'Jai Ho' was a Rs 126-crore flop film: Salman

July 18, 2014

Salman Jai hoMumbai, Jul 18: Superstar Salman Khan feels that lower rate of ticket prices for his last release 'Jai Ho' was a big mistake which led to the film's failure.

The film failed to get the expected big opening at the box office, upon its release in January this year.

"An actor wants his next film to be better and larger than their previous film. Either that film can be convincing or sometimes it becomes too much. After 'Dabangg' we made a realistic film ('Jai Ho'), where the hero is trained man but he also gets hurts and falls. But it became a serious film in a way," Salman said in an interview here.

"I think the release time of January (was not good) that time schools start, everyone is just out from holiday mood. And our ticket prices were Rs 250 on weekends and even lower on week days which I think was the big mistake but we did this for our fans. Eventually it is Rs 126 crore ka flop which is fine," he said.

'Jai Ho', the first big-budget release of 2014, could not get a bumper start unlike Salman's other films like 'Wanted', 'Bodyguard' and 'Dabangg'.

"I think if you see 'Jai Ho' on television it is the most amazing film that has a message of helping three people, it has family drama and entertainment. But the music did not do well which we thought it was amazing," Salman said.

The 48-year-old actor seems all charged up for the release of his upcoming film 'Kick', a remake of the Telugu film of the same name.

"The plot is of the film attracted me to do it. There are changes in the way that film and our film is made. The plot of their films (South Indian films) are very nice, so we adapt it and make it according to our sensibilities and it does well here," Salman said.

"I cannot do a rom-com and if I do I have to do a film like 'No Entry' and Sooraj's film...I can do such type of films. There is a larger than life genre for me which I enjoy doing," he said.

Ever since Salman's 'Wanted' was released on Eid in 2008, the actor has been releasing his films on Eid. Since then Eid has become synonymous with the 'Dabangg' star.

In 2012, Salman had 'Ek Tha Tiger' that hit the theatres during Eid. But next year (2013) he had no release during that time. This year too his upcoming film 'Kick' has been locked for Eid release.

"We were not ready for Eid release last year. Eid is a good day, Diwali and Christmas or public holidays are all chilled out period. Any festive season is the best time to come out as you have that many number of holidays and also it can accommodate more than one movie at a time," Salman said.

"The holiday period makes a huge difference to the collection of a film. People are busy with their own lives so much today that they get time to see movies on holiday," he said.

With films of not only big but small actors also doing well at the box office, there is so much competition around, but Salman doesn't feel the pressure.

"There is no pressure as I am not in this number game. If the film does well it feels good and if it doesn't do well then it obviously bothers as you have given your best and it has not got the numbers. But being in this number game I think is the most tiring thing ever, so I am not into this," Salman said.

"It does get difficult in terms of what next to do, what new to do and that is the task that is where the producers, actors and other creatives come in," he said.

'Kick' that marks the directorial debut of producer Sajid Nadiadwala, also features Jacqueline Fernandez, Randeep Hooda and Nawazuddin Siddiqui in lead roles.

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News Network
May 10,2020

Mumbai, May 10: Nearly a month after recovering from the coronavirus, actor Zoa Morani says she has donated her blood plasma to do her bit in helping the patients currently suffering from the novel virus. The actor, who was quarantined and kept under medication in April, also urged those who have recovered from COVID-19 to donate their plasma.

"Donated my blood today for the Plasma therapy trials at Nair hospital. It was fascinating! Always a silver lining I suppose. The team there was so enthusiastic and careful. There was a general physician on standby just incase of emergency and the equipment brand new and safe (sic)," Zoa wrote on Instagram on Saturday.

She thanked the doctors for taking care of her and hoped patients benefit from the donation.

"All #Covid19 recovered people can be a part of this trial, to help others covid patients recover! I hope this works #IndiaFightsCorona. They even gave me a certificate and Rs 500. Wont lie, I felt super cool today (sic)," she added.

Zoa, along with her sister Shaza and father, producer Karim Morani had tested positive for coronavirus in April. All three were discharged from the hospital after testing negative last month.

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Agencies
June 17,2020

Mumbai, Jun 17: A lawyer on Wednesday moved a criminal complaint against 8 persons, including Bollywood superstar Salman Khan and producer-director Karan Johar, in a local court regarding the death of Bollywood actor Sushant Singh Rajput.

The court had fixed July 3 as the next date of hearing.

In his complaint filed in the court of Chief Judicial Magistrate, advocate Sudhir Kumar Ojha alleged that these eight persons forced Sushant to commit suicide under a conspiracy which, he pleaded, amounted to murder.

Others named in the complaint are Aditya Chopra, Sajid Nadiadwala, Sanjay Leela Bhansali, Bhushan Kumar, Ekta Kapoor, and director Dinesh.

The complainant claimed that these persons did not let Sushant's movies get released under a conspiracy and the late actor was not even invited to film functions because of these people.

Ojha said that Sushant Singh Rajput's death had not only hurt the people of Bihar but the entire country.

He said the complaint had been filed under Sections 306, 109, 504 and 506 and Bollywood actor Kangana Ranawat had been listed as a witness in the case.

Sushant Singh Rajput had allegedly committed suicide at his Bandra flat in Mumbai on Sunday.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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