How Karuna used films, Tamil to aid Dravidian ideology

Agencies
August 9, 2018

New Delhi, Aug 9: M Karunanidhi used the medium of films and his command over Tamil language to reach out to the people and promote the Dravidian ideology, according to two books related to the late DMK patriarch.

"Tamil was his 'uyir moochu' (life breath) in more ways than one. It dominated his politics and his political career. Over time, as the first-generation leaders of the Dravidian movement passed away, Karunanidhi attempted to take over the mantle of the 'protector' of Tamils worldwide," the book "Karunanidhi: A Life in Politics" by journalist Sandhya Ravishankar says.

Karunanidhi discovered early that his gift was language. Wit, clarity of thought and a firm grasp over Tamil history dominated his writing - whether as editor of "Maanava Nesan" (Friend of Students), a handwritten newsletter started by him during those days in school, or as the founder of DMK organ "Murasoli" (Drum roll), or as contributor to "Dravida Naadu" (Dravidian Land), a magazine started by Annadurai.

The other book "The Dravidian Years: Politics and Welfare in Tamil Nadu" by S Narayan, who was the economic adviser to former prime minister Atal Bihari Vajpayee, Karunanidhi also talks about the phenomenal reach of Karunanidhi through the media and films.

The people of Tamil Nadu have always been avid cinema fans. Up to the 1980s, 'touring theatres', basically thatched sheds with a screen, used to be the hallmark of all small towns. The DMK transformed the medium of films into a platform for reaching out to the Tamil people about their Tamil and Dravidian identities.

Karunanidhi wrote the screenplay of over 70 films including hits such as "Parasakthi", "Manthiri Kumari", "Malaikallan" and "Manohara".

"The frequency of people going to the cinema in Tamil Nadu has been very high, and Annadurai and Karunanidhi used films as major propaganda vehicle for promoting Dravidian ideology," Narayan writes in the book, published by Oxford.

Karunanidhi's love for the written word perhaps stemmed from the nature of the Dravidian movement itself.

Karunanidhi began his autobiography in 1975. Called "Nenjukku Needhi" (Justice for the Heart), its five volumes cover in great detail his life and experiences until 2002. Even during his stints in between this period as chief minister, Karunanidhi continued to write.

In the late 1930s, when there was a move to make the learning of Hindi in schools compulsory, there was furore among the intelligentsia of Tamil Nadu.

By 1938, at the age of 14, Karunanidhi had cobbled together a band of boys as well as a cycle rickshaw.

"This ragged gang roamed the streets of Tiruvarur with the Tamil Thaai (Tamil mother) flag perched on a pole atop the vehicle. A picture of Rajaji stabbing the Tamil Thaai with the dagger of compulsory Hindi was soon added to the melee. Karunanidhi composed little ditties that his gang shouted as they went along," says the book "Karunanidhi: A Life in Politics", published by HarperCollins India.

When he was 15 years old, Karunanidhi first put his writing skills on display. He founded the fortnightly magazine for students called "Manava Nesan". The manuscripts were handwritten and 50 copies were made by hand and distributed by him and his friends.

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Agencies
July 30,2020

New Delhi, Jul 30: On his 47th birthday on Thursday, actor Sonu Sood announced three lakh jobs for migrant labourers on the job portal 'Pravasi Rojgar' that he had launched earlier this month.

The 'Dabangg' actor who has launched several initiatives for helping migrant labourers of the country made the announcement about the additional three lakh jobs on his Instagram account.

Sood posted two flyers of the employment application and shared that the jobs came with additional benefits like PF and ESI.

"On my birthday a small initiative from my side...3 lakh jobs tied up for Pravasirojgar.com. All these will provide good wages, PF, ESI, and other benefits," he wrote in the caption.

He further went on to thank the organisations that had partnered with him for the initiative.
"Thank you AEPC, CITI, Trident, Quesscorp, Amazon, Sodex, Urban Co, Portea, and all others for creating these opportunities with me. #AbIndiaBanegaKamyaab @pravasirojgar," he wrote.

Hailed as the 'messiah' of migrant labourers, Sood has helped hundreds of thousands of migrants to reach their native places amid the coronavirus induced lockdown when many like them were walking back to their homes.

Besides labourers, he has also helped students and other people stranded in different parts of the country amid the lockdown. 

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
July 18,2020

Mumbai, Jul 18: Actor Aishwarya Rai Bachchan and daughter Aaradhya Bachchan on Friday were shifted to a city hospital, almost a week after they were tested positive for COVID-19. Aishwarya, 46 and eight-year-old Aaradhya were diagnosed with coronavirus on Sunday, a day after the actor’s father-in-law, megastar Amitabh Bachchan, and husband Abhishek Bachchan tested positive for the COVID-19.

The mother-daughter duo was self-quarantining at home till now.

“Both Aishwarya and Aaradhya were admitted to Nanavati hospital today. They are fine,” hospital source said.

Aishwarya needed medical attention, another insider said.

Amitabh, 77, and Abhishek, 44, both are already in the isolation ward of Nanavati hospital.

Since his diagnosis, Amitabh has been regularly updating his admires about his health on social media.

“In happy times, in times of illness, you our near and dear, our well wishers, our fans have ever given us unstinting love , affection care and prayer .. we express our bountiful gracious gratitude to you all .. in these circumstances hospital protocol, restrictive,” the screen icon tweeted on Friday evening.

According to Brihanmumbai Municipal Corporation (BMC), coronavirus cases in Mumbai rose to 98,979 with 1,228 new patients being reported on Friday.

Death toll due to the pandemic rose to 5,582 with 62 new fatalities being recorded.

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