Ghoul Not Holding a Finger Specifically at One Government: Director Patrick Graham

Agencies
August 31, 2018

There is a fascist government in place. Check. Instances of majoritarianism. Check. Clampdown on civil liberties. Check. This is what a dystopian society looks like.

Patrick Graham's Netflix Original, Ghoul, ticks all the above checkboxes as a dystopian show and the director says the setting provided "vitality" to the series, which is essentially a horror thriller.

"First thing we wanted to do was to tell a good story. Basically, a compelling, exciting, edge-of-the-seat story. I think that is the primary objective of filmmakers.

"But add to the atmosphere and give an interesting context and that extra vitality and relevance, we kind of create an alternative reality. We thought having this kind of fascist dictatorship and this totalitarian society would provide nice atmospheric backdrop to the action," Graham said.

When asked whether Ghoul is a commentary on the present situation in India and other parts of the world where sectarian divide is at its zenith, Patrick said they were not pointing finger at any particular group.

"Inherently, it does (hold a mirror to the society) because we have seen in the history the instances of fascist governments and tropes of those governments. Clampdown on civil liberties, victimisation of ethnic minorities and use of torture and propaganda, these are some recognisable generic traits of fascist governments.

"Also in this day and age, we see the rise of populism and fear of immigrants and extreme right-wing governments that are almost becoming a norm. It does hold a mirror to life but its not holding a finger specifically at one government or one group of people," Graham said.

George Orwell's 1984, British graphic novel V for Vendetta and most recently "The Handmaids Tale" are some of the adaptations that have used dystopia as a narrative devise and Graham said these books worked as an inspiration for him.

"We all love famous dystopian works of fiction. 'V for Vendetta' is one of my favourite graphic novels. '1984' left a huge impact. It is a fun genre to explore and I find it particularly interesting. Also, I don't think we have seen much of it in India," Graham said.

Ghoul is Netflix's first foray into the horror-genre in India and Graham believes there is a huge but untapped audience that yearns for scares of international standards.

"In India, there is a good, solid audience for adult-horror. We see that because films like 'Annabelle' and 'Conjuring' have been some of the most successful foreign films to come to Indian cinemas, so there is this hunger for horror in India.

"The horror films that were being made in India were probably catering to just one group of people, while ignoring the other sections, the one which is more familiar with American horror. There was ample opportunity and real niche to create homegrown, serious, adult-horror which is what we have tried to do," he said.

Starring Radhika Apte and Manav Kaul, Ghoul is currently available on Netflix.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
March 5,2020

New Delhi, Mar 5: Urging netizens to adopt traditional salutation styles like 'namaste' and 'salaam' to greet everyone in the wake of the coronavirus outbreak, megastar Salman Khan on Thursday shared a picture from his workout session.

Flaunting his perfectly chiselled body, the 'Sultan' actor shared a picture of himself sitting on a pull-down machine with folded hands as a mark of Indian tradition 'namaste'.

"Namashkaar ... hamari sabhyata mein namaste aur salaam hai! Jab #coronavirus Khatam ho jaye tab Haath milao aur gale lago...." he captioned the picture.

Khan recently touched the mark of 30 million followers on Instagram on Saturday and shared a short video on the platform thanking his fans for it.

In the video, he first thanked fans with folded hands and then a salute.

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News Network
May 20,2020

Mumbai, May 20: Doing his bit to help people in need during the ongoing coronavirus crisis, and the lockdown 4.0 phase, Bollywood actor Salman Khan has initiated ''Being Haangryy''- food truck facility to distribute, provide ration to needy.

To feed the affected people in Mumbai, the food truck with the words ''Being Haangryy'' written on it, was seen in Mumbai roads on Wednesday, where volunteers are providing huge bags of ration. A long queue of people was standing near the truck to get the essentials.

Many videos of the truck moving around the city providing ration kits to the people in need, surfaced on the internet from earlier this month.

However, the Bajrangi Bhaijaan actor has not announced this initiative himself on his personal social media accounts.

The Sultan actor is staying at his Panvel farmhouse with his nephew Nirvaan Khan and other family members ever since the lockdown was announced.

Earlier, the 54-year-old actor urged people to take up the ''Anna Daan'' challenge and donate to the underprivileged ones who are worst affected by the COVID-19 lockdown.

After urging people to take up the ''Anna Daan'' challenge, the actor posted a video on Twitter, that features him and Iulia Vantur, Jacqueline Fernandez among others loading the bags filled with ration on to a truck.

Khan actively posts videos on his social media handles to raise awareness about the importance of social distancing during COVID-19.

 
 
 
 

 
 
 
 
 
 
 
 
 

@jacquelinef143 @vanturiulia @rahulnarainkanal @imkamaalkhan @niketan_m @waluschaa @abhiraj88

A post shared by Salman Khan (@beingsalmankhan) on

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