Japan anime giant Isao Takahata dead at 82

Agencies
April 6, 2018

Tokyo, Apr 6: Oscar-nominated Japanese anime director Isao Takahata, who co-founded Studio Ghibli and was best known for his work "Grave of the Fireflies", has died aged 82, the studio said on Friday.

The winner of many awards domestically and internationally, Takahata was considered one of the greats of Japanese animated film and is often linked with long-term Studio Ghibli collaborator Hayao Miyazaki.

He enjoyed a career spanning several decades, producing both films and work for the small screen and his latest production, "The Tale of the Princess Kaguya", earned him an Academy nomination for best animated feature.

An adaptation of a popular tale from the 10th century -- considered one of the founding texts of Japanese literature -- the film was also selected for a slot in the Directors' Fortnight sidebar to the main Cannes film competition in 2014.

It also won rave reviews, with the New York Times in 2014 describing it as "exquisitely drawn with both watercolour delicacy and a brisk sense of line."

However, most consider Takahata's 1988 film "Grave of the Fireflies", a moving tale of two orphans during World War II, to be his best work.

In 2000, famed reviewer Roger Ebert wrote that the movie "belongs on any list of the greatest war films ever made."

Born in 1935 in Mie prefecture in central Japan, his early life was marked with violence when US forces bombed his hometown in June 1945 as World War II was coming to a close.

In an interview with the Japan Times, he described fleeing with his sister barefoot and still in his pyjamas.

On his way back to the family house, he recalled seeing piles of bodies in the street. "We were lucky to get out alive," he told the newspaper.

Takahata started his career in animation at the Toei studio in 1959, where he eventually met long-term collaborator and rival Miyazaki.

With Miyazaki, he co-founded in 1985 the Japanese animation Studio Ghibli, which went on to produce several blockbusters.

With more complex and occasionally more violent plots than depicted in the average Disney cartoon film, these films have at times confused audiences outside Japan, who largely consider animation to be primarily for young children.

However, this has not stopped the films being lucrative box-office smashes.

Takahata and Miyazaki were often described as friends and rivals at the same time.

"We would never criticise each other face-to-face because it would just cause a fight. However, I know he has criticised my work," Takahata told the Japan Times.

Over a long and distinguished career, Takahata produced around 20 films, including "Only Yesterday" (1991) and "Pom Poko" (1994).

He also produced the Miyazaki-directed 1984 film "Kaze no Tani no Naushika" ("The Valley of the Wind"), a science fantasy adventure that describes the relationship between nature and human beings.

He is also well-known for animation series "Alps no Shojo Heidi" ("Heidi, Girl of the Alps") and "Lupin Sansei" ("Lupin the Third").

Perhaps inspired by his early trauma, he was an avid anti-war campaigner and in 2013 co-signed with around 250 other film celebrities a petition against a controversial state secrets law.

According to a statement from Studio Ghibli, he died in the early hours of Thursday in a Tokyo hospital after a battle with lung cancer.

"We pray that he rests in peace," the studio said, adding that he would be buried in a private ceremony attended by close family.

After studying French literature at university, Takahata enjoyed a long relationship with France and was awarded the Order of Arts and Letters honour in recognition of his work in 2015.

"France is the country I have travelled in most and I am extremely happy to have been decorated by the nation to which I feel closest," he said in his acceptance speech.

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News Network
July 11,2020

Mumbai, Jul 11: Bollywood veteran Amitabh Bachchan announced on Twitter late on Saturday that he tested positive for the novel coronavirus infection.

Taking to Twitter to announce the news, he said, "I have tested CoVID positive... " He added that family and staff had also undergone tests while Bachchan has been shifted to a hospital. 

Bachchan ended his tweet saying, "All that have been in close proximity to me in the last 10 days are requested to please get themselves tested !"

Bachchan, who was last seen in Gulabo Sitabo that released on OTT platforms, will be seen in Ranbir Kapoor-starrer Bhrahmastra.

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News Network
February 10,2020

Feb 10: Bong Joon-ho’s film “Parasite” starts in a dingy, half-basement apartment with a family of four barely able to scratch out a life. There must be no place to go but up, right? Yes and no. There’s nothing predictable when the South Korean director is on his game.

