Grand old lady of Bollywood Zohra Sehgal passes away at 102

[email protected] (Cine News)
July 11, 2014

Sehgal passesMumbai, Jul 11: Veteran film actress, theatre and TV personality Zohra Sehgal passed away today. A heart patient, Sehgal was admitted to the Max Hospital in south Delhi's Saket area after being diagnosed with pneumonia on Wednesday. She died of a heart attack at 4.30 pm on Thursday.

Sehgal, often called Bollywood's laadli, was last seen in films like Cheeni Kum and Saawariya. In a career spanning almost eight decades, she acted in a number of Bollywood and even Hollywood films.

Sehgal use to reside with her daughter, renowned Odissi danseuse Kiran Sehgal. In 1994, she was diagnosed with cancer, but she fought the disease and recovered.

In 2008, Zohra Sehgal was named the 'Laadli of the Century' by the United Nations Population Fund (UNPF)-Laadli Media Awards.

As a youngster, Sehgal was passionate about dance. Her tryst with showbiz began with dance when she joined Uday Shankar in 1935 and worked with him for a few years.

She went on to teach dance in Almora later, and that's where she met painter and dancer Kameshwar Sehgal and married him. She later took to dramatics with the Prithvi Theatre in 1945. She worked with them for 14 years, travelling to various cities, and even joined the Indian People's Theatre Association (IPTA).

From Prithviraj Kapoor to Raj Kapoor, Rishi Kapoor and Ranbir Kapoor, she worked with four generations of Bollywood's famous Kapoor family - and she didn't let age dampen her spirit at all.

Sehgal, considered a doyen of Indian theatre, appeared in over 20 films. She will be best remembered for her appearances in Bhaji on the Beach (1992), Hum Dil De Chuke Sanam, Bend It Like Beckham (2002), Dil Se (1998) and Cheeni Kum (2007).

Sanjay Leela Bhansali, who directed her in two of his films - "Hum Dil De Chuke Sanam and Saawariya, had once said, "To call her a livewire is an understatement."

He couldn't think of a second name for a particular role in Saawariya other than her."It had to be Zohraji and no one else. There was a kind of hesitation within me - after all Zohraji is 94. But all our doubts were dispelled once she came on the sets," Bhansali had said during the shooting of Saawariya. "Her enthusiasm gets to all of us," he added.

She was perhaps one of the first Indians to have a taste of international entertainment. In the mid-1960s, she featured in an adaptation of Rudyard Kipling's The Rescue of Pluffles, and then also anchored a few episodes of television series Padosi.

While she was in London, she featured in a film called The Courtesans of Bombay, directed by James Ivory in 1982. There was no looking back in international showbiz thereafter. She went on to feature in TV series like The Jewel in the Crown, My Beautiful Launderette, Tandoori Nights and Never Say Die.

Sehgal came back to India in the 1990s. She was around 80 years old then. While many would have thought she would quit the entertainment world, she wasn't ready to hang up her boots.

On the small screen, she featured in Amma and Family, and bagged roles in big banner movies.

When it comes to awards, in 1998 she was honoured with the Padma Shri, one of India's highest civilian honours, following which she received the Kalidas Samman in 2001, and the Sangeet Natak Akademi in 2004. In 2010, she was bestowed with the Padma Vibhushan. Small parts or big, Sehgal continued to spread smiles on the celluloid and will always be remembered as the grand old lady of Indian cinema.

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Agencies
May 18,2020

Muzaffarnagar, May 18: Bollywood actor Nawazuddin Siddiqui and his family has been quarantined for 14 days in his house in Budhana in Muzaffarnagar district.

The actor and his family underwent medical screening and have tested negative for Coronavirus.

The actor reached his home on May 15 after taking a travel pass. He and his family have been asked to remain in home quarantine till May 25.

His mother, brother and sister-in-law also made the journey with him in his private vehicle.

The actor told reporters that he underwent medical screenings at 25 points during his journey.

Kushalpal Singh, Station House Officer (SHO), Budhana police circle, said that the health officials had visited the home of the actor and ordered a 14-day quarantine for them.

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News Network
July 23,2020

Mumbai, Jul 22: Actor Sara Ali Khan on Wednesday treated her fans to an extremely adorable family picture from a Holi celebration during her childhood days.

"Mother, Daughter- Iggy Potter. Riot of colours with Water Slaughter. Mommy so young I almost forgot her. Gulaal we threw, off-guard we caught her. But it was healthy fun with no totter. After all she's mother dearest- the OG Fautor," the 'Simmba' star poetically captioned the adorable Holi throwback picture on Instagram.

In the picture, Sara was seen coloured in Gulaal along with her mother Amrita Singh and brother Ibrahim Ali Khan. Sara looked loveable in the childhood picture as she wore an endearing smile with her neatly tied hair in a ponytail. Mom Amrita was seen smiling along with the kids, while she held little Ibrahim as he smiled and posed for the camera.

The post on the photo-sharing platform garnered more than 6 lakh likes within an hour of being posted.

Meanwhile, on the film front, Sara Ali Khan is awaiting the release of her latest comedy-drama 'Coolie No.1' with Varun Dhawan.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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