I review: Vikram is good but Shankar has lost his magic touch

January 15, 2015

Vikram Shankar

Chennai, Jan 15: He is considered India’s answer to James Cameron and his romantic thriller I has been touted as the movie of the year, even if it is only January now. His name is Shankar, he has a 90% hit rate, and his magnum opus has released for Pongal, worldwide, in over 15,000 screens. I is a story of love, revenge, jealousy and truth. Lingesan is a bodybuilder who dreams of model Diya (Amy Jackson) on one side and winning the Mr India title on the other. She is the educated, sophisticated rich girl. He is the exact opposite – a guy who lives in the housing board flat and whose Tamil is as local as it gets. But that doesn’t deter him from ‘loving’ her and he buys every product she models for - right from sanitary pads to bras.

Meanwhile, Diya is relentlessly pursued by model John (Upen Patel) whom she rejects time and again. Diya happens to meet Lingesan at a shoot and ropes him in place of John for an ad shoot in China. The twist in this tale takes place when Lingesan rejects an ad from Ramkumar, a wealthy businessman, and the advances of Ojas M Rajani, who plays a transgender stylist. Suresh Gopi, who plays a doctor, plays another key character in the film.

Vikram essays three characters in the film – the bodybuilder, the model and the hunchback. He has worked hard on the transformation for these characters and that is quite evident from the weight gain and loss, and make-up for each of these roles.

The role of the hunchback is perhaps the most difficult and defining in this film. Vikram has to be applauded for the effort and number of years he’s poured into this film as he is the backbone of the film.

Still, I doesn’t meet expectations – and this is a big disappointment for Shankar fans. Shankar has always made films that had not only technical brilliance, but also told a story that resonated and contained a message. Be it Gentleman, Mudhalvan, Anniyan, Sivaji or Enthiran, there was that distinctive Shankar magic to every film he directed. It was spectacular and entertaining. In I, however, Shankar's magic is missing.

In the past, the writing combination of Shankar and writer Sujatha was one of the best in the Tamil film industry. Sujatha, a pseudonym for writer S Rangarajan, penned the dialogues for many of Shankar’s previous films, including Anniyan, Indian and Enthiran. Unfortunately, his demise while working on Enthiran has created a huge void in Kollywood and perhaps in Shankar’s life too. Shankar worked on I with writer Subha for the first time, and the script just doesn’t measure up.

As for technical brilliance, I has it all – all the scenes in the songs are like picture-perfect postcards. Shankar has done justice to A R Rahman’s tunes and that’s a visual treat in the film. Watching Jackson turn into a mobile, a bike and sprout into a plant may be edgy, but it doesn’t give the movie any depth. As for the chemistry between Jackson and Vikram, the less said the better. Upen Patel, Suresh Gopi and Ojas Rajani end up to be just props and are quite forgettable.

Made with a budget of about Rs 90 crore, I has a running time of three hours and nine minutes. This is a too long, especially when the story is quite flat.The film is one-man show starring Vikram, but perhaps Shankar now needs to rediscover himself. The first step would be to look for a writer comparable to Sujatha.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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News Network
July 26,2020

Mumbai, Jul 26: Just days after actor Kangana Ranaut made some claims on Sushant Singh Rajput's suicide case and asked why the Mumbai police is not summoning some people of the Hindi film industry, Maharashtra Home Minister Anil Deshmukh on Sunday said that film director Mahesh Bhatt and Karan Johar's manager will be called for the questioning.

"Tomorrow Mahesh Bhatt will be called for questioning and we will later call Karan Johar's manager too. If required Karan Johar can also be called for the questioning in Sushant Singh Rajput case," he said while speaking to news agency.

A day Rajput's suicide, Kangana had released a two-minute video speaking highly of the deceased actor and accusing certain sections of the film industry for not acknowledging the star's talent.

Kangana had also claimed that some of the last social media posts by the actor made it evident that he was struggling to survive in the industry.

According to the police, statements of 39 people, including film critic Rajeev Masand, director-producer Sanjay Leela Bhansali, and filmmaker Aditya Chopra have been recorded in the investigation so far.

Rajput was found dead in his Mumbai residence on June 14.

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News Network
June 10,2020

Mumbai, Jun 10: Bollywood actors Sushant Singh Rajput and Varun Sharma's former manager Disha Salian reportedly committed suicide by jumping off the 14th floor of her apartment in Malad on June 8 night.

Varun Sharma mourned the demise on Instagram, sharing a photo with his former manager and friend.

"Am at a loss of words. Speechless. Numb. It all looks unreal. So many memories. Such a lovely person and a dear friend. You always wore that smile everyday, and with such kindness you dealt with everything that came your way. You will be deeply missed. Prayers and Strength to the Family. I still can't believe Disha you're gone. Gone too Soon," wrote Varun.

The young celebrity manager was reportedly with her fiance when she took the drastic step on June 8 night. She was declared dead on being rushed to a hospital in Borivali.

The police have started an investigation. As per reports, they have recorded the statement of the deceased's parents. Her fiance might also be asked for a statement.

Apart from Sushant Singh Rajput and Varun Sharma, Disha has managed comedian Bharti Singh in the past.

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