How Karuna used films, Tamil to aid Dravidian ideology

Agencies
August 9, 2018

New Delhi, Aug 9: M Karunanidhi used the medium of films and his command over Tamil language to reach out to the people and promote the Dravidian ideology, according to two books related to the late DMK patriarch.

"Tamil was his 'uyir moochu' (life breath) in more ways than one. It dominated his politics and his political career. Over time, as the first-generation leaders of the Dravidian movement passed away, Karunanidhi attempted to take over the mantle of the 'protector' of Tamils worldwide," the book "Karunanidhi: A Life in Politics" by journalist Sandhya Ravishankar says.

Karunanidhi discovered early that his gift was language. Wit, clarity of thought and a firm grasp over Tamil history dominated his writing - whether as editor of "Maanava Nesan" (Friend of Students), a handwritten newsletter started by him during those days in school, or as the founder of DMK organ "Murasoli" (Drum roll), or as contributor to "Dravida Naadu" (Dravidian Land), a magazine started by Annadurai.

The other book "The Dravidian Years: Politics and Welfare in Tamil Nadu" by S Narayan, who was the economic adviser to former prime minister Atal Bihari Vajpayee, Karunanidhi also talks about the phenomenal reach of Karunanidhi through the media and films.

The people of Tamil Nadu have always been avid cinema fans. Up to the 1980s, 'touring theatres', basically thatched sheds with a screen, used to be the hallmark of all small towns. The DMK transformed the medium of films into a platform for reaching out to the Tamil people about their Tamil and Dravidian identities.

Karunanidhi wrote the screenplay of over 70 films including hits such as "Parasakthi", "Manthiri Kumari", "Malaikallan" and "Manohara".

"The frequency of people going to the cinema in Tamil Nadu has been very high, and Annadurai and Karunanidhi used films as major propaganda vehicle for promoting Dravidian ideology," Narayan writes in the book, published by Oxford.

Karunanidhi's love for the written word perhaps stemmed from the nature of the Dravidian movement itself.

Karunanidhi began his autobiography in 1975. Called "Nenjukku Needhi" (Justice for the Heart), its five volumes cover in great detail his life and experiences until 2002. Even during his stints in between this period as chief minister, Karunanidhi continued to write.

In the late 1930s, when there was a move to make the learning of Hindi in schools compulsory, there was furore among the intelligentsia of Tamil Nadu.

By 1938, at the age of 14, Karunanidhi had cobbled together a band of boys as well as a cycle rickshaw.

"This ragged gang roamed the streets of Tiruvarur with the Tamil Thaai (Tamil mother) flag perched on a pole atop the vehicle. A picture of Rajaji stabbing the Tamil Thaai with the dagger of compulsory Hindi was soon added to the melee. Karunanidhi composed little ditties that his gang shouted as they went along," says the book "Karunanidhi: A Life in Politics", published by HarperCollins India.

When he was 15 years old, Karunanidhi first put his writing skills on display. He founded the fortnightly magazine for students called "Manava Nesan". The manuscripts were handwritten and 50 copies were made by hand and distributed by him and his friends.

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Agencies
January 16,2020

Washington D.C., Jan 16: Barbara Broccoli, who has since long been the producer of the James Bond franchise, recently clarified in an interview that the 007 character won't be played by a woman in the forthcoming rendition.

Broccoli, accompanied by her half brother and fellow producer Michael G. Wilson, told Variety: "He can be of any color, but he is male."

She went on to say: "I believe we should be creating new characters for women -- strong female characters. I'm not particularly interested in taking a male character and having a woman play it. I think women are far more interesting than that."

According to Fox News, the current Bond hero, Daniel Craig, announced last November that he would cease to play the legendary character once he is done with the upcoming 'No Time To Die' movie that is scheduled for release in coming April.

Commenting on Daniel parting ways with the franchise, Broccoli said: "I'm in total denial. I've accepted what Daniel has said, but I'm still in denial. It's too traumatic for me."

Fox News reported last July that the British Actress Lashana Lynch could possibly star in the 2020 Bond flick, but such speculations were dispelled once the trailer for the movie was brought out last December.

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News Network
June 15,2020

Mumbai, Jun 15: Maharashtra police's cyber department has asked people to refrain from circulating online pictures of the body of actor Sushant Singh Rajput, who was found hanging in his apartment in Mumbai's Bandra area.

Terming it as a "disturbing trend", it warned that circulation of such pictures could attract legal action.

Rajput, 34, was found hanging in his apartment on Sunday, sending shockwaves rippling through the Hindi film industry and elsewhere.

Later, some people circulated pictures of the actor's body on social media platforms, following which the state police's cyber department said it was in "bad taste".

A disturbing trend has been observed on Social Media platforms by Maharashtra Cyber that pictures of deceased actor Sushant Singh Rajput are being circulated, which are disturbing and in bad taste," it tweeted late Sunday night.

"It is emphasised that circulation of such pictures is against legal guidelines and court directions, and are liable to invite legal action," it added.

Urging netizens to refrain from posting such photos, the cyber department said the pictures already circulated should be deleted henceforth.

"In the digital age, every piece of information we read or watch needs to be cross-checked, verified and we all have to be careful before believing or forwarding them," it said.

After the actor's death, police said no note was found at the spot.

Police sources also said they did not find any foul play in their initial investigation.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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