Indian government should recognise fashion like France: Manish Arora

February 18, 2016

Mumbai, Feb 18: The Indian government must appreciate the talent of fashion designers like the French government does, says Manish Arora, who at 43 has been conferred the Chevalier de la Legion d'Honneur, the highest civilian award, by the French government.

ManishKnown for working with a riot of colours, psychedelic prints and for producing kitschy designs that have been loved the world over -- sitarist Anoushka Shankar flaunted his creation at the 58th Grammy Awards ceremony -- Arora has been in the designing profession for over 15 years.

Expressing his joy on the honour, Arora said: "I am quite happy that the French could recognise somebody from India for this level in the field of fashion.

"I am the first Indian ever in the world of fashion and art to receive something like this and I am very happy. I hope that the Indian government should now recognise fashion as the form of art like the way French do."

Last year, the French government also honoured Indian designer Ritu Beri with Chevalier Des Arts et Des Lettres award, one of its highest civilian awards, for her contribution to the enrichment of Indo-French cultural relations.

Arora, who runs the Indian by Manish Arora brand, feels that the Indian government lacks when it comes to giving recognition to the fashion industry.

"Starting with the basic of the government's recognising fashion as serious business and then having specialised people who understand fashion to be involved in the government to make changes... Also, fashion designers are rarely recognised in any kind of ceremonies or awards in India. I think this needs to be changed," he added.

With a steady international clientele that makes it a point to visit his stall at national fashion weeks, Arora's international presence started with his successful debut at the London Fashion Week in September 2005. He later showed his creative prowess at platforms in Hong Kong and Miami.

In 2007, he showcased for the first time in Paris Fashion Week, eventually becoming a member of the distinguished French Federation of Pret-a-Porter in the same year. Now the Chevalier de la Legion d'Honneur is another feather to his cap.

Looking back at his journey, Arora, whose connect with France was also strengthened by his appointment as the creative director for iconic French fashion house Paco Robanne in 2011, said: "I always think that it's just a beginning."

"I never feel that I am working. I am one of those who is following his dreams in the form of a job. Not everybody in the world gets the chance to follow their dreams, and I am glad I found my belongings... I feel as if I am on holiday."

However, being among the first Indians to show internationally had its own pros and cons when he had started, Arora said.

"Starting in London, and then in Paris, was not that easy for me because you never had anybody else to take as an example. You had to make your own path, which comes with making a lot of mistakes, but then it also makes you more original and real because you have nobody else to look up to. So I am very glad with how my career shaped up," said Arora, whose designs are flaunted by the likes of international fashion icons like Lady Gaga, Katy Perry, and Nicki Minaj.

While he is happy with the evolution of the Indian fashion industry on the global map, he feels the country's designers still have a long way to go. A solution, he said, lies in the fact that "it is great to use India but you need to modernise India".

"You don't need to westernise, but you need to modernise India and Indian techniques of weaving or textiles to be at par with international level," added the designer, who has even worked in collaboration with brands such as Walt Disney, Swarvoski, Swatch, Reebok, Barbie, Mono Prix, Nespresso, Nivea, MAC Cosmetics, Pommery and Amrapali among others.

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News Network
May 29,2020

New Delhi, May 29: Actor Pooja Hegde revealed that her Instagram account was hacked after unflattering memes about her colleague Samantha Ruth Prabhu were shared.

Samantha's angry fans are not buying her explanation and it has prompted a Twitter trend #PoojaMustApologizeSamantha.

On Monday night, Pooja put out a tweet that her Instagram had been hacked and was in the process of being retrieved. She urged her fans to not accept any invitations or pass out any personal information to the person asking.

She wrote, "Hi guys, so I've been informed by my team that my insta account has been hacked and my digital team is helping me with it. Please do not accept any invitations or pass out any personal information out to the person asking. Thank you."

An hour later, which she spent "stressing," the 'Mohenjodaro' star tweeted again to say the account was restored and that all activity in the while it had been hacked would be undone.

"Spent the last hour stressing about the safety of my Instagram account. Thanking my technical team for instant help at this hour. Finally, got my hands back on my Instagram Any message, follow back or post in d past hour from my account has been done will be undone. Ty," tweeted Hegde.

The 29-year-old actor announced that her feed has been cleaned up now. Her most recent Instagram post is now one on pet food that she posted three days ago.

In Pooja's tweets, there is no mention of Samantha.

According to the screenshots that are being circulated over social media, a meme of Samantha was posted from Pooja's account. It read, "I don't find her pretty at all."

This tweet has triggered Samantha's fans who have not been pacified by her explanation and are demanding that Pooja apologise, meanwhile Pooja's fans say she has nothing to apologise for.

