Indian acid attack survivor Reshma Quereshi redefines beauty at NY Fashion Week

September 9, 2016

New York, Sep 9: An Indian teenager who lost an eye and whose face was brutally disfigured in an acid attack walked the New York catwalk to whoops and cheers today in what she called a life-changing experience.

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Reshma Qureshi, 19, brushed off nerves to stride the runway like a pro in a stunning cream and floral floor-length gown by Indian designer Archana Kochhar on the first official day of New York Fashion Week.

"I feel really good and the experience was great," she told AFP afterward, speaking in Hindi through a translator. "I feel as though it has definitely changed my life."

She was invited to take part by FTL Moda, a fashion production company committed to challenging industry stereotypes of beauty and which last year invited a model with Down Syndrome to take part.

Qureshi, whose ambition remains to finish the last two grades of high school and go to college, said she hoped her participation would send a powerful message to other acid attack survivors.

"Why should we not enjoy our lives? What happened to us is not our fault and we've done nothing wrong and so we should also move forward in life," she told AFP the night before the show.

Acid attacks, which overwhelmingly target women and children, are a particular scourge in Southeast Asia, sub-Saharan Africa, the West Indies and the Middle East.

In India, an estimated 500 to 1,000 attacks take place each year, and while they rarely kill they leave severe physical, psychological and social scars that can see victims ostracized and hidden away.

Today's show came the same day an Indian court sentenced a man to death for murdering a 24-year-old woman by throwing acid on her face after she rejected his offer of marriage, in a landmark judgement.

Since Qureshi was attacked by her brother-in-law in 2004, pinned down by his friends and her face doused in acid, she has become the face of a campaign to end the open sale of acid in India.

As slim as any professional model and with thick, luxurious hair, she appears in YouTube videos, filmed in her home base of Mumbai, and offering beauty tips and make-up advice.

Just moments before hitting the catwalk she clung to the arm of a floor assistant. But with her hair swept into a chignon with a delicate headpiece, professional make-up and her model frame flattered by the curves of the gown, she quickly turned into a natural.

"I want to tell the world -- do not see us in a weak light and see that even we can go out and do things," she told AFP. "People have a tendency to look at acid attack survivors from one perspective and I don't want them to look at them like that anymore," she said.

Backstage she was embraced by a fellow model and then lent over the balcony watching part of the rest of the show which featured evening and daywear for men and women by a handful of different designers.

As much as the audience of stylists, bloggers and members of the Indian diaspora whooped and cheered, Qureshi had come across on the eve of the show as rather overwhelmed and understandably jet lagged.

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News Network
January 23,2020

Jan 23: Calling himself an optimist who believes in the goodness of people, director Kabir Khan says everything these days is being looked at through the prism of religion but India is about more than that.

The director of blockbusters such as Bajrangi Bhaijaan and Ek Tha Tiger said he is happy he has a platform as a filmmaker to present a counterpoint to the prevailing narrative based on religious fault lines.

"I’m an optimist who believes in the goodness of the people. But yes, there is a certain level of bigotry that has crept in. Everything is being looked at through the prism of religion but India is not about that.

"It sounds like a cliché but when I was growing up, I was not aware of my religion. That was the greatness of this country,” Kabir told news agency.

He said he is a product of a mixed marriage and is pained to see the social fabric being tattered.

“I have celebrated the best that Indian secularism has to offer. But to see the greatness of this country being simplified and broken down into religious fault lines is a painful experience,” he added.

According to Kabir, it is dangerous to see history through the prism of religion, whether in cinema or society. But it is important to revisit history to know what happened and one can always find something that is relevant for the present, he said.

The director, who started as a documentary filmmaker, returns to his roots for a five-episode series on Subhas Chandra Bose's Indian National Army, The Forgotten Army: Azaadi Ke Liye, on Amazon Prime, his most expensive project yet.

Asked whether this is a difficult time for filmmakers, Kabir said he believes art thrives in the time of strife and, as a storyteller, his politics will always reflect in his work.

“Every film has its politics and every filmmaker has to reflect his or her politics. Every film of mine will reflect my politics and it will never change according to the popular mood of the audience. But a film should not be just about that. Politics should be in the layers beneath," he said.

He terms his 2015 Salman Khan-starrer Bajrangi Bhaijaan an "extremely political" film. At face value, it can also be enjoyed as the story of a mute Pakistani girl who drifts into India and is taken back to her homeland by a Hanuman devotee. But there is so much more. The "chicken song", for instance, was a sly reference to the beef ban controversy at the time, he said.

"I won’t say it is a difficult time for me as a filmmaker. It is good that I have a platform where I can talk and present a counterpoint and I refuse to believe that the entire country believes the narrative that is being sent out. There are millions and millions of people, and perhaps the majority, that does not believe. And if I present the counterpoint, they will think about it.”

Discussing his new series, the director said it has always fascinated him that the sacrifice of the men and women who comprised the INA is just a forgotten footnote in history.

“I wanted to make something that stands the test of time. It goes down in posterity,” Khan, who first explored the subject in a Doordarshan documentary 20 years ago, said.

For the documentary, he traveled with former INA officers Captain Lakshmi Sahgal and Captain Gurbaksh Singh Dhillon from Singapore to India via erstwhile Burma, retracing the route that the INA followed.

“The documentary got me a lot of attention and acclaim but the story just never left me. It's actually the first script I ever wrote and I landed up with that script in Bombay from Delhi. I realised very soon that nobody's going to give me a budget of this size to make my first film.

"And then after every film, I would pick up the script and say, ‘Okay, this is the one I want to make’, because this is the story that made me want to become a filmmaker. On the way, I ended up making eight other films but this is really the story that I wanted to make,” he said.

Kabir is happy that the story has come out as a series, not a film, as it would have required to compromise with the budget and other elements.

"Without giving any numbers, this is the most expensive project I have ever worked on… It required that kind of budget."

Kabir believes the INA was responsible for bringing down the morale of the British establishment, which realised it would be impossible to keep the country colonised without the support of the local army.

"There are a lot of debates and discussions about what happened with the INA and the controversies around it. The whole point is that, if you want to judge what the Army did, sure that's your prerogative, but at least get to know what they did. Nobody knows what happened with the Army from 1942 to 1945."

He added that 55,000 men and women of the INA fought for independence and 47,000 of them died.

"Not a single person from that Army was ever taken back into the independent Army, which is such an amazing fact... the fact that the British called them traitors became the narrative and we also started assuming that they were traitors."

"They were the only women's regiment in the whole world 70 years ago. That's what they thought about women's importance in society. I don't know whether they will be happy with what the current situation is," he said.

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News Network
April 30,2020

Mumbai, Apr 29: Veteran actor Rishi Kapoor is not keeping well and has been admitted to a city hospital here, his elder brother Randhir Kapoor said.

The 67-year-old actor was taken to H N Reliance hospital by his family on Wednesday morning.

"He is in the hospital. He is suffering from cancer and he has some breathing problem, so he has been admitted to the hospital. He is stable now," Randhir told PTI.

The actor returned to India last September after undergoing treatment for cancer in the US for almost a year.

In February, Kapoor was hospitalised twice due to his health issues.

He was first admitted to a hospital in Delhi where he was attending a family function. At the time, Kapoor had said that he was suffering from an "infection".

After his return to Mumbai, he was again admitted to a hospital with viral fever. He was discharged soon after.

Kapoor, who has been quite active on social media, hasn't posted anything on his Twitter account since April 2.

The actor recently announced his next project, a remake of Hollywood film "The Intern", also featuring Deepika Padukone.

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News Network
May 8,2020

London, May 8: Actor Florence Pugh says the most terrifying aspect of starring in the upcoming superhero film "Black Widow" was doing the Russian accent.

In the Marvel Cinematic Universe's stand-alone film, the Oscar-nominated actor plays Yelena Belova, a sister-figure to Scarlett Johansson's Natasha Romanoff/ the titular Black Widow who was trained in the Red Room.

"I was scared because my Russian accent was going to be out there and I didn't know what it sounded like.

"I'm also playing a character who no-one's seen before but they've read about her. I didn't know whether people were going to hate me!" Pugh told ELLE UK for its June issue.

The 24-year-old actor also said the idea of joining the MCU itself was quite "daunting".

"When you think of Marvel, it's big and daunting. Especially being a relatively small actor to look at it and go, 'Oh! I'm going to be a part of this', that's a big decision," she said.

"Black Widow", which was scheduled to hit the theatres on May 1, will now release on November 6 due to the coronavirus pandemic.

Directed by Cate Shortland, the film also stars David Harbour and Rachel Weisz.

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