This dark, socially conscious film about the intertwining of two families is an intricately plotted, adult thriller. We can go up, for sure, but Bong can also take us deeper down. There’s always an extra floor somewhere in this masterpiece.

It tells the story of the impoverished four-person Kim family who, one by one, and with careful and devious planning, all get employed by the four-person affluent Park family — as a tutor, an art teacher, a driver and a housekeeper. They are imposters stunned by the way wealth can make things easier: “Money is an iron. It smooths out all the creases,” says the Park patriarch with wonder.

Bong, who directed and wrote the story for “Parasite,” has picked his title carefully, of course. Naturally, he’s alluding to the sycophantic relationship by a clan of scammers to the clueless rich who have unwittingly opened the doors of their home on a hill. But it’s not that simple. The rich family seem incapable of doing anything — from dishes to sex — without help. Who’s scamming who?

Bong’s previous films play with film genres and never hide their social commentary — think of the environmentalist pig-caper “Okja” and the dystopian sci-fi global warming scream “Snowpiercer.” But this time, Bong’s canvas is a thousand times smaller and his focus light-years more intense. There are no CGI train chases on mountains or car chases through cities. (There is also, thankfully, 100% less Tilda Swinton, a frequent, over-the-top Bong collaborator.

The two Korean families first make contact when a friend of the Kim’s son asks him to take over English lessons for the Park daughter. Soon the son (a dreamy Choi Woo-sik) convinces them to hire his sister (the excellent Park So-dam) as an art teacher, but doesn’t reveal it’s his sis. She forges her diploma and spews arty nonsense she learned on the internet, impressing the polite but firm Park matriarch (a superb Jo Yeo-jeong.)

The Park’s regular chauffer is soon let go and replaced by the Kim patriarch (a steely Lee Sun-kyun). Ditto the housemaid, who is dumped in favor of the Kims’ mother (a feisty Jang Hye-jin.) All eight people seem happy with the new arrangement until Bong reveals a twist: There are more parasites than you imagined. The clean, impeccably furnished Park home will have some blood splashing about.

Bong’s trademark slapstick is still here but the rough edges of his often too-loud lessons are shaved down nicely and his actors step forward. “Keep it focused,” the Kim’s son counsels his father at one point. Bong has followed that advice.

There are typically dazzling Bong touches throughout. Just look for all the insect references — stink bugs at the beginning to flies at the end, and a preoccupation with odor across the frames. And there’s a scene in which the rich matriarch skillfully winds noodles in a bowl while, in another room, duct tape is being wrapped around a victim and classical music plays.

Bong could have been more strident in his social critique but hasn’t. There are no villains in “Parasite” — and also no heroes. Both families are forever broken after chafing against each other, a bleak message about the classes ever really co-existing (Take that, “Downton Abbey”).

“Parasite” is a worthy winner of the Palme d’Or at the Cannes Film Festival, the first South Korean movie to win the prestigious top prize. The director has called it an “unstoppably fierce tragicomedy.” We just call it brilliant.

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Agencies
January 11,2020

Washington, Jan 11: Fresh off his win at the Golden Globes, actor Joaquin Phoenix participated in a climate change protest and was arrested by the police.

The "Joker" star took part in the weekly protests against climate change, started by Hollywood veteran Jane Fonda.

According to Variety, the 45-year-old actor also addressed the crowd of close to 300 people.

In his short speech, he took aim at the meat and dairy industry for being the third leading cause of the climate crisis.

"Sometimes we wonder what can we do in this fight against climate change, and there is something that you can do today and tomorrow, by making a choice about what you consume," Phoenix said.

"There are things I can't avoid. I flew a plane here today, or last night rather, but one thing I can do is change my eating habits," he added.

Besides Phoenix, veteran Hollywood star Martin Sheen also turned up for the protest and got arrested by the police. Actors Maggie Gyllenhaal and Susan Sarandon were also present.

Capitol Police said it arrested 147 people who were charged with crowding, obstructing or incommoding. All the protestors were later released.

Fonda, who was on stage with Phoenix, called him "one of the greatest living actors today".

She has been protesting weekly as part of her "Fire Drill Fridays" initiative since announcing she was moving to Washington "to be closer to the epicenter of the fight for our climate." Her participation has ended in multiple arrests.

Earlier this month, Phoenix had talked about climate change at the Golden Globes ceremony, asking Hollywood to walk the talk on the issue.

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