I could never do films which Ayushmann Khurrana is doing: Rishi Kapoor

News Network
November 19, 2019

Mumbai, Nov 19: Actor Rishi Kapoor believes the audience today is more accepting of seeing senior actors in prominent roles on screen.

The veteran actor, who next features in Jeethu Joseph's "The Body" with Emraan Hashmi and Sobhita Dhulipala, said filmmakers have started to treat their films' cast at par with each other. "It's a different scenario today. He (Joseph) has made a film with me and Emraan Hashmi where we both are playing important roles in the film. Today, it has become possible for me to do an important role which needs a senior actor," Rishi told PTI. He referenced to the casting controversy around "Saand Ki Aankh" and said the makers could have taken age-appropriate artistes as they would have looked the part. "They had a controversy in 'Saand Ki Aankh', about the age. These two girls are young but they could've easily taken two senior actors and they would have looked the part more if not anything else," he added.

There was a row over casting of Taapsee Pannu and Bhumi Pednekar as elderly sharpshooters in "Saand Ki Aankh". Both the actors had responded to the controversy, saying no one should be stopped from portraying any role. Rishi said it is a welcome change that actors of all ages are welcome on the screen because the audience wants it. "They don't want to only see dancing and action. Today actors like me have got work because of this change," he added.

The 67-year-old actor also revealed that Joseph, who had helmed the Malayalam thriller "Drishyam", was keen to have him headline the Hindi remake, which eventually featured Ajay Devgan. "Jeethu had directed the original 'Drishyam' and at that point of time -- I know this because the director told me -- he wanted me to work in the Hindi version. If you see the Tamil version, it has Kamal Haasan. It was supposed to be a senior hero and not a junior... it was meant to be a senior man. "But I was not a saleable star. I couldn't get the audiences in so obviously they would not make the film with me," Rishi said.

The actor believes there has been a shift in terms of storytelling, something that has highly influenced him and his choices as an artiste. "The changes have come today, which weren't there when I was a leading star. Unfortunately, (earlier) actors were slotted in their images, 'action hero, romantic star, dancing hero.' For 25 years, all throughout my career, I was slotted as a romantic hero. "Today when you see the new boys, my son, working in different kinds of films... Ranbir did a 'Barfi'. I could never do 'Barfi', 'Sanju' or 'Rocket Singh' in my time. I could never do these kinds of experimental films, which worked big time. I could never do films which Ayushmann Khurrana is doing. These are all content based films." The actor said the best part about the new age cinema is that even the audience wants to see different, newer stories on screen. "The audience isn't expecting Ayushmann to don a jersey and go to Switzerland to sing a song. Today, films are coming without songs also. It's a different trend. The audience is more liberal, they want to see better stuff not the same old stale stuff," he added.

"The Body", which is a remake of the Spanish film of the same name, is scheduled to be released on December 13.

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News Network
July 24,2020

New Delhi, Jul 24: With more than 50 movies under her credits and being one of the few actors from Bollywood to make a strong imprint in Hollywood, actor Priyanka Chopra started it all by winning Miss India 2000 pageant.

Chopra who is currently celebrating the completion of 20 years in the entertainment industry, on Friday looked back and reacted to the video where she was crowned as Miss India.
The' Fashion' actor shared a video on Instagram, where she is seen watching the throwback video. The 'Dostana' actor recalled winning the title and joked about her sense of style and poses back then.

Sharing the reaction video, she wrote: "Alright guys, we're doing this! I'm watching footage from my Miss India pageant in 2000! This is where it all began... If you've never seen these before, you are in for quite a treat. #20in2020 @feminamissindia."

Throughout the video, the 'Gunday' actor is seen casually commenting on her hairstyle, enacting her own movement on stage, and also recalled her luscious hair, which she now wonders where it all got lost.

However, she took a moment to appreciate the "clever and profound" answer she gave for the question that won her the crown.

While watching the winning moment, the 'Don' star noted how she never expected to win it. She explained that she had a train booked as she was to go back and take her board exams.

Going through the old photographs that run parallel to the video, she says: "These pictures are hard to look at." Pausing at a particular photograph, she laughs and says, "I don't even know how to do that pose."

"Well, this is where everything started. These are the pictures that sent me to Tinseltown," said the actor towards the end of the video.

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News Network
July 15,2020

New Delhi, Jul 15: "I'm just happy with resuming work after a long break!" said Bollywood actor Vaani Kapoor, who is thrilled to get back for movie shootings after a long COVID-19 induced gap of nearly four months.

The 31-year-old star has been roped in to share screen space with Akshay Kumar for the upcoming espionage thriller 'Bell bottom'.

Kapoor, who is a big fan of the 'Mission Mangal' actor, has since then shared her excitement of working in the film, and also act opposite Kumar.

Talking about getting back to work amid the COVID-19 pandemic, she explained, "I, honestly, am just happy with work resuming after a long break. One will, of course, have to be extra cautious and keep all preventive measures in mind but it feels exciting to embark on a new journey!"

On July 6, the 'Befikre' actor had announced on Twitter that the movie is all set to go on floors in August. The makers of the movie have taken the decision to shoot the film in Scotland.

'Bell Bottom' will be the first film to see Vaani Kapoor and Akshay Kumar sharing the screen space.

"Well, this is a great opportunity for me! I have great respect for Akshay sir. It's super exciting and I am really looking forward to the experience," she noted.

The actor had completed the shooting of her next project 'Shamshera', in which she is paired opposite Ranbir Kapoor.

While 'Bell Botton' directed by Ranjit M Tewari, is slated for release on April 2, 2021. The first poster of the movie was released by Akshay Kumar in November, last year.

The film, set in the 80s, is an original screenplay inspired by true events. Akshay is most likely to essay the story of a spy in the movie.

'Bell Bottom' is produced by Vashu Bhagnani, Jackky Bhagnani, Deepshikha Deshmukh, Monisha Advani, Madhu Bhojwani, and Nikkhil Advani.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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