I'm genuinely a dream come true: Shah Rukh Khan

Agencies
October 26, 2019

New Delhi, Oct 26: Shah Rukh Khan has always counted his blessings and the Bollywood superstar wants people to have faith in the power of dreams, just as he did.

The 53-year-old Delhi-born actor was all nostalgic in his city. He was here for the closing ceremony of the city's iconic cinema complex, PVR Anupam. India's first multiplex, PVR Anupam closed for renovation on Thursday night.

"Some of the things that you don't think about will happen to you and they are the best things of life. You just don't know it yet. I don't want to show off but I'm genuinely a dream come true.

"I'm a lower middle-class boy without his parents bound to the city of glamour and become a movie star. The world has showered me with their love. This happens in only dreams but I never thought of it. I haven't believed it, I am still that Delhi boy," Shah Rukh said.

The actor said he never thinks of himself as a star in Delhi but sometimes has to behave like one.

"It bores me to be a star that way. I love my job and promise to everybody that as Ajay Bijli and Sanjeev Kumar Bijli keep on making cinema theatres, I'll keep on making movies to fill them," he added.

The actor said it was his life's dream to own a theatre in a five-star hotel.

"This was the business I wanted to do, I didn't think I'll become a movie actor," he said.

Asked when was the first time he saw himself on the big screen, Shah Rukh said it was the rushes of 1992 film "Raju Ban Gaya Gentleman", directed by Aziz Mirza, at Mumbai's legendary RK Studios.

"I found myself so ugly. I had such bad hair. I was doing such bad acting in front of Nana Patekar, Amrita Singh, and Juhi Chawla. I took the late 4.15 am flight ticket that our producers used to get for us at 25 per cent off and went to the airport, thinking I can't work in films.

"Aziz and Juhi convinced me that it's not that bad. The final cut would be better. Just like Ajay Bijli lied and got 'Yes Boss' to play at this theatre, those two lied to me. I never looked better, I looked just the same," he recalled.

The actor said he used to stand outside PVR Anupam hoping to manage a ticket.

"I used to roam around on the roads like guys do... My wife Gauri used to live here in Panchsheel. I have roamed around this place a lot to impress her. When I had to really woo her, I borrowed my uncle's Vespa (scooter)."

Shah Rukh said he is fortunate to be so loved, especially by the people of the city.

"I remember initially one of the big things for me was 'Main Dilliwala hoon, dilwala hoon' ('I am a Delhiite, I have a big heart). Even today whoever meets me, it's still the same.

"My team asks me, 'You know him?' I say 'I don't but I'm related to him 100 per cent somehow'. Because everybody treats me like their own," he said.

The festival of Diwali begins Friday and the actor said he is in the city to enjoy some family time, but will be rushing back soon as the culture of Mumbai's Diwali parties is an important part of his life.

"I've got my little son (AbRam) here. I feel the way Dussehra, Diwali and Holi are celebrated in Delhi, they aren't celebrated anywhere else. Or maybe it's because I feel that way."

Shah Rukh said he feels the most nostalgic when he visits his late parents' resting place.

"Whenever I sit in a plane from Mumbai to come to Delhi, I have one thought in my heart that my mom and dad are here. I visit them in their graveyard late at night. When they say I've become a Mumbai person, I don't know how to express it... But as much as I can leave Delhi, Delhi can't leave me because my parents are here. The biggest memory for me is here," he said.

"Sometimes when I give it a miss or become lazy, I pray from afar because parents will understand. Going and seeing them whenever I come here is the most nostalgic (feeling) for me," he added.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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News Network
April 11,2020

New Delhi, Apr 11: Actor Hema Malini on Saturday expressed concern over the health workers, who are being treated badly and are restricted to enter their own building.

The 71-year-old actor took to Instagram and shared a video where she expressed concern over the situation the health workers are going through. "Friends, I have seen this in various news channels and I am very sad that the health workers are being treated very badly. They are being restricted to enter their own building," she said.

The 'Baghban' actor further said: "Just think, in such times, they are our safeguards amid such situation (coronavirus outbreak). They are the ones who are going to ground level and are finding out the patients suffering from the disease."

She went on to add that "they do so, to save you. Remember, opposing them is to play with the safety of the country and every citizen. That is why we should honour them. Jai Hind."

In the post accompanying the video, she wrote, "Some of you might have watched the following interview on India TV where I have spoken about how I spend a typical day during this lockdown and social distancing period. This is for those of you who might have missed it!"

The post garnered more than 1.3k views within 35 minutes of being posted on the photo-sharing platform.

Just like other celebrities, Hema Malini is also practicing self-isolation amid the 21-day government-imposed lockdown in view of coronavirus outbreak.

India's total cases of coronavirus on Saturday climbed to 7,529 including 242 deaths and 652 people, who have either been cured or discharged, said the Union Ministry of Health and Family Welfare on Saturday. 

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