I am high on films and life: Shah Rukh Khan

Agencies
August 4, 2017

New Delhi, Aug 4: Eating paranthas from the Moolchand dhaba at 4 in the morning, driving down Rajendra Nagar and visiting his parents' grave... A nostalgic Shah Rukh Khan says memories of Delhi are "deeply embedded" in him.

"It seems like it was in a past life. It has been a long time doing this (films) now," the star says reflectively, adding that his exuberance on screen did not always translate into his real life.

He is actually very quiet and "needs the aloneness" from sounds, colour and people, Shah Rukh, who was in the capital to promote "Jab Harry Met Sejal", told PTI. The film released today.

Ever the charmer, Shah Rukh can be funny, introspective and philosophical in the course of a single conversation.

Excerpts from an exhaustive interview on his influences in life, his relationships, his cinema and his growing up years:

Q: Do you ever run out of words? You are giving so many interviews but no two are similar?

A: I never get bored with talking about my films. It is not because I am obsessed with it but because I think it is my duty. And I don't answer the question, I answer the personality asking the question. Depending on how one asks the questions whether the person is serious, frivolous or just being cool, I will answer accordingly. I'm an actor and to me every person asking the question is a subject... somehow it has become a second nature."

Q: Shouldn't you write a book?

A: I have been writing one for 20 years now. Someday, I will finish it but I write only when I feel like writing. I don't do it as a job, I'm not a professional writer. It is some selective memories and very personal. It is therapeutic for me. Whenever I am feeling a little off-colour, I write. But lately I have not felt off-colour so I have not written a lot.But when people come to talk to me, I assume that there is always a respect and dignity attached to it and one should return that. So, no matter how banal or uninteresting the question, sometimes this is what the other person might want to ask to someone who they have watched, want to watch or don't want to watch. They have a query with someone who is a public figure and one should dignify that.

Q: You have this exuberant side to you and then there is this introspective persona that somehow matches the character in "Jab Harry Met Sejal" in certain aspects.

A: Harry is quite close to who I would be in a certain sense. There is an exuberance that suddenly comes and because of that people think that I am a happy go lucky guy. But in real life I am not like that. In my family circles, people say, "He does not laugh or joke... picture mein to bahut lively lagta hai".

I am quite reclusive actually. I am very quiet and I can sit alone for hours. Only my family knows that aspect about me. I can be very lonely not because I am lonely but because I just need the aloneness from sounds, colours and people around me. It is all positive, there is no negative in it but you just want to go quiet.

Q: Could that be a reaction to all that you are surrounded with?

A: I can't tell anymore. I have been doing this for so many years. I don't remember any other part of my life than just being with people whether I am shooting or promoting a film or watching a cricket match. It takes me a while to come to Delhi and drive to Rajendra Nagar and that's also beginning to seem alien. It seems like it was in a past life. It has been a long time doing this (films) now.

Q: Is there a nostalgia for that, for the past?

A: There is. I have big attachments. My parents are buried here. So, I visit them. Everytime I am in Delhi, I pay my respects. I get very excited when somebody asks me about the roads, streets and houses. I did bring my children here to show them around a couple of times. I don't know if they are interested in it or not because they have been a part of my life when I started in Mumbai. So for them, there is no other life of their father had. This is quite alien for them.

But there are moments... like last night we landed very late around 4-5 in the morning. Imtiaz (Ali) was like "Sir, I have got paranthas from Moolchand for you." We sat in our room and had 'Moolchand ka parantha'. I was like "Yaar, you should have told me earlier. We could have gone for a drive." There are nostalgic memories of Delhi that are deeply embedded in me.

Q: There is this perception that the industry is fickle but you have retained all your old relationships and if there were issues, you have mended them.

A: It is very strange but I am very difficult in forming relationships. I don't know the regular way of keeping relationships going. I had very deep relationships which were lost early on in life. May be, it is a defence mechanism, you know, my parents died so I had no one.

It will be honest on my part to say that if I form a relationship, it is the others who make a better effort in keeping it going. Not because I don't like to but I don't know any other way to be.

I am a little awkward with emotions and relationships in real life and over years the one thing that I have gained a lot is patience. If suppose something is not happening the way it should, I have patience enough to realise that this is not the end of a thing. I don't hold things to heart.

