Hit-n-run: Unsure if Salman was drunk, Bar Manager tells court

June 23, 2014

Mumbai, June 23: A manager of liquor bar in Juhu today identified Salman Khan in a Mumbai court, saying the actor had come to the restaurant with friends hours before his car was involved in an accident in 2002, but said he was not sure whether the Bollywood actor had taken drinks.salman

The prosecution's case is that the actor had taken drinks in "Rain Bar" along with his friends and was allegedly under the influence of liquor on September 28, 2002, when his car rammed into a bakery in suburban Bandra killing one person and injuring four others.

"Salman's group had ordered drinks and snacks but I am not sure whether Salman had consumed drinks himself as the order had been taken by a waiter and not me," Rizwan, who was the manager of "Rain Bar" at the relevant time, told the court of Sessions Judge D W Deshpande.

As the restaurant was full, Salman and his brother Sohail Khan were standing in front of service counter. After some time they occupied a table and ordered drinks and snacks, Rizwan said during examination.

"I saw Salman holding a glass but it was full with a colourless liquid like water," said the Manager.

Asked if it was liquor, Rizwan said he was not sure because the order had been taken down by a waiter.

Rizwan further said that he had escorted the group to the main door of the restaurant when they were leaving the bar between 1.15 am to 1.30 a.m.

"However, Salman was not smelling of liquor and he was also walking like a normal person," said the manager in reply to a question put by prosecutor Jagannath Kenjralkar.Rizwan was shown bills of the particular table which was occupied by Salman and his group. He identified the bills saying that these belonged to "Rain Bar".

During cross-examination by Salman's lawyer Srikant Shivade, Rizwan said that from his cabin he could not see who was standing at the counter as the lights in the restaurant were dim. He further said it is not possible to say who was consuming drinks and having snacks.

Earlier a waiter of the same bar had identified Salman coming to the restaurant with friends. He had also said that he had not noticed the actor consuming drinks, although his group had ordered.

Both these witnesses were examined by the prosecution to convince the court that the actor had consumed drinks before the mishap on the ill-fated day.

Another witness, Ramashree Pandey, who owns a dairy shop near the American Bakery when Salman's car had met with an accident, said he saw the actor getting down from the front seat of the vehicle.

Salman's bodyguard Ravindra Patil (now dead), was already standing outside, he said."I saw people running towards the bakery and heard their shouts, "accident hua hai -- hua hai" (accident has happened). My shop is located close to the American Bakery where people sleep on the footpath in the night," Pandey said.

"When I reached the accident spot, about 50 to 60 people had gathered there. Some people were beneath the car and I could hear their voices crying for help," he said.

The left front door of car was stuck in the shutter of laundry which could not be opened as it was jammed. People were trying to pull the car from the other front door. There was hue and cry on the spot and people around were in an angry mood. They got violent and started throwing stones at the car, Pandey said in reply to a question.

"I was standing 15 feet away from the car. I saw Salman getting down from the car. There was no one else sitting on the front side of the car after Salman moved out from car," the witness further said.

"I saw only one man coming out from the front side of the car and he was Salman. At that time, his bodyguard, Ravindra Patil was standing outside, said Pandey.

Later, police was called and a crane lifted the car from the spot. The injured were sitting near the place of accident. People had pulled out the car from the spot but Salman was not present when this was being done, Pandey said.

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News Network
June 15,2020

Mumbai, Jun 15: Maharashtra police's cyber department has asked people to refrain from circulating online pictures of the body of actor Sushant Singh Rajput, who was found hanging in his apartment in Mumbai's Bandra area.

Terming it as a "disturbing trend", it warned that circulation of such pictures could attract legal action.

Rajput, 34, was found hanging in his apartment on Sunday, sending shockwaves rippling through the Hindi film industry and elsewhere.

Later, some people circulated pictures of the actor's body on social media platforms, following which the state police's cyber department said it was in "bad taste".

A disturbing trend has been observed on Social Media platforms by Maharashtra Cyber that pictures of deceased actor Sushant Singh Rajput are being circulated, which are disturbing and in bad taste," it tweeted late Sunday night.

"It is emphasised that circulation of such pictures is against legal guidelines and court directions, and are liable to invite legal action," it added.

Urging netizens to refrain from posting such photos, the cyber department said the pictures already circulated should be deleted henceforth.

"In the digital age, every piece of information we read or watch needs to be cross-checked, verified and we all have to be careful before believing or forwarding them," it said.

After the actor's death, police said no note was found at the spot.

Police sources also said they did not find any foul play in their initial investigation.

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Agencies
August 2,2020

Mumbai, Aug 2: Oscar-winning director Alfonso Cuaron has come aboard as an executive producer on filmmaker Chaitanya Tamhane's movie The Disciple. The Marathi feature is set to represent India at the 77th edition of the Venice Film Festival. It will be screened in the Competition section of the prestigious film gala.

The movie, which is Tamhane's follow-up to his National Award-winning feature Court, has also been selected for 2020 Toronto International Film Festival's official line-up.

"I met Chaitanya through a mentorship program where I had the opportunity to watch his very superb debut film, Court  I was immediately impressed by his sense of cinema and fearless confidence to tell stories.

"He was part of most of Roma's process and I jumped to the opportunity to be part of the process of his second film The Disciple. I believe Chaitanya is one of the most important new voices of contemporary cinema," Cuaron said in a statement.

Tamhane said he is honoured to have Cuaron aboard the film.

"It’s a bit surreal and an incredible honour for me to have one of the most recognised and acclaimed filmmakers in the world be part of 'The Disciple'. In some ways, this validation from Alfonso Cuaron is even more," he added.

The Disciple, a 127-minute long feature, stars Aditya Modak, Arun Dravid, Sumitra Bhave, and Kiran Yadnyopavit. It has been produced by “Sir” actor Vivek Gomber through his Zoo Entertainment Pvt. Ltd.

The Disciple marks Tamhane’s return to Venice after he won the Best Film - Orizzonti and Lion of the Future award for Court in 2014.

Court, a poignant commentary on India's judicial system, also won the National Film Award for Best Feature Film in 2015 and was India's official entry for the Best Foreign Film at the 2016 Oscars.

Endeavor Content will sell North American rights and New Europe Film Sales boards the film as an international sales agent.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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