IIFA 2018: Sridevi and Irrfan bag top honours, Vidya’s Tumhari Sulu best film

Agencies
June 25, 2018

Bangkok, Jun 25: Late actress Sridevi's 'Mom' and Irrfan Khan-starrer 'Hindi Medium' on Sunday clinched the top honours at the 19th International Indian Film Academy (IIFA) Awards, which saw Bollywood's evergreen actress Rekha take fans down the memory lane through her mesmerising performance after a hiatus of 20 years.

Besides that, the star-studded gala witnessed dazzling performances by Ranbir Kapoor, Varun Dhawan, Shraddha Kapoor, Iulia Vantur, Arjun Kapoor, Kriti Sanon and Bobby Deol.

While Sridevi was posthumously given the Best Actress award for her role of a mother in 'Mom', Irrfan was given the Best Actor trophy for his comical performance in 'Hindi Medium'.

Sridevi's husband, producer Boney Kapoor, accepted the award on her behalf. While, producer Dinesh Vijan took the award for Irrfan, who is currently undergoing Neuroendocrine tumour treatment in London.

"I have mixed emotions today. I miss her every minute and second of my life. I still feel she is around here. I want you all to support Janhvi like you supported her mother," Boney said.

Meanwhile, Vidya Balan's 'Tumhari Sulu' was chosen as the Best Film.

The Best Director award was given to Saket Chaudhary for 'Hindi Medium'.

Amid all that, the awards gala, hosted by filmmaker Karan Johar and actor Riteish Deshmukh, also paid tributes to late legendary actors Shashi Kapoor and Vinod Khanna.

Vinod Khanna's award was accepted by filmmaker Ramesh Sippy, while Rishi and Ranbir Kapoor took Shashi Kapoor's award.

Here's a complete list of winners:

Best Film - 'Tumhari Sulu'

Best Director - Saket Chaudhary ('Hindi Medium')

Best Actor (Female) - Sridevi ('Mom')

Best Actor (Male) - Irrfan Khan ('Hindi Medium')

Best Actor In Supporting Role (Female) - Meher Vij ('Secret Superstar')

Best Actor In Supporting Role (Male) - Nawazzuddin Siddiqui ('Mom')

Best Story - Amit V Masurkar ('Newton')

Best Music Direction - Amaal Mallik, Tanishk Bagchi and Akhil Sachdeva ('Badrinath Ki Dulhania')

Best Background Score - Pritam ('Jagga Jasoos')

Best Screeenplay - Nitesh Tiwari and Shreyas Jain ('Bareilly Ki Barfi')

Best Dialogues - Hitesh Kewalya ('Shubh Mangal Saavdhan')

Best Choreography - Vijay Ganguly and Ruel Dausan Varindani, ('Galti Se Mistake' from 'Jagga Jasoos')

Best Cinematography - Marcin Laskawiec and Usc ('Tiger Zinda Hai')Best Editing - Shweta Venkat Mathew ('Newton')

Best Lyrics - Manoj Muntashir ('Mere Rashke Qamar' from 'Baadshaho')

Best Playback Singer (Female) - Meghna Mishra ('Main Kaun Hoon' from 'Secret Superstar')

Best Playback Singer (Male) - Arijit Singh ('Hawayein' from 'Jab Harry Met Sejal')

Best Sound Design - Dileep Subramaniam and Ganesh Gangadharan (YRF Studios for 'Tiger Zinda Hai')

Best Special Effects - Ny Vfxwala ('Jagga Jasoos')

Best Style Icon of the Year - Kriti Sanon

Best Debut Director - Konkona Sensharma

Outstanding Achievement by an Actor in Indian Cinema - Anupam Kher

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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Agencies
June 14,2020

Chennai, Jun 14: Tamil Nadu Police has recovered about 100 bottles of liquor from the car of actor Ramya Krishnan, who had starred in movies like Bahubali, Padaiappa and others.

According to the police, the actor was traveling in the car at the time on the East Coast Road (ECR) where they were carrying out vehicle checks on Thursday.

The police found about 100 liquor bottles in the car boot and when queried Ramya Krishnan said she was unaware of the bottles.

Later the police confiscated the bottles and arrested the driver Selvakumar who said the liquor was bought at the Tamil Nadu government-run liquor shop.

The government has not allowed the opening of the Tasmac shops in Chennai.

Another driver came and drove the actor back to Chennai.

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News Network
July 27,2020

Mumbai, Jul 27: Reel life villain Sonu Sood turned real life hero once again, this time by gifting a tractor on Sunday to a farmer in a remote village in Andhra Pradesh to help him till the land. The actor came up with the gift after coming through a video clip on Twitter wherein a tomato farmer in Madanapalle in Chittoor district was seen ploughing the land with his two daughters carrying the yoke on their shoulders.

In his instant reaction, Sood promised a pair of ox to the farmer, but later said the family deserved a tractor. "So sending you one. By evening a tractor will be ploughing your fields. Stay blessed," Sood, who acted as a villain in numerous Telugu films, said in a tweet.

True to his word, a new tractor was delivered to the elated farmer Nageswara Rao at his Mahalrajupalle village by Sunday night. Telugu Desam Party president N Chandrababu Naidu, who belongs to Chittoor district, hailed the actor's gesture.

"Spoke with @sonusood ji and applauded him for his inspiring effort to send a tractor to Nageswara Rao's family in Chittoor district. Moved by the plight of the family, I have decided to take care of the education of the two daughters and help them pursue their dreams," Naidu said in a tweet.

Rao's elder daughter completed her Intermediate while the second one passed Class 10. Rao used to run a tea stall in Madanapalle before coronavirus left him out of business. He returned to his native Mahalrajupalle village to take up agriculture once again.

Given his penury, he could not hire either a pair of bulls or a tractor to till the land, when his daughters volunteered to help him on the chores. Their plight went viral on social media following which the actor stepped in with help.

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