In fact, I am so emotionally inept in real life that sometimes I forget I have a problem with someone and make friends with them again. I don't realise and I'm like, 'Accha, I had a problem' because I have forgotten that emotion.

This is why I am not good with relationships except my family, my wife, my sister, my kids and some four five close friends from Delhi and Mumbai. I am happy in their company because they kind of leave me alone. They don't impress upon me too much emotional expectations.

Q: You get so involved with your films. How do you deal with failure if they don't work?

A: The fact that I give it my best. When I do a film, from the day of its inception to its release, it belongs to me and no one else. I am not taking away the credit from my actors or the director but it belongs to me and I have to give my best to what belongs to me.

In spite of that, if anything goes wrong, I will never think, "I wish I could have done a little more?" To live with a feeling of having not given it your best shot is worse and more painful than living with the feeling that "I did my best and it was not enough".

Of course, you feel sad and you want to work better. You don't want to make the same mistakes, though I don't think any film is a mistake, but if I was not doing this and running myself into the ground by the end of it on that Friday, I would be devastated.

Q: After Imtiaz Ali, you are working with Anand L Rai. Going by your Twitter exchange, it seems you are really happy with the collaboration. You recently said that you wait to work with directors.

A: I wait for the director to have the first belief. If I am able to put myself into that and ride along, then it is much better. I have limited emotions, every human has a certain amount of life, circumstances and they can be very interesting or uninteresting... but it is limited by the experience of the life.

So, I suddenly get into your life and maybe see it in a different way. It is much more interesting for me as an actor. But you should be willing to take me on that ride with you. I need other people. As an actor, you have this big responsibility because you are riding on someone else's emotions.

It is better to wait for that director to feel that this actor is good enough to live my life. I am an actor who truly believes that I don't have to believe in what I am doing, I have to make you believe in that and that's based on somebody else's belief. I am just a conduit.

When I ask them to do a film with me at this stage of my career or even 15 years ago, it can become a compulsion rather than love. It can become an estranged relationship because they will be like, "how can I say no (to Shah Rukh)".

... As much as people say that I do commercial films and xyz, I have done the most varied roles within the parameters of commercial cinema from the beginning till now.

I am always ready to take on the emotional journey of someone who trusts me with their emotions and I will keep trying it.

Q: You have completed 25 years in the industry, which is a milestone in itself... Your thoughts.

A: Half of my age is gone and it is dedicated to filmmaking. I have gained a lot of name, fame and money. Whatever I am today is because of cinema and I hope I continue to do it. Twenty-five is just a number. My children and wife keep telling me "How can you do this day in, day out. Don't you get bored?" No, I don't. I am really high on films and life.

I hope I continue to serve this medium, which has given so much to me. I want to return as much as I can.

Sometimes so much happens to you... So many positive things that you have to start believing that it can't be just because of you. You can't take the credit for it. And unimaginably good things have happened to me, which is not humanly possible. There are other forces, other humans and I give them due credit. But it humbles you.

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News Network
July 15,2020

New Delhi, Jul 15: "I'm just happy with resuming work after a long break!" said Bollywood actor Vaani Kapoor, who is thrilled to get back for movie shootings after a long COVID-19 induced gap of nearly four months.

The 31-year-old star has been roped in to share screen space with Akshay Kumar for the upcoming espionage thriller 'Bell bottom'.

Kapoor, who is a big fan of the 'Mission Mangal' actor, has since then shared her excitement of working in the film, and also act opposite Kumar.

Talking about getting back to work amid the COVID-19 pandemic, she explained, "I, honestly, am just happy with work resuming after a long break. One will, of course, have to be extra cautious and keep all preventive measures in mind but it feels exciting to embark on a new journey!"

On July 6, the 'Befikre' actor had announced on Twitter that the movie is all set to go on floors in August. The makers of the movie have taken the decision to shoot the film in Scotland.

'Bell Bottom' will be the first film to see Vaani Kapoor and Akshay Kumar sharing the screen space.

"Well, this is a great opportunity for me! I have great respect for Akshay sir. It's super exciting and I am really looking forward to the experience," she noted.

The actor had completed the shooting of her next project 'Shamshera', in which she is paired opposite Ranbir Kapoor.

