I review: Vikram is good but Shankar has lost his magic touch

January 15, 2015

Vikram Shankar

Chennai, Jan 15: He is considered India’s answer to James Cameron and his romantic thriller I has been touted as the movie of the year, even if it is only January now. His name is Shankar, he has a 90% hit rate, and his magnum opus has released for Pongal, worldwide, in over 15,000 screens. I is a story of love, revenge, jealousy and truth. Lingesan is a bodybuilder who dreams of model Diya (Amy Jackson) on one side and winning the Mr India title on the other. She is the educated, sophisticated rich girl. He is the exact opposite – a guy who lives in the housing board flat and whose Tamil is as local as it gets. But that doesn’t deter him from ‘loving’ her and he buys every product she models for - right from sanitary pads to bras.

Meanwhile, Diya is relentlessly pursued by model John (Upen Patel) whom she rejects time and again. Diya happens to meet Lingesan at a shoot and ropes him in place of John for an ad shoot in China. The twist in this tale takes place when Lingesan rejects an ad from Ramkumar, a wealthy businessman, and the advances of Ojas M Rajani, who plays a transgender stylist. Suresh Gopi, who plays a doctor, plays another key character in the film.

Vikram essays three characters in the film – the bodybuilder, the model and the hunchback. He has worked hard on the transformation for these characters and that is quite evident from the weight gain and loss, and make-up for each of these roles.

The role of the hunchback is perhaps the most difficult and defining in this film. Vikram has to be applauded for the effort and number of years he’s poured into this film as he is the backbone of the film.

Still, I doesn’t meet expectations – and this is a big disappointment for Shankar fans. Shankar has always made films that had not only technical brilliance, but also told a story that resonated and contained a message. Be it Gentleman, Mudhalvan, Anniyan, Sivaji or Enthiran, there was that distinctive Shankar magic to every film he directed. It was spectacular and entertaining. In I, however, Shankar's magic is missing.

In the past, the writing combination of Shankar and writer Sujatha was one of the best in the Tamil film industry. Sujatha, a pseudonym for writer S Rangarajan, penned the dialogues for many of Shankar’s previous films, including Anniyan, Indian and Enthiran. Unfortunately, his demise while working on Enthiran has created a huge void in Kollywood and perhaps in Shankar’s life too. Shankar worked on I with writer Subha for the first time, and the script just doesn’t measure up.

As for technical brilliance, I has it all – all the scenes in the songs are like picture-perfect postcards. Shankar has done justice to A R Rahman’s tunes and that’s a visual treat in the film. Watching Jackson turn into a mobile, a bike and sprout into a plant may be edgy, but it doesn’t give the movie any depth. As for the chemistry between Jackson and Vikram, the less said the better. Upen Patel, Suresh Gopi and Ojas Rajani end up to be just props and are quite forgettable.

Made with a budget of about Rs 90 crore, I has a running time of three hours and nine minutes. This is a too long, especially when the story is quite flat.The film is one-man show starring Vikram, but perhaps Shankar now needs to rediscover himself. The first step would be to look for a writer comparable to Sujatha.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
January 7,2020

Mumbai, Jan 7: Actor Anil Kapoor, who next will be seen onscreen in Malang, revealed that he always tells superstar Aamir Khan not to stop working with filmmaker Rajkumar Hirani.

Kapoor was interacting with the media at the trailer launch of Malang along with his co-actors Adtiya Roy Kapur, Disha Patani, Elli AvRam, film's director Mohit Suri and producers Luv Ranjan, Bhushan Kumar, Ankur Garg and Jay Shewakraman on Monday in Mumbai.

Anil Kapoor has worked with many directors and producers in his 40-year acting career.

Talking about camp culture in the Hindi film industry and praising makers of Malang, Kapoor said, "I feel we need producers like Ankur (Garg) and Luv (Ranjan). I have told Mohit (Suri) to continue doing films with them. I always tell Aamir Khan by calling him on the phone to say that you should not leave Raju Hirani (Rajkumar Hirani). Whenever I see films of both of them, I tell Aamir not to leave him."

He continued, "I feel whenever you make a good team then you should hold on to it. Team is very important and there are certain stars that come together to make something interesting and exciting."

Kapoor gave an example of Hollywood actors and filmmakers while backing his viewpoint.

"If you see Martin Scorsese, Robert De Niro, Leonardo DiCaprio they do so many films together. They can work with others, too, but they keep working with each other. There is some magic, obviously. You have to go with the casting but somewhere I feel teams should stand by each other," the actor added.

Malang stars Aditya Roy Kapur, Disha Patani, Anil Kapoor and Kunal Khemu in lead roles. It is scheduled to release on February 7.

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