Kapil Sharma’s debut as the king of polygamy is funny but has no logic whatsoever!

September 25, 2015

kapilMumbai, Sep 25: The world of small screen has given some big stars to Bollywood. In fact, king of romance, Shah Rukh Khan started his career from TV shows. While in recent times a lot of TV stars have tried their hands with films and failed, it is popular comedian Kapil Sharma’s first shot at the glitzy world of films. Kapil Sharma is making his debut in films with the director duo Abbas Mustan’s Kis Kisko Pyaar Karoon. With Varun Sharma, Elli Avram and Arbaaz Khan as supporting cast, will Kapil leave a lasting impression as an actor? Lets check out the review!

What’s it about:

Though the basic story of the film is not new to us, there is a lot happening in the film thanks to truckload of characters. I hope I don’t miss anything important. Here it goes. Kumar Shiv Ram Kishan (Kapil) is a man troubled by the ill fate of three marriages. Due to some unfortunate and often illogical turn of events, our hero finds himself in situations that forces him to marry. And to help him hide his other marriages from his wives, he takes help of his lawyer friend Karan (Varun Sharma). And just when you thought that our hero has enough problems on his plate to deal with, he also has a girlfriend Deepika (Elli Avram) whom he truly loves and wants to marry. What will happen now? How can anyone possibly get out of this mess unscathed? Add a deaf don cum brother in law, estranged parents, a typical dim witted bai and an ever doubting future father in law into the equation, and you get heady mix of confusion and fun called Kis Kisko Pyaar Karoon.

What’s good:

The biggest merit of Kis Kisko Pyaar Karoon lies in the fact that it keeps you entertained. Sure, it might seem a little over the top and at times juvenile, but the film thankfully doesn’t bore you, which is a huge plus point. Even though the basic plot is same as Govinda’s Sajjan Chale Sasural, there are enough characters and loads of situational comedy that will help you overlook the story’s lack of novelty. Kapil Sharma stands out in his debut flick, playing the part of a man who, day in day out, lives in the tension of managing three wives. His nervous comic timing and his ability to make a serious situation hilarious benefits the film hugely. While you secretly pity at Kapil’s state, one just can’t help but chuckle at his plight. Kapil, even, shines in the dramatic scenes and shows great promise as an actor. Varun Sharma does justice to his role of Kapil’s cheeky lawyer friend, who gets him out of troubles. His jokes about science and Newton’s laws infuses laughter. Even though he is playing a stereotypical role of a deaf person of Bollywood standards, Arbaaz Khan’s antics and his dialogues are entertaining. Scenes like Kapil’s attempts to hide from the prying eyes of Eli’s father in a mall, where all his three wives are out for shopping are hilarious and outstanding. Manjari Fadnis’ repetitive one liner ‘Bhagwan Sabko Tumhare Jaisa Pati De’ makes you enjoy the underlined pun in it.

What’s bad:

While the comedy is good and the makers have kept the proceedings entertaining, Kis Kisko Pyaar Karoon is far from perfect. One major flaws of the film is the complete lack of logic from start to finish. How can anyone married to three women, living in the same building, manage to escape for so long without being caught? And how can these wives be so dumb that even after becoming friends with each other, they never come to know the truth about their husbands ( or rather husband)? And how does Kapil’s lawyer friend Varun doesn’t know that polygamy is illegal in India? The start of the film, where it is shown how Kapil gets married thrice, is so illogical and juvenile that I felt like the makers are questioning the intelligence of the audience. The climax of the film is so laughable and dumb that you can’t help but feel that the makers are actually glorifying polygamy. After Kapil calls his three marriages as “hadsa” and convinces that his wives, his parents and the society that he is innocent, by delivering an utterly unconvincing speech, Eli Evram says this,” Jis aadmi ne hadso se pyaar kiya, us aadmi ke pyaar ko me ek hadsa nahi hone doongi.” And I stood up and gave a standing ovation to this dialogue which sums up the level of idiotic-ness of this climax. And, oh please don’t get me started about Elli Avram’s acting.

What to do:

If you are looking for having a few laughs at the cinemas this week, and have the stomach to digest a dumb comedy, then Kis Kisko Pyaar Karoon is for you! Watch it for Kapil Sharma’s impressive debut!

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Agencies
July 11,2020

New Delhi, Jul 11: The COVID-19 triggered restrictions on cinema exhibition industry have not only disheartened movie goers, but axed several thousand jobs and costed the industry an estimated ₹ 5,000 crore in revenue.

The sector has been one of the hardest hit due to COVID-19 pandemic and the subsequent restrictions implemented to curb its spread.

Presently, cinemas and multiplexes continue to remain in the list of prohibited activities under the Centre's Unlock 2.0 Guidelines.

In an interview to media persons, movie exhibition major Inox Leisure's Chief Executive Alok Tandon said, "The industry on an average collects about ₹ 1,000 crore a month of 'Box Office' and on an average generates about ₹ 500 crore a month of ancillary revenues."