While 'Bell Botton' directed by Ranjit M Tewari, is slated for release on April 2, 2021. The first poster of the movie was released by Akshay Kumar in November, last year.

The film, set in the 80s, is an original screenplay inspired by true events. Akshay is most likely to essay the story of a spy in the movie.

'Bell Bottom' is produced by Vashu Bhagnani, Jackky Bhagnani, Deepshikha Deshmukh, Monisha Advani, Madhu Bhojwani, and Nikkhil Advani.

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News Network
June 30,2020

Mumbai, Jun 30: Actor Aamir Khan on Tuesday issued a statement and confirmed that some of his staff members have tested positive for COVID-19, while the rest of his family members have tested negative.

Khan also announced that he was taking his mother for a COVID-19 test and urged his fans to pray for her test to come out as negative.

The '3 Idiots' star put out the statement on Instagram and said, "This is to inform you that some of my staff have tested positive. They were immediately quarantined, and BMC officials were very prompt and efficient in taking them to a medical facility."

Thanking the Brihanmumbai Municipal Corporation (BMC) for their precautionary steps, he added, "I would like to thank the BMC for taking such good care of them, and for fumigating and sterilising the entire society."

Informing about the health of his family members, the 'Thugs of Hindostan' actor added, "The rest of us have all been tested and found negative," and informed that, "Right now I am taking my mother to get her tested. She is the last person in the loop. Please pray that she is negative."

Thanking the BMC, and hospital authorities for their swift prompt, he added, "I would, once again, like to thank the BMC for the prompt, professional and caring manner in which they helped us. And a big thank you to Kokilaben Hospital and the doctors, nurses and staff there. They were very caring and professional with the testing process."

Aamir also urged his fans to be safe amid the coronavirus outbreak.

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News Network
February 12,2020

London, Feb 12: Oscar-winning British director Steve McQueen is returning to his art roots with a series of short films at London's Tate Modern art gallery, offering a sensory exploration of black identity.

McQueen, who became the first black director to win the best picture Academy Award in 2014 for "12 Years a Slave", is now based between London and Amsterdam and is focused on championing diversity in the film industry.

Visitors to his new exhibition will be greeted by "Static", a film of New York's Statue of Liberty, scrutinising the iconic symbol from every possible angle at very close range against a deafening backdrop of the helicopter from where the footage was filmed.

"What interests Steve is our view of the world, how humans are trying to represent Liberty," said Fiontan Moran, assistant curator of the exhibition.

"7th Nov, 2001" features a still shot of a body while McQueen's cousin Marcus tells of how he accidentally killed his brother, a particularly traumatic experience for the artist.

"Western Deep" is another visceral work, giving a sense through sights and sounds in an interactive installation of the experiences of miners in South Africa, following them to the bottom of the mine.

"Ashes", meanwhile, is a tribute to a young fisherman from Grenada, the island where McQueen's family originated.

The images of beauty and sweetness filmed from his boat are tragically reversed on the other side of the projection screen, which shows a grave commissioned by McQueen for the eponymous young fisherman, who was killed by drug traffickers.

African-American singer, actor and civil rights activist Paul Robeson (1898-1976) is honoured in "End Credits".

The film shows censored FBI documents detailing the agency's surveillance of Robeson, read by a voice-over artist, for five hours.

"He is... testing the limits of how people can be documented in an era of mass surveillance," said Moran.

In a similarly militant vein, the exhibition features the sculpture "Weight", which was first shown in the prison cell where the writer and playwright Oscar Wilde was imprisoned.

It depicts a golden mosquito net draped over a metal prison bed frame, addressing the theme of confinement and the power of the imagination to break free.

The show runs alongside an exhibition of McQueen's giant portraits of London school classes, many of which appeared on the streets of London last year.

"I remember my first school trip to Tate when I was an impressionable eight-year-old, which was really the moment I gained an understanding that anything is possible," said McQueen, adding it was "where in some ways my journey as an artist first began".

He recently told the Financial Times newspaper the difference between his art films and his feature films was that the former were poetry, the latter like a novel.

"Poetry is condensed, precise, fragmented," he said. "The novel is the yarn".

The exhibition opens on February 13 and runs until May 11.

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