Had suicidal thoughts till 25 years of age, says A.R. Rahman

Agencies
November 4, 2018

Mumbai, Nov 4: Before the country recognised the talent of A.R. Rahman, the celebrated composer says there was a phase in his life where he felt like a failure and thought about ending his life almost every day.

The Oscar-winning composer says the initial low phase of his career eventually helped him emerge braver.

'Why be afraid of anything?'

“Up until 25, I used to think about suicide. Most of us feel they are not good enough. Because I lost my father, there was this void... There were so many things happening.

“[But] that in a way made me more fearless. Death is a permanent thing for everyone. Since everything created has an expiry date, so why be afraid of anything?” Mr. Rahman told PTI.

The turnaround for the 51-year-old composer came when he built his recording studio Panchathan Record Inn in his backyard in hometown Chennai.

“Before that, things were dormant so may be it [the feeling] manifested then. Because of my father’s death and the way he was working, I didn’t do many movies. I got 35 movies and I did two.

“Everyone wondered ‘How are you going to survive? You have everything, grab it.’ I was 25 then. I couldn’t do that. It’s like eating everything. You become numb. So even if you eat small meals, make it fulfilling,” he adds.

The composer talks about the hard times and other events in his life in “Notes of a Dream: The Authorized Biography of AR Rahman”.

Written by author Krishna Trilok, the biography, in association with Landmark and Penguin Random House, was launched in Mumbai, on November 3.

Mr. Rahman was nine when his father R.K. Shekhar, who was a film-score composer, passed away and the family had to rent out his musical equipment to get by. Mr. Rahman, thus, took to music at a very young age.

“I finished everything between the age of 12 to 22. It was boring for me to do all the normal stuff. I didn’t want to do it,” he says.

'Never liked my original name'

In his 20s, before he made his debut as a composer with Mani Ratnam’s “Roja” (1992), Mr. Rahman, along with his family, embraced Sufi Islam.

He reinvented himself by letting go not only the baggage from the past, but also his birth name — Dileep Kumar, which he says, he despised.

“I never liked my original name Dileep Kumar. I don’t even know why I hated it. I felt it didn’t match my personality. I wanted to become another person. I felt like that would define and change my whole [being]. I wanted to get rid of all the past luggage,” he says.

With “Roja”, Mr. Rahman shot to instant fame as the wonder kid in the industry, who changed the grammar of music and sounds.

But creating music is not a lonely process for the musician as much as it is “internal”.

'You have to let lose and forget yourself'

“You manifest who you are and let it out. So when you are ideating on your mental drawing book, you need a lot of self-analysis and you have to dive deep within you.

“You need to listen to yourself. It’s hard to listen to your inner side. But once you do, you have to let lose and forget yourself,” he adds.

It was for this reason, Mr. Rahman says, that he works only during late nights or early mornings.

“If I am going deep inside something and suddenly there’s a knock on the door, I’ll come to reality from a very different world and I won’t be able to go back to the same spot again. This is one of the reasons I prefer [being at work] very early mornings like 5 a.m. or 6 a.m. or the nights,” he says.

Mr. Rahman says the most important thing for him is not to feel bored and constantly try to do something new, be it professionally or personally.

“You feel jaded if you do the same thing. You need to find different things to do. For me travelling, parenting and spending time with my family — though I can’t do that much — is beautiful. It helps a lot,” he says.

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News Network
July 23,2020

Mumbai, Jul 23: Mumbai Police will soon issue summons to actor Kangana Ranaut to record her statement in connection with the case related to the suicide of actor Sushant Singh Rajput, officials said on Thursday.

A day after Sushant Singh Rajput's suicide, Kangana Ranaut had released a two-minute video speaking highly of the deceased actor and accusing certain sections of the film industry of not acknowledging the star's talent.

She had also said that some of the last social media posts by the actor made it evident that he was struggling to survive in the industry.

According to the police, statements of 39 people, including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

The Mumbai Police had recently said the statements of three psychiatrists and one psychotherapist have been recorded in connection with the suicide investigation.

Rajput was found dead in his Mumbai residence on June 14.

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Agencies
July 29,2020

Patna, Jul 29: BJP MLA Neeraj Kumar Singh Bablu, cousin of Sushant Singh Rajput, on Tuesday said that a huge amount of money has been transferred into the account of actress Rhea Chakraborty from the actor's account.

"An FIR has been filed against actress Rhea Chakraborty by the father of Sushant Singh as a huge amount of money has been transferred into her account and they both have joint accounts for some companies through which cheating has been done from her side," Bablu said.

"This is the issue of probe and police will go there and investigate the matter after that everything will be revealed," he added.

He also said that Karan Johar should also be called in for questioning by the Mumbai Police in connection with Sushant Singh Rajput's death case.

The statement was given in the backdrop of several top film personalities being questioned in connection with the case.

On July 28, an FIR has been registered against actor Rhea Chakraborty under various sections including abetment of suicide on the complaint of Sushant Singh Rajput's father Krishna Kishor Singh, the police said on Tuesday.

It said that a four-member team has been sent to Mumbai following registration of FIR.
"A four-member team has been sent to Mumbai. The team will collect case diary and other important documents from Mumbai Police," Sanjay Singh, Inspector General, Patna Central Zone said.

In the complaint made to Rajeev Nagar police station in-charge, KK Singh alleged that Rhea Chakraborty and her relatives "committed fraud" and "pressurised the actor for financial gains".

Sushant's father alleged that Chakraborty "got in touch with the actor with a motive to establish herself in the film industry using his contacts and she and her relatives started interfering in his affairs".

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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