I'm genuinely a dream come true: Shah Rukh Khan

Agencies
October 26, 2019

New Delhi, Oct 26: Shah Rukh Khan has always counted his blessings and the Bollywood superstar wants people to have faith in the power of dreams, just as he did.

The 53-year-old Delhi-born actor was all nostalgic in his city. He was here for the closing ceremony of the city's iconic cinema complex, PVR Anupam. India's first multiplex, PVR Anupam closed for renovation on Thursday night.

"Some of the things that you don't think about will happen to you and they are the best things of life. You just don't know it yet. I don't want to show off but I'm genuinely a dream come true.

"I'm a lower middle-class boy without his parents bound to the city of glamour and become a movie star. The world has showered me with their love. This happens in only dreams but I never thought of it. I haven't believed it, I am still that Delhi boy," Shah Rukh said.

The actor said he never thinks of himself as a star in Delhi but sometimes has to behave like one.

"It bores me to be a star that way. I love my job and promise to everybody that as Ajay Bijli and Sanjeev Kumar Bijli keep on making cinema theatres, I'll keep on making movies to fill them," he added.

The actor said it was his life's dream to own a theatre in a five-star hotel.

"This was the business I wanted to do, I didn't think I'll become a movie actor," he said.

Asked when was the first time he saw himself on the big screen, Shah Rukh said it was the rushes of 1992 film "Raju Ban Gaya Gentleman", directed by Aziz Mirza, at Mumbai's legendary RK Studios.

"I found myself so ugly. I had such bad hair. I was doing such bad acting in front of Nana Patekar, Amrita Singh, and Juhi Chawla. I took the late 4.15 am flight ticket that our producers used to get for us at 25 per cent off and went to the airport, thinking I can't work in films.

"Aziz and Juhi convinced me that it's not that bad. The final cut would be better. Just like Ajay Bijli lied and got 'Yes Boss' to play at this theatre, those two lied to me. I never looked better, I looked just the same," he recalled.

The actor said he used to stand outside PVR Anupam hoping to manage a ticket.

"I used to roam around on the roads like guys do... My wife Gauri used to live here in Panchsheel. I have roamed around this place a lot to impress her. When I had to really woo her, I borrowed my uncle's Vespa (scooter)."

Shah Rukh said he is fortunate to be so loved, especially by the people of the city.

"I remember initially one of the big things for me was 'Main Dilliwala hoon, dilwala hoon' ('I am a Delhiite, I have a big heart). Even today whoever meets me, it's still the same.

"My team asks me, 'You know him?' I say 'I don't but I'm related to him 100 per cent somehow'. Because everybody treats me like their own," he said.

The festival of Diwali begins Friday and the actor said he is in the city to enjoy some family time, but will be rushing back soon as the culture of Mumbai's Diwali parties is an important part of his life.

"I've got my little son (AbRam) here. I feel the way Dussehra, Diwali and Holi are celebrated in Delhi, they aren't celebrated anywhere else. Or maybe it's because I feel that way."

Shah Rukh said he feels the most nostalgic when he visits his late parents' resting place.

"Whenever I sit in a plane from Mumbai to come to Delhi, I have one thought in my heart that my mom and dad are here. I visit them in their graveyard late at night. When they say I've become a Mumbai person, I don't know how to express it... But as much as I can leave Delhi, Delhi can't leave me because my parents are here. The biggest memory for me is here," he said.

"Sometimes when I give it a miss or become lazy, I pray from afar because parents will understand. Going and seeing them whenever I come here is the most nostalgic (feeling) for me," he added.

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Agencies
August 4,2020

New York, Aug 4: National Award-winning documentary "Son Rise" and Geetu Mohandas-directed "Moothon" were among the films that took home the big honours at the 20th New York Indian Film Festival (NYIFF), which switched to a virtual edition this year amid the ongoing Covid-19 pandemic.

Over 45 feature-length narratives, shorts and documentaries from the Indian subcontinent were showcased at the festival’s virtual edition that ran for 10 days beginning July 24.

The films programmed were in various languages including Assamese, Bengali, Haryanvi, Hindi, English, Ladakhi, Maithili, Malayalam, Marathi, Nepali and Tamil.

The award ceremony for the festival was held virtually Sunday, with the filmmakers, cast, award winners and festival officials joining from across India and the US.