"Keeping in mind that the lockdown has been effective for more than 100 days now, which is about 3.5 months, the cinema exhibition industry would have accumulated losses worth ₹ 5,000 crore so far."

According to Tandon, associated businesses such as pre and post-production, make-up artistes, graphics, film set fabrication, film crew, events, marketing, F&B services have all been impacted due to the restrictions.

"With the production and exhibition of movies coming to a halt, the industry was bound to witness some job losses," he said without divulging any estimates.

As per industry data, the multiplex industry in India employs more than 200,000 people directly and accounts for nearly 60 % of revenues of the film business.

On the way forward, Tandon elaborated that the industry expects to regain business momentum and sentiment post resumption of operations.

"We believe it will be a matter of a couple of blockbusters, and we will be back to our usual operational numbers," he said.

"We are rightfully relying on the unshakeable passion of the Indian movie lovers, who are yearning to step out and spend time enjoying the giant screen experience."

Furthermore, he cited that industry has sent representation to the Centre for immediate re-commencement of operations and a support package.

"We have requested for financial support in the form of salary subsidies during the lockdown period, interest-free loans for three years, exemptions from various taxes and duties, like 'GST, Show tax, LBETs and Property taxes' for a period of one year from the date of operations, waiver on electricity minimum demand charges for one year and auto renewal of licenses and permits for the next one year," he said.

"We have been talking to our mall developer partners and are working together with them to see through this phase."

However, even after re-commencement, the industry anticipates at least 3-6 months before things return anywhere close to normal.

"The cinema ecosystem is such that we will need all the aspects of the business to swing into action and fire together for us to see a resurgence, and we are highly optimistic about the same," he said.

In terms of global experience, Tandon pointed out that cinemas have started operating in more than 25 major countries, and some of those markets are witnessing a healthy response.

"India is a massive movie market and we are confident that the passionate and responsible movie lovers will turn up in huge numbers to enjoy their favourite form of entertainment and also follow the prevention guidelines at the same time, ensuring a safe and steady revival of the cinema exhibition sector," Tandon said.

The film exhibition industry in India is mainly comprised of single screen and multiplexes.

At present there are around 9,527 cinemas across the country, including 6,327 single and 3,200 multiplex screens.

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News Network
June 16,2020

Mumbai, Jun 16: In the wake of Sushant Singh Rajput's death, veteran actor Deepti Naval has opened up about her struggle with depression and suicidal thoughts in the early 90s.

Naval shared a poem that she wrote during her struggle with depression on her Facebook page after paying tributes to Rajput, who was found hanging in his Bandra apartment on Sunday at the age of 34.

According to a police official, Mumbai Police found out during the probe that the actor was under medication for depression

"Dark days these... So much has been happening - mind has come to a point of stillness... Or rather numbness. Today I feel like sharing a poem I wrote back in the years when I was fighting depression, anxiety, suicidal thoughts - Yes, fighting... and like how," Naval wrote.

The 68-year-old actor made her debut with Shyam Benegal's 1978 "Junoon" and went on to feature in films like "Chashme Buddoor", "Ankahee", "Mirch Masala", Saath Saath among others in the 80s.

Naval's poem, titled "Black Wind", begins by describing how anxiety engulfs a person.

"Anxiety grips me with both hands, spiked claws dig deep into my soul I gasp for breath and stagger around sharp corners of my single bed.."

In the poem, Naval talks about fighting suicidal thoughts and depression, describing it as a "ghoulish lust" she won't succumb to.

"The telephone rings... no, it stops...God damn! Why don't anyone speak? A voice, Just a human voice In this shameless, pitiless Abyss of the night - gloom deepens into darkness, turns purple I feel dark inside."

The actor ends by writing that she will survive the night, its "deathly design" and fight.

"The world's a snake pit, so let it be! I dare the devil to get the better of me! Deepti Naval, Night of July 28, 1991."

In an interview with PTI last year, Naval had mentioned how acting assignments started to thin in the late 90s and as a "serious actor" it was "devastating" to be ignored.

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News Network
May 18,2020

Washington, May 18: Joining hands with the European Commission, actor Leonardo DiCaprio launched the Virunga Fund with seed money of USD 2 million to support Africa's Virunga National Park.

Since Virunga has lost a significant amount of revenue due to COVID shutdown post-March, the fund will be used to support the national park and the communities around, reported Variety.

The fund is aimed at disease prevention efforts, protection of mountain gorilla, and other species.

"I had the great honor of meeting and supporting Virunga's courageous team in their fight against illegal oil drilling in 2013," Variety quoted DiCaprio as saying.

"Virunga urgently needs funds to protect the endangered mountain gorilla population, to provide support to the rangers and the families of rangers who have fallen in the line of duty, and to help deliver essential disease prevention efforts. It's critical that we rally together during this time of incredible crisis," he added.

The 'Titanic' actor had earlier produced a Netflix documentary film 'Virunga' which is based on the national park.

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