India not primary market for my music: Grammy winner Ricky Kej

February 18, 2015

New Delhi, Feb 18: Bengaluru-based musician Ricky Kej, who was honoured with a Grammy Award, says his home country is not the main market for his music.

Ricky KejHe is, however, ready to compose for a Bollywood movie if the script moves him emotionally.

His 2014 release "Winds of Samsara", for which he won the Best New Age Album trophy at the 57th Annual Grammy Awards earlier this month at Los Angeles, debuted at number one on the US Billboard charts.

The album became popular in the US much before he walked home with the prestigious golden gramophone.

"We remained in the top 10 for 12 weeks and it is one of highest selling instrumental albums of 2014. Even on radio, we debuted at number one. So, the album was already extremely popular before the Grammy nomination.

"About sales in India, I am not aware of any of the figures because India has never been a primary market for my music," Kej told IANS in an email interaction.

He has been vocal about piracy affecting the artistes in India.

Suggesting what can be done to curb it, the 33-year-old said: "I think two things need to be done -- the anti-piracy laws that exist need to be enforced very strongly and awareness needs to be created that piracy is not a victimless crime. The victim is the artiste."

The Grammy-winning album, which spotlights the musical, cultural and political connections between India and South Africa from late freedom fighters Mahatma Gandhi to Nelson Mandela, is a collaboration with South African flutist Wouter Kellerman.

This certainly isn't the end of collaboration between the two musicians.

"I definitely plan to do another collaboration with Wouter. 'Winds of Samsara' was a fantastic debut collaboration. We have not started recording the new one nor do we have a theme in mind yet. But we hope to release the album in 2017," said Kej, who has 12 albums under his belt.

He promises that the new album "will be a heavily orchestral project and much more ambitious than 'Winds of Samsara' ".

If all works out as planned, the composer, who enjoys genres that involve fusion, cultures and exotic instruments, will also get a chance to work with Hollywood filmmakers.

Asked if post his Grammy win, he was approached by any Hollywood filmmaker, he said: "Yes, two filmmakers."

He says Hollywood interests him as he loves "working on scores involving large orchestras. In terms of score, one can draw from personal experience and emotions to create beautiful melodies, which work with the film".

But that doesn't mean he has shut the doors on the Hindi film industry.

"I would definitely do a Bollywood movie if the script connected with me on an emotional level because then my music would be truly from the heart," said Kej.

He is also impressed with the rise of electronic dance music in the country.

"EDM is a great form of music. The tools to make this form of music is available cheaply and you are limited only by your imagination. I have listened to some of the EDM music created in India and I think it's excellent," said the musician, who grew up listening to rock music.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
March 3,2020

Chennai, Mar 3: Makkal Needhi Maiyam president and actor Kamal Hassan on Tuesday appeared before Chennai Police on Tuesday in connection the deaths last month of three people on the set of the movie, 'Indian 2'.

Hassan appeared before Chennai Police Commissioner in Egmore to record his statement.

Three people died while around 10 suffered injuries when a crane collapsed while shooting of the film was underway in Chennai at EVP Studios on February 19.

Madhu, personal assistant to director Shankar, Krishna, assistant director, and a staffer Chandran, lost their lives in the incident.

In an open letter, "Indian 2" Director S Shankar announced Rs 1 crore as financial assistance to the kin of the deceased.

'Indian 2' stars Kamal Haasan, Kajal Agarwal, Rakul Preet, Siddharth, Priya Bhavani Shankar, Delhi Ganesh and Nedumudi Venu in prominent roles.

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Agencies
February 7,2020

Srinagar, Feb 7: Jammu and Kashmir High Court on Friday dismissed a petition seeking a stay on the release of the movie 'Shikara' which is based on the exodus of Kashmiri Pandits from the Valley.

The film which hit theatres today has Vidhu Vinod Chopra at the helm and narrates the story of the mass exodus of Kashmiri Pandits in 1990 that forced lakhs to flee their homeland almost overnight following a genocidal campaign by militants.

Shot primarily in the Valley, the movie is being promoted mainly as a journey of love between the lead couple.

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