The award for the Best Documentary (Short) went to Saurav Vishnu-directed "Tailing Pond", which highlights the "horrifying effects of uranium extraction on the health of the indigenous population" of Jadugoda, Jharkhand.

"Son Rise" by Vibha Bakshi won the award for Best Documentary (Feature).

The documentary had won the National Award for the Best non-feature film in 2019 and was among the two centrepieces hosted by the festival this year. NYIFF called "Son Rise" “a powerful documentary about patriarchy in Haryana and efforts by a few good men to bring meaningful change in the society.”

The award for Best Short (Narrative) went to Sanat Ganu's "Arabian Nights". The narrative focuses on a child, his imaginary friend and a family that attends a conference where the attendees believe the earth is flat.

Director and scriptwriter Sudhanshu Saria accepted the award for Best Screenplay for "Knock Knock Knock". Saria’s screenplay “explores the lonely life of a man, an unlikely friendship that may or may not be real.”

Sanjana Dipu won the award for Best Child Actor for "Moothon" for her performance of a teenager in search of a brother.

Garggi Ananthan won the Best Actress award for her role as Kalyani in the film "Run Kalyani" and the Best Actor award went to Malayalam star Nivin Pauly for "Moothon". The award for the Best Director went to 23-year old Achal Mishra for "Gamak Ghar".

"Moothon" won the award for Best Film and its director Mohandas accepted the award for the film, which is "about love and loss that travels from the quiet, lush beaches of Lakshadweep to the mad hustle-bustle of the streets of Mumbai."

Produced by award-winning Indian film director and writer Anurag Kashyap, "Moothon" had premiered at last year’s Toronto International Film Festival.

NYIFF festival director Aseem Chhabra said that the process of searching for films for the festival began last fall and they were ready to showcase them to audiences in New York in April but had to change plans for the festival due to the pandemic.

"I know the best way to enjoy films is in a theatre with the audience and have live interactions, conversations. But the virtual festival is the next best option and in the process, we have been able to reach out to a much larger audience in the US, North America as well in several other countries.”

NYIFF said that a virtual edition expanded the reach of the festival and audiences from 95 countries were able to access and view the films.

Dr Nirmal Mattoo, Chairman of the Indo-American Arts Council, co-founder and owner of Atlantic Dialysis Management services, the largest private dialysis provider in New York State, said NYIFF works with an independent jury - filmmakers, film professors, writers and critics.

Indo-American Arts Council (IAAC), the leading cultural organisation, presents the festival.

"The Covid-19 pandemic has forced the closure of theatres but we believe that in such trying times arts, including films are even more important for the community’s well-being. So, this year we have decided to bring the films directly into your living rooms.” IAAC Vice-Chairman Rakesh Kaul had said.

The New York Indian Film Festival is the oldest Indian film event in North America. Over the years, the festival has held New York premieres of a wide range of films, many of them critically acclaimed, including "Monsoon Wedding", "The Namesake", "Slumdog Millionaire", "Shahid", "Dum Laga Ke Haisha" and "Gangs of Wasseypur". 

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
May 28,2020

New Delhi, May 28: On the World Menstrual Hygiene Day, former Miss World Manushi Chhillar on Thursday underlined the need to spread awareness on feminine hygiene.

The 23-year-old star has been roped in by UNICEF to spread awareness on the need to educate girls on personal hygiene.

Chhillar put out a post on Instagram expressing the need to educate girls with all information on maintaining hygiene, constructing adequate sanitation facilities and providing quick access to feminine hygiene products.

Manushi, who is participating in the UNICEF global initiative called the Red Dot Challenge, stated, "Every young girl has the right to accurate information about her body. Without the right information, girls often don't know how to safely manage their period. It's time to break the silence. I am calling all girls, boys, women and men to take the #RedDotChallenge with me. Because of Menstruation Matters. @unicefindia."

Along with the post, Chhillar shared her pictures with red dots on her hand representing the 'Red Dot Challenge.'

The former Miss World runs her own initiative on menstrual hygiene called 'Project Shakti' that works across several states of India.

The beauty queen turned actor will debut in Bollywood with the highly anticipated historical-drama 'Prithviraj' opposite Akshay Kumar. She will be playing the royal princess Sanyogita, whose tales of beauty mesmerised an entire nation.

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