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News Network
January 9,2020

New Delhi, Jan 9: A Delhi court Thursday directed the makers of the Deepika Padukone starer feature film 'Chhapaak' to give credit to acid attack survivor Laxmi Agarwal’s lawyer in the movie.

Additional Civil Judge Pankaj Sharma said it was necessary that advocate Aparna Bhat's contribution is acknowledged.

"This Court is of the considered view that facts are indicative that the plea of the plaintiff for interim injunction is well-founded and it is necessary that her contribution be acknowledged by providing on the slide on the actual footage and the images, the line 'Aparna Bhat continues to fight the cases of sexual and physical violence against women' during the screening of the film.

"The said line on screen maybe with a rider that the same is with the court order," the judge said.

Advocate Bhat filed the application saying that despite representing Agarwal in courts for several years and helping in the movie-making, she was not given credit in the movie.

She said the filmmakers took her help in the entire process of writing and shooting the movie, but did not give the credit.

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News Network
January 24,2020

Paris, Jan 24: Rahul Mishra and Imane Ayissi made history on Thursday by becoming the first Indian and black African designers to show their clothes on the elite Paris haute couture catwalk.

Only a little more than a dozen of the world's most prestigious luxury labels -- including Dior, Chanel and Givenchy -- have a right to call their clothes haute couture.

All the clothes must be handmade -- and go on to sell for tens of thousands of euros (dollars) to some of the richest and most famous women in the world.

Mishra, an advocate of ethical "slow fashion" who blames mechanisation for much of the world's ills, said "it felt amazing and very surreal to be the first Indian to be chosen." "They see a great future for us -- which will make us push ourselves even harder," the 40-year-old told AFP after his debut show was cheered by fashionistas.

Both Mishra and Cameroon-born Ayissi, 51, are champions of traditional fabrics and techniques from their homelands and are famous for their classy lines.

Ayissi said his selection was "immense" both for Africa and himself.

"I am so proud that I can show my work and showcase real African fabrics and African heritage," he told AFP backstage as celebrities, including the chic head of Unesco, Audrey Azoulay, congratulated him.

Mishra broke through on the Paris ready-to-wear scene after winning the International Woolmark Prize in 2014, the top award that also launched the careers of such greats as Karl Lagerfeld and Yves Saint Laurent.

The purity of his often white creations with their detailed but understated embroidery has won him many fans, including Vogue's legendary critic Suzy Menkes.

The doyenne of fashion's front row called him an Indian "national treasure".

But this time, Mishra turned up the colour palette somewhat with dresses that subtly evoked the jungle paradises and pristine underwater world off the Maldives he worries that one day we might lose.

Appalled by the smoke and pollution that meant he had to keep his four-year-old daughter indoors in Delhi for nearly 20 days in November, Mishra said he imagined a "pure virginal and untamed planet... with ecosystems crafted out of embroidered flora and fauna".

"I am very emotional about it. Sometimes it makes me cry. All our children should be growing up in a better world," he added.

"When I take Aarna (his daughter) to the foothills of the Himalayas and the sky turns blue, she is so happy.

"Once, when she saw the River Ganges, she said: 'Can you please clean it for us so can go for a swim?'"

Mishra said he was reducing the quantity of clothes he was producing while at the same time increasing their quality, with humming birds, koalas and other animals hidden in the hundreds of hand worked embroidered leaves and flowers of his "jungle dresses".

The designer has won ethical and sustainability awards for his work supporting local crafts people in rural India.

"My objective is to create jobs which help people in their own villages," Mishra said.

"If villages are stronger, you will have a stronger country, a stronger nation, and a stronger world," he added.

Ayissi takes a similar stand, refusing to use wax prints popular in West Africa which he dismisses as "colonial".

Dutch mills flooded Africa with cotton printed with colourful patterns borrowed from Indonesian batik in the 19th century, and still dominate the market.

"When we talk about African fashion, it's always wax, which is a real pity," he told AFP, "because it's killing our own African heritage."

Ayissi, a former dancer who worked with singers such as Sting and Seal, told AFP he wanted to open up "a new path for Africa" and find an "alternative way of doing luxury fashion".

He has gone back to using prestigious local materials, like the strip fabric kente woven by the Akan people of Ghana and the Ivory Coast, which was originally worn only by nobles.

The son of an undefeated African boxing champ and a former Miss Cameroon, he also uses appliqued techniques from Benin and Ghana.

Haute couture shows only take place in Paris and the criteria to enter and remain in fashion's elite club are strictly enforced by French law.

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