Indian acid attack survivor Reshma Quereshi redefines beauty at NY Fashion Week

September 9, 2016

New York, Sep 9: An Indian teenager who lost an eye and whose face was brutally disfigured in an acid attack walked the New York catwalk to whoops and cheers today in what she called a life-changing experience.

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Reshma Qureshi, 19, brushed off nerves to stride the runway like a pro in a stunning cream and floral floor-length gown by Indian designer Archana Kochhar on the first official day of New York Fashion Week.

"I feel really good and the experience was great," she told AFP afterward, speaking in Hindi through a translator. "I feel as though it has definitely changed my life."

She was invited to take part by FTL Moda, a fashion production company committed to challenging industry stereotypes of beauty and which last year invited a model with Down Syndrome to take part.

Qureshi, whose ambition remains to finish the last two grades of high school and go to college, said she hoped her participation would send a powerful message to other acid attack survivors.

"Why should we not enjoy our lives? What happened to us is not our fault and we've done nothing wrong and so we should also move forward in life," she told AFP the night before the show.

Acid attacks, which overwhelmingly target women and children, are a particular scourge in Southeast Asia, sub-Saharan Africa, the West Indies and the Middle East.

In India, an estimated 500 to 1,000 attacks take place each year, and while they rarely kill they leave severe physical, psychological and social scars that can see victims ostracized and hidden away.

Today's show came the same day an Indian court sentenced a man to death for murdering a 24-year-old woman by throwing acid on her face after she rejected his offer of marriage, in a landmark judgement.

Since Qureshi was attacked by her brother-in-law in 2004, pinned down by his friends and her face doused in acid, she has become the face of a campaign to end the open sale of acid in India.

As slim as any professional model and with thick, luxurious hair, she appears in YouTube videos, filmed in her home base of Mumbai, and offering beauty tips and make-up advice.

Just moments before hitting the catwalk she clung to the arm of a floor assistant. But with her hair swept into a chignon with a delicate headpiece, professional make-up and her model frame flattered by the curves of the gown, she quickly turned into a natural.

"I want to tell the world -- do not see us in a weak light and see that even we can go out and do things," she told AFP. "People have a tendency to look at acid attack survivors from one perspective and I don't want them to look at them like that anymore," she said.

Backstage she was embraced by a fellow model and then lent over the balcony watching part of the rest of the show which featured evening and daywear for men and women by a handful of different designers.

As much as the audience of stylists, bloggers and members of the Indian diaspora whooped and cheered, Qureshi had come across on the eve of the show as rather overwhelmed and understandably jet lagged.

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News Network
June 17,2020

Jerusalem, Jun 17: Calling Sushant Singh Rajput as "a true friend", Israel has expressed its deepest condolences at the passing away of the young Bollywood star.

Rajput, 34, was found dead in his Bandra apartment on Sunday.

On Tuesday, Gilad Cohen, deputy director-general of Israel's foreign ministry, took to Twitter to mourn the actor's sudden demise.

"Sending my deepest condolences on the passing of Sushant Singh Rajput, a true friend of Israel. You will be missed!" Cohen wrote while sharing the link of the song "Makhna" from the actor's last film "Drive".

Sushant and his co-star Jacqueline Fernandez had shot the song in Israel as part of its ongoing efforts to bring Bollywood to the country.

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News Network
January 30,2020

Mumbai, Jan 30: A day after a woman filed a complaint against Ganesh Acharya alleging that he had forced her to watch pornography, actor Tanushree Dutta said Bollywood should boycott the choreographer.

A 33-year-old woman, an assistant choreographer, has written to the National Commission for Women (NCW) alleging that Acharya used to make her watch porn videos whenever she visited his office in suburban Andheri.

She also alleged that Acharya and two women assaulted her during a function of the Indian Film and Television Choreographers Association (IFTCA) held in suburban Andheri on Sunday. A complaint has been filed in this regard with Amboli police.

"It's time Bollywood and the other Indian film industries boycott choreographer Ganesh Acharya completely. Hiding behind the male superstars who work with this despicable man, he has been abusing his power and position to harass, bully and take advantage of vulnerable young newcomers to the industry," Dutta said in a statement here.

Dutta had alleged that her co-star Nana Patekar harassed and misbehaved with her while shooting for a song for their 2008 film "Horn Ok Pleasss", and Acharya, who was the choreographer, introduced new steps which were "intimate".

Recalling the trauma she faced, Tanushree said even though Acharya was party to all the harassment she faced on the 'Horn ok Pleasss" set, he went on to spoil her name and reputation.

"Nobody had any regard for me and how much I had suffered psychologically and financially because of the turmoil I went though due to these people. I left the industry because I was so scared and hurt over the atrocious treatment meted out to me on 'Horn ok Pleasss' set.

"I had worked very sincerely to get to where I got in life and so went in shock for many years, over the whole episode on that set almost 12 years ago, that led to an attack on my car. They didn't just break my car, they broke my spirit that day," Dutta said, in reference to the attack on her car in 2008.

She expressed her displeasure over how "leading men" and "heroes" of Bollywood continued working with Acharya, whose most recent work includes "Simmba", "Zero", "Sanju" among others.

"Even after all the information of fraud, non payment of dues, sexual harassment of dancers, bullying and intimidation and even physical abuse of dancers is coming out about Ganesh Acharya in the media, if the actors, directors and producers still work with him, it would mean that they themselves are engaging in such acts also.

"It's a warning to the film industry to stay the hell away from Ganesh Acharya otherwise your own reputation will be joined to his character. I'm sure many more girls and boys will come out about his misbehaviour and shady business, opening floodgates in the future," she added.

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Agencies
July 27,2020

Mumbai, Jul 27: Action director Parvez Khan, known for his work in films like Sriram Raghavan's Andhadhun and Badlapur, died on Monday after suffering a massive heart attack. He was 55. 

Parvez, who worked in the industry since 1986, was rushed to Ruby Hospital after he complained of chest pain, his longtime associate Nishant Khan told PTI. "He suffered a major heart attack in the morning. He was rushed to the hospital but was pronounced dead. He didn't have any health issues but felt chest pain last night," Nishant said.

Filmmaker Hansal Mehta, who worked with Parvez in the National Award winning 2013 drama Shahid, said the action director was extremely skilled. "Just heard that action director Parvez Khan is no more. We had worked together in Shahid where he executed the riots sequence in a single take. Very skilful, energetic and a good man. RIP Parvez. Your voice still rings in my ears," Hansal tweeted. 

Parvez started his career by assisting action director Akbar Bakshi in films like Akshay Kumar's Khiladi (1992), Shah Rukh Khan's Baazigar (1993) and Bobby Deol-starrer Soldier in 1998. It was with Ram Gopal Varma's Ab Tak Chhappan in 2004 that he started working independently and went on to have a long-standing collaboration with filmmaker Sriram Raghavan in films such as Johnny Gaddaar (2007), Saif Ali Khan-starrer Agent Vinod in 2012 and Badlapur, featuring Varun Dhawan. He is survived by wife, son, daughter-in-law and a granddaughter.

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