded tweet calling out the "hypocrisy" of the industry after people from the film fraternity wrote they regretted not staying in touch with the "Chhichhore" star.

"High and mighty announcing they should have kept in touch with Sushant. Come on, you didn't! And that's because his career dipped. So STFU! Are you in touch with Imran Khan, Abhay Deol and others? No! But you were, when they were doing well," Dwivedi said.

Similar sentiment was echoed by filmmaker Anubhav Sinha, who, without taking names, said the "Bollywood Privilege Club" must sit down and think hard.

"Now don't ask me to elaborate any further," he tweeted.

Addressing outsiders, filmmaker Hansal Mehta wrote a long thread about the two ends of an artiste's time in the industry - the glorious successes and the crushing lows.

"There are many young 'outsiders' in this industry. Remember this - there is an establishment that will make you feel like the next big thing until they need you. They will drop you and mock you as soon as you falter. Do not fall for the trap. The ones that celebrate you will celebrate your downfall some time later," he tweeted.

Mehta said it's important for those who don't come from a film family to not force themselves to fit in.

"Just be authentic, follow your heart and stop seeking acceptance from anybody. Your connection should be with your art, your craft and with your audience. Nothing else matters. Over the years you will succeed, you will stumble.

"But remember that nothing is more important than you. Look after yourself. And know that you matter. The world is much bigger and wiser than what you perceive. So are opportunities. If you stay they will be yours. Lots of love. Never lose heart," the filmmaker wrote.

Celebrity hairstylist-turned-director Sapna Bhavnani claimed that Rajput's battle with mental health was out in the open and yet the industry chose to look the other way.

"It’s no secret Sushant was going through very tough times for the last few years. No one in the industry stood up for him nor did they lend a helping hand. To tweet today is the biggest display of how shallow the industry really is. No one here is your friend," she wrote on Twitter.

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