How Karuna used films, Tamil to aid Dravidian ideology

Agencies
August 9, 2018

New Delhi, Aug 9: M Karunanidhi used the medium of films and his command over Tamil language to reach out to the people and promote the Dravidian ideology, according to two books related to the late DMK patriarch.

"Tamil was his 'uyir moochu' (life breath) in more ways than one. It dominated his politics and his political career. Over time, as the first-generation leaders of the Dravidian movement passed away, Karunanidhi attempted to take over the mantle of the 'protector' of Tamils worldwide," the book "Karunanidhi: A Life in Politics" by journalist Sandhya Ravishankar says.

Karunanidhi discovered early that his gift was language. Wit, clarity of thought and a firm grasp over Tamil history dominated his writing - whether as editor of "Maanava Nesan" (Friend of Students), a handwritten newsletter started by him during those days in school, or as the founder of DMK organ "Murasoli" (Drum roll), or as contributor to "Dravida Naadu" (Dravidian Land), a magazine started by Annadurai.

The other book "The Dravidian Years: Politics and Welfare in Tamil Nadu" by S Narayan, who was the economic adviser to former prime minister Atal Bihari Vajpayee, Karunanidhi also talks about the phenomenal reach of Karunanidhi through the media and films.

The people of Tamil Nadu have always been avid cinema fans. Up to the 1980s, 'touring theatres', basically thatched sheds with a screen, used to be the hallmark of all small towns. The DMK transformed the medium of films into a platform for reaching out to the Tamil people about their Tamil and Dravidian identities.

Karunanidhi wrote the screenplay of over 70 films including hits such as "Parasakthi", "Manthiri Kumari", "Malaikallan" and "Manohara".

"The frequency of people going to the cinema in Tamil Nadu has been very high, and Annadurai and Karunanidhi used films as major propaganda vehicle for promoting Dravidian ideology," Narayan writes in the book, published by Oxford.

Karunanidhi's love for the written word perhaps stemmed from the nature of the Dravidian movement itself.

Karunanidhi began his autobiography in 1975. Called "Nenjukku Needhi" (Justice for the Heart), its five volumes cover in great detail his life and experiences until 2002. Even during his stints in between this period as chief minister, Karunanidhi continued to write.

In the late 1930s, when there was a move to make the learning of Hindi in schools compulsory, there was furore among the intelligentsia of Tamil Nadu.

By 1938, at the age of 14, Karunanidhi had cobbled together a band of boys as well as a cycle rickshaw.

"This ragged gang roamed the streets of Tiruvarur with the Tamil Thaai (Tamil mother) flag perched on a pole atop the vehicle. A picture of Rajaji stabbing the Tamil Thaai with the dagger of compulsory Hindi was soon added to the melee. Karunanidhi composed little ditties that his gang shouted as they went along," says the book "Karunanidhi: A Life in Politics", published by HarperCollins India.

When he was 15 years old, Karunanidhi first put his writing skills on display. He founded the fortnightly magazine for students called "Manava Nesan". The manuscripts were handwritten and 50 copies were made by hand and distributed by him and his friends.

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News Network
March 6,2020

Los Angeles, Mar 6: Filmmaker-writer Taika Waititi is set to direct two animated series based on Roald Dahl's "Charlie and the Chocolate Factory" for Netflix.

Waititi, who won an Academy Award in February for his adapted screenplay, "Jojo Rabbit", will also serve as the writer and producer on the animated series.

According to Deadline, the first series will be based on the world of "Charlie and the Chocolate Factory", while the second will be an original take on the Oompa-Loompa characters from the book.

The Oompa-Loompas are little humans who were preyed upon in Loompaland before Wonka invited them to work at his chocolate factory. They are paid in cocoa beans and love practical jokes and singing songs.

Netflix said the animation series would "retain the quintessential spirit and tone of the original story while building out the world and characters far beyond the pages of the Dahl book for the very first time."

The series will follow in the footsteps of Gene Wilder's 1971 portrayal of Willy Wonka and Johnny Depp's 2005 interpretation.

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Agencies
June 15,2020

Mumbai, Jun 15: Actor Sushant Singh Rajput's death has reignited the discussions around the struggle of survival in Bollywood, with many insiders highlighting "cruel and unforgiving" nature of the industry, particularly tough on outsiders.

Rajput was found hanging in his Bandra apartment on Sunday.

According to a police official, Mumbai Police found out during the probe that the 34-year-old actor was under medication for depression.

An engineering student, Rajput left his course at the Delhi Technological University in the early 2000s and rose from a background dancer to a TV star with soap opera Pavitra Rishta, which gave the "outsider" his breakout show in 2009.

In 2013, he made his Bollywood debut with Kai Po Che! and went on to star in films such as Shuddh Desi Romance, Raabta, Kedarnath, Sonchiriya and Chhichhore.

But his most prominent role came as cricketer Mahendra Singh Dhoni's in the 2007 biopic, MS Dhoni: The Untold Story.

In a telling tweet, veteran actor Dharmendra wrote despite not knowing Rajput personally, his death served as a reminder that the industry could be "cruel".

"Pyaare Sushant, naa film dekhi na kabhi mila tum se... par tere achaanak chale jaane se bada sadma laga. This beautiful beloved 'show business" is very cruel. I can imagine your unbearable pain. I share the pain of your loving family and friends," Dharmendra wrote.

Actor Meera Chopra penned a powerful, poignant note about the loneliness one feels working in an industry, which is "cold and ruthless".

"We all knew well that Sushant was going through depression since long, but what did we do? Where was his close circle, the directors and producers he's worked with, his close friends? Why nobody came out and helped, gave him the kind of love, the work that he wanted - because nobody cares," she wrote on Twitter.

The Section 375 actor, who has been vocal about feeling suffocated by the constant judgement from the industry colleagues, said nobody in Bollywood cares about what one's going through and artistes are just a flop away from being alienated.

Chopra said the industry has "failed" Rajput and Bollywood will now never be the same.

"True, Bollywood is a small family, but a kind of family which is never there when you need them. He had to take his life for that family to realise the kind of pain and need he was in. An outsider will always feel like an outsider here.

"I just want to say to my industry that help people when they need it, and you know when they need it. There is no point tweeting when they are no more. Don't pretend to be sad when you guys didn't do anything when he was sad. Stop being such a hypocritical society," she added.

Gulshan Devaiah said, as an actor, one could understand why Rajput would've taken the step to end his life.

"As actors, somewhere deep down inside, we think we know why he did it and that’s why it so disturbing even if you didn’t know him at all. It’s a hard game to play and he played it very well but the game won in the end," Devaiah wrote.

Quoting Chopra's tweet, the Mard Ko Dard Nahi Hota star dismissed the idea of Bollywood being a family.

"If one thinks it’s a family, there is the problem. Bollywood is an imaginary name for a place of work, that’s it. I am really not trying to put anybody down here and sorry if it seems," he wrote.

On Sunday, actor-producer Nikhil Dwivedi posted a strongly-worded tweet calling out the "hypocrisy" of the industry after people from the film fraternity wrote they regretted not staying in touch with the "Chhichhore" star.

"High and mighty announcing they should have kept in touch with Sushant. Come on, you didn't! And that's because his career dipped. So STFU! Are you in touch with Imran Khan, Abhay Deol and others? No! But you were, when they were doing well," Dwivedi said.

Similar sentiment was echoed by filmmaker Anubhav Sinha, who, without taking names, said the "Bollywood Privilege Club" must sit down and think hard.

"Now don't ask me to elaborate any further," he tweeted.

Addressing outsiders, filmmaker Hansal Mehta wrote a long thread about the two ends of an artiste's time in the industry - the glorious successes and the crushing lows.

"There are many young 'outsiders' in this industry. Remember this - there is an establishment that will make you feel like the next big thing until they need you. They will drop you and mock you as soon as you falter. Do not fall for the trap. The ones that celebrate you will celebrate your downfall some time later," he tweeted.

Mehta said it's important for those who don't come from a film family to not force themselves to fit in.

"Just be authentic, follow your heart and stop seeking acceptance from anybody. Your connection should be with your art, your craft and with your audience. Nothing else matters. Over the years you will succeed, you will stumble.

"But remember that nothing is more important than you. Look after yourself. And know that you matter. The world is much bigger and wiser than what you perceive. So are opportunities. If you stay they will be yours. Lots of love. Never lose heart," the filmmaker wrote.

Celebrity hairstylist-turned-director Sapna Bhavnani claimed that Rajput's battle with mental health was out in the open and yet the industry chose to look the other way.

"It’s no secret Sushant was going through very tough times for the last few years. No one in the industry stood up for him nor did they lend a helping hand. To tweet today is the biggest display of how shallow the industry really is. No one here is your friend," she wrote on Twitter.

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News Network
June 30,2020

California, Jun 30: Online video-sharing platform YouTube on Monday banned several prominent channels, including those belonging to Stefan Molyneux and Richard Spencer.

The company banned six channels for repeatedly violating YouTube's policies.

According to The Verge, other channels banned include American Renaissance (with its associated channel AmRen Podcasts) and the channel for Spencer's National Policy Institute.

YouTube began taking stern measures on supremacist channels in June 2019.

"We have strict policies prohibiting hate speech on YouTube, and terminate any channel that repeatedly or egregiously violates those policies," the Verge quoted a YouTube spokesperson as saying.

"After updating our guidelines to better address supremacist content, we saw a 5x spike in video removals and have terminated over 25,000 channels for violating our hate speech policies," the spokesperson